Released in 1966 on Verve Records, Jimmy and Wes (The Dynamic Duo), captures the only full-length studio collaboration between organist Jimmy Smith and guitarist Wes Montgomery. Produced by Creed Taylor and arranged by Oliver Nelson, Jimmy and Wes brought together two of jazz’s most distinctive voices in an expansive big band setting. Recorded over three days in September 1966 at Rudy Van Gelder’s Englewood Cliffs studio, the sessions featured a brass and reed-heavy ensemble and a top-tier rhythm section with drummer Grady Tate and bassist Richard Davis. Montgomery’s melodic guitar lines and Smith’s fiery organ grooves find a vibrant setting in Nelson’s tight, punchy arrangements – rich in harmonic color and rhythmic drive. The result is a rare meeting of two jazz giants, captured during a period of broad popular success, with the added presence of one of the era’s most accomplished arrangers.

A glance at the catalogue of works by the composer Otto Nicolai quickly reveals that, although he composed an astonishing amount of music during his short, incredibly eventful life of barely 39 years, he paid rather scant attention to the piano—an instrument he played superbly—when it came to his own compositions. Alongside half a dozen operas and two symphonies, as well as a wealth of sacred and secular vocal music, he wrote a handful of piano works that easily fit on a double album. The result is a veritable bonbonnière. Two starkly contrasting sonatas represent the “serious” Nicolai. The founder of the Vienna Philharmonic and director of the Vienna Court Opera is represented, amongst other things, by theatrical occasional music and a fantasia on Casta Diva. The trend conscious, playful composer of The Merry Wives of Windsor also composed a number of light pieces such as the Moon Waltz, which has nothing to fear from comparison to anyone named Strauss.

Shostakovich was genuinely trying to break new ground but had been sharply brought into line (viz. the edict issued against his opera "Lady MacBeth of Mtsensk"). His 5th Symphony seems to cast doubt on the Marxist purity of the Party in power. He conveys his rage in unexpectedly neo-Mahlerian style, but concludes with politically correct optimism. A quarter of a century later he produced "The Year 1917", a skilfully produced commission which sounds like a film score. Even today Mravinsky is still the most effective interpreter of this contradictory diptych, capable of rendering both its intrinsic power and resounding ambiguities.

Jason Isbell - award-winning artist is back with his fifth album 'Something More Than Free', featuring Isbell's Southern-inspired vignettes of working class men, women and traditions that permeate these 11 new songs. The pure honesty and authenticity of Isbell's poetic lyrics and soulful vocals have connected deeply with so many, and they shine as brightly as ever on the new album. It is Isbell's most sonically diverse album to date.

This Was Then is the ninth full-length album by pianist/composer Erik Deutsch. His long-running NYC sextet has once again been enlisted to conjure their magic: Tony Mason on drums, Jeff Hill on bass, Avi Bortnick on drums, Mike McGinnis on Reeds, and Brian Drye on trombone; plus special guests Mauro Refosco on percussion and Victoria Reed on vocals. In between touring full time with The Black Crowes, piloting multiple projects, and recording with an incredible variety of artists, Deutsch has found the time to create an excellent new album of original material.

Renowned songwriter, musician, artist and best-selling author Josh Ritter releases his new album “I Believe In You, My Honeydew”. The new record features ten new tracks produced by Sam Kassirer and features Ritter alongside his Royal City Band: Kassirer (piano, organ, synthesizer, accordion), Zachariah Hickman (acoustic and electric bass, thumb piano, mandolin), Rich Hinman (guitars, pedal steel, mandolin) and Ray Rizzo (drums, percussion).

The Grateful Dead’s April 3, 1988 concert at the Hartford Civic Center serves as night one of a famous three-night spring run, which has been newly mastered and officially released from the vault in July 2026 under the band's official Dead Drops series.

Double Trouble is the fifteenth soundtrack album by American singer and musician Elvis Presley, released by RCA Victor in mono and stereo, LPM/LSP 3787, in June 1967.

Blues-rock titan Joe Bonamassa is back with Breakthrough, his powerful new studio album dropping July 18th.

Dom Salvador's influence on Brazilian music is immeasurable. As the architect behind the groundbreaking album Som, Sangue e Raça (1971) and the leader of the pioneering group Abolição, he carved out a space for Black consciousness in Brazil’s music scene, fusing American jazz and funk with Afro- Brazilian rhythms.

Celebrating the 50th anniversary of the special, LMFP is thrilled to present the premiere release of Vince Guaraldi's soundtrack for 1975's animated classic, "You're a Good Sport, Charlie Brown."

The Revivalists' third full-length studio recording, Men Amongst Mountains proved the New Orleans, LA-based band's breakthrough upon its July 2015 release, reaching #4 on "Heatseekers Albums," #18 on "Alternative Albums," and #23 on "Top Rock Albums."

For fans all over, this moment has been a long time coming.

Anarchic carnival street music from Haiti. Traces of New Orleans' Second Line jazz meets Cuban carnival Comparsas and Brazilian afro blocs and as deep as the Art Ensemble of Chicago!

10 years of Jo Didderen & L'Equipe De Rêve - that's something to celebrate! L’Equipe Lab swings, twists, surprises, soothes, thinks, explodes, and comforts. Anything goes, everything’s allowed.