'Undress Your Madness' is Pretty Maids' highly anticipated follow up to 2016's critically and commercially successful release 'Kingmaker', a record that continued the 'revitalized' path that the band set out upon with the now classic albums 'Pandemonium' (2010) and 'Motherland' (2013). The production is absolutely stellar thanks to Jacob Hansen (Volbeat), who has given the band a sound that not only reinvigorates them, but also incorporates the soundscapes of the past. Modern and classic at the same time.

Future World is the second album by the Danish hard rock/heavy metal band Pretty Maids. The album was released by CBS in 1987. The album charted at number 165 on the Billboard 200 in the United States. Future World was produced by Eddie Kramer, who was fired during the recording sessions because he fell asleep at the mixing console, according to guitarist Ken Hammer. The band then finished the album with engineer Chris Isca, who was credited as co-producer on the album. Mixing duties were shared between Metallica, Rainbow and Morbid Angel producer Flemming Rasmussen, and Kevin Elson, known for producing multiplatinum albums by Journey, Mr. Big and Europe.

The second album by Manfred Mann's Earth Band to be released in 1972, Glorified Magnified is as solid a heavy rock album as you're likely to find from that era, and it still holds up three decades later, mostly because these guys are smarter than the music they're playing and don't mind indulging their taste as well as their dexterity. They can romp and stomp through "Meat" or "I'm Gonna Have You All," complete with a slashing guitar solo by Mick Rogers on the latter, or throw in a synthesizer interlude by Mann on "One Way Glass" that's so quietly and carefully executed as to be worthy of a classical piece – and not skip a beat doing it.

Although Free made excellent studio records, Free Live! is perhaps the best way to experience the band in all its glory. Led by singer-guitarist Paul Rodgers and lead guitarist Paul Kosoff, the band swings through nine songs with power, clarity, and a dose of funk. Of course, the hit single "All Right Now" is gleefully extended, much to the audience's and listener's delight. Superbly recorded by Andy Johns, this is one of the greatest live albums of the 1970s.

After being intermittently active during the mid-'80s, Ian Hunter returned full force to the world of rock & roll with this 1989 album. As usual, Mick Ronson plays an important role, making a substantial contribution to the songwriting and supplying an array of tasty guitar licks. The result is a strong outing that brings Hunter's classically styled rock up to date: the standout example of this is "American Music," a heartfelt tribute to the music that inspired "Hunter" as a child that combines power chords with a slickly harmonized chorus to create a punchy slice of pop-flavored rock & roll. YUI Orta is the slickest-sounding album in Hunter's catalog thanks to the efforts of Bernard Edwards, the producer best known for being half of the creative brain trust behind Chic and producing slick outings for the Power Station and Robert Palmer. This pairing might seem odd in concept but it results in an effective sound that rocks hard but offers enough ear candy elements to make the whole package listener friendly. For instance, Edwards adds a serpentine horn riff to "Cool" that cleverly enhances its soulfulness without taming the song's hard rock edge.

Gabrielle De Val is a Spanish Singer, Songwriter and Voice-Over Actress, known for her role in The Val and most recently guesting on Bruce Mee’s concept album Circle Of Friends. 'Kiss in a Dragon Night', is Gabrielle's first solo album, organised and arranged by Bruce Mee. Together with producer Khalil Turk (Escape Music), he shaped the idea and created an album involving vocalists such as Steve Overland (FM), Mick Devine (Seven), Robin McAuley (MSG), Mark Boals (Yngwie Malmsteen) and Terry Brock (Strangeways) as well as musicians such as Gary Pihl (Boston), Eric Ragno (Joe Lynn Turner), Johan Kullberg (HammerFall) and Fredrik Folkare (Nordic Union).

Frontiers Music Srl is pleased to announce the signing of an incredible new trio, Heroes And Monsters. Formed by three rock n' roll lifers and friends, bassist/vocalist Todd Kerns, guitarist Stef Burns, and drummer Will Hunt, the band's self-titled debut album will be released on January 20, 2023. The players' resumes speak for themselves, but rest assured, if you are looking for hard hitting, hooky, in-your-face rock-n-roll, then Heroes And Monsters will be good for what ails you. The band approaches their style with their influences in tow, but also with an understanding and appreciation of the current rock scene. A best of both worlds scenario, if you will.

First Signal, an ongoing melodic rock project fronted by the inimitable Harry Hess (Harem Scarem), has announced the release of their new album, “Face Your Fears” on February 17, 2022. The new record, their fifth overall, continues the tradition they've now established over the course of their discography of delivering top notch melodic rock perfectly suited for the legendary voice of Hess. For "Face Your Fears", Hess collaborated with producer Michele Guaitoli, who has produced albums by ISSA, Visions Of Atlantis, Kalidia, SheWolf, and many more. (He is also the vocalist for Visions Of Atlantis, Temperance, and ERA.) Guaitoli also plays bass and some guitars on the album in addition to overseeing production.

What I Did on My Vacation is an official compilation album from Ian Gillan, released in 1986 in UK by 10 Records. The album covers Gillan's recordings between 1977 and 1982 and was released in three formats (2LP, CD, MC). All songs from the album had been previously released. Although not credited on the cover, "Scarabus" is preceded by an instrumental piece by Colin Towns, which was used as the intro to "On The Rocks" (from the Glory Road album).

Six years went by between the release of Crazy Horse's third album, At Crooked Lake, and its fourth, Crazy Moon, and a lot of water went under the bridge in the meantime. Crazy Horse was, in effect, three different bands on its first three albums because the only constants were bassist Billy Talbot and drummer Ralph Molina as lead singers, songwriters, guitarists, and keyboardists came and went. The band name seemed to be retired by 1973, but in 1974 Talbot and Molina hooked up with singer/guitarist Frank Sampedro as Crazy Horse, leading to sessions with their erstwhile employer Neil Young that resulted in the Young/Crazy Horse album Zuma. At the same time, they recorded some Crazy Horse tracks that sat around for years, finally being finished off in the summer of 1978 for release here. The result is the first album since their debut, 1971's Crazy Horse, that sounds identifiable as the band that backs Young.