Released in 2003, the exceptional two-CD Rainbow collection Catch the Rainbow: The Anthology provides a deeper understanding of how the band influenced the direction of hard rock and heavy metal. Between 1975 and 1984, former Deep Purple guitarist Ritchie Blackmore guided his new band (which had dizzying revolving-door lineup changes) through visions of mystical heavy metal and polished, radio-friendly hard rock. Blackmore's employment of vocalists Ronnie James Dio, Graham Bonnet, and Joe Lynn Turner created three distinct periods, all of which Catch the Rainbow: The Anthology expands upon further than 2000's perfunctory 20th Century Masters - The Millennium Collection: The Best of Rainbow and 1997's stellar The Very Best of Rainbow.

On Saturday 16th August 1980 Rainbow took to the stage to headline the first rock festival to be staged at Castle Donington. It was the culmination of the band s tour in support of the hugely successful Down To Earth album, released in 1979, and would prove to be the last live show featuring this particular line-up of the band: Ritchie Blackmore (guitars), Don Airey (keyboards), Graham Bonnet (vocals), Roger Glover (bass) and Cozy Powell (drums). The set featured tracks from the new album alongside classics from earlier in their career. There are virtuoso solo spots for Blackmore, Airey and Powell which serve to highlight the sheer musical prowess in the band. The show climaxes with Ritchie Blackmore destroying his guitar and thrusting it into an amp which promptly bursts into flames before fireworks burst overhead at the conclusion of an explosive show.

Long Live Rock 'n' Roll may be singer Ronnie James Dio's last album with Rainbow, but at least he went out on a high note. While the material is not quite as strong as on the previous studio effort, Rising, Long Live Rock 'n' Roll maintains the momentum the band had built up. "Kill the King" had been previously heard on the live On Stage record, but here it sounds more fully realized. Also, the title track from the album stands as one of the best songs the band did, not to mention a noble sentiment. The chugging "L.A. Connection" is another highlight. As with all of their first four albums, this one was produced by Martin Birch (who produced everyone from Blue Öyster Cult to Wayne County), and he really knows how to get the best out of the band by this point.

Ritchie Blackmore's Rainbow is the first studio album by British rock band Rainbow, released in 1975. During studio sessions in Tampa Bay, Florida on 12 December 1974, Blackmore originally planned to record the solo single "Black Sheep of the Family"- a cover of a track by the band Quatermass from 1970 - and the newly composed "Sixteenth Century Greensleeves", which was to be the B-side. Other musicians involved included singer/lyricist Ronnie James Dio and drummer Gary Driscoll of blues rock band Elf, and cellist Hugh McDowell of ELO. Satisfied with the two tracks, Blackmore decided to extend the sessions to a full album.

Recorded live at the Calderone Concert Hall, Hempstead, NY on November 30th 1979. The brainchild of former Deep Purple guitarist Ritchie Blackmore, Rainbow quickly developed into one of the '70s most successful heavy metal bands behind charismatic front man Ronnie James Dio. Together, the duo would produce a string of acclaimed albums which are still considered classics of the genre. But the group would change their musical approach numerous times following the singer's departure, eventually confusing and alienating much of their audience. Releasing eight albums during it's decade long run, the band finally came to an end when Blackmore departed to rejoin his old Deep Purple comrades in a full-fledged reunion in 1984. And while the impact of Rainbow's influence has faded with the intervening decades, theirs was a crucial chapter in the development of heavy metal and hard rock.

Recorded live at the Rainbow Room Music Hall Denver, Colorado. Nov 16th 1979. Classic hard rock with Graham Bonnet on vocals. This recording shows a different phase in their career after Ronnie Dio left. In support of Down To Earth, the 1979 album.

Absolutely stunning digitally remixed and remastered six CD box set featuring three complete live shows by this Classic Rock band, recorded live in Germany in 1976 during their first world tour. These Discs were Recorded at Shows in Koln, Dusseldorf, and Nuremberg. The band, at this stage, featured Ritchie Blackmore, Ronnie James Dio, Cozy Powel and Tony Carey. Although each of the three shows (from September 25, 27 and 28) have the same setlist, the performances are electrifying and fresh. Each of the shows are two CD sets that are packaged in gatefold miniature LP sleeves with similar colorful artwork. All three two disc sets are packaged in an attractive slipcase. Featuring 'Kill The King', 'Still I'm Sad', 'Catch The Rainbow' and more. 26 tracks total (two of the shows feature nine tracks, one show features eight).

Ritchie Blackmore decided to pull the plug on Rainbow following the supporting tour for 1983's Bent Out of Shape. To commemorate the end of the band, he released the appropriately-titled, Finyl Vinyl. A double-record set of live recordings and a handful of studio outtakes, primarily culled from the Joe Lynn Turner era but also featuring selections with Ronnie James Dio and Graham Bonnet, Finyl Vinyl offers a haphazard alternate history designed for hardcore fans (by 1986, that's pretty much all Blackmore had left). For those fans, the album is actually quite a treat. Rainbow always sounded better on stage than they did on the studio – rawer, harder, alive – and songs that sounded half-baked in the studio, such as selections from Difficult to Cure, sound right here.

Long Live Rock 'n' Roll may be singer Ronnie James Dio's last album with Rainbow, but at least he went out on a high note. While the material is not quite as strong as on the previous studio effort, Rising, Long Live Rock 'n' Roll maintains the momentum the band had built up. "Kill the King" had been previously heard on the live On Stage record, but here it sounds more fully realized. Also, the title track from the album stands as one of the best songs the band did, not to mention a noble sentiment. The chugging "L.A. Connection" is another highlight. As with all of their first four albums, this one was produced by Martin Birch (who produced everyone from Blue Öyster Cult to Wayne County), and he really knows how to get the best out of the band by this point.

The Best of Rainbow compiles 16 of the best tracks from Rainbow's first seven studio albums, wisely avoiding 1977's live On Stage release. The first two tracks from their debut album, 1975's Ritchie Blackmore's Rainbow, showcases the instant bond that was formed between Blackmore and Ronnie James Dio, especially on "Man on the Silver Mountain." Blackmore changed the band for the following year's Rainbow Rising, with Jimmy Bain replacing bass player Craig Gruber, and Cozy Powell taking percussion duties away from Gary Driscoll. Adding keyboard player Tony Carey helped tracks like "Starstruck" and the lengthy "Stargazer" to sound a little more dimensional and fluent than the group's first effort.

The true power of music is impossible to define and yet we can all feel it when the sonic planets align. The magical impact of the finest rock'n'roll - that hazy but overwhelming blend of inspiration and perspiration - sustains us through dark times and fills our hearts with joy and strength. Music unites us, nourishes us and provides us with an emotional clarity that the rest of our turbulent lives singularly fails to offer. For those reasons and many more, we must proudly acknowledge and salute the true architects of the musical world that we call home. Above all else, Ritchie Blackmore is one of rock's greatest architects; a six-string seer that laid robust foundations upon which four decades of thunderous, perpetual evolution have taken place.

On their second release, Rainbow not only avoid the sophomore jinx; they hit a home run. After replacing the entire band (except Ronnie James Dio) immediately following the recording of the first album, Ritchie Blackmore and the Rising lineup (Blackmore; Dio; Tony Carey, keys; Jimmy Bain, bass; and the late, great Cozy Powell, drums) had plenty of time on the road touring the first album to get the chops and material together for their second. In particular, "Stargazer" really came together on the 1975 tour and featured stunning keyboard work from Carey…