A story of enduring love between Leonard Cohen and his Norwegian muse, Marianne Ihlen. The film follows their relationship from their early days in Greece, a time of "free love" and open marriage, to how their love evolved when Leonard became a successful musician.

Información de la editorial: Tras varios años visitando Ucrania, Rusia y Siberia para recabar las versiones de los supervivientes y testigos del régimen soviético, Igort sintió la necesidad de iluminar dos épocas de la historia reciente -la hambruna en Ucrania de principios del siglo pasado y el asesinato de la periodista y activista rusa Anna Politkóvskaya en 2006-, a través de un reportaje gráfico de profunda humanidad.

From veteran FRONTLINE filmmaker and chronicler of U.S. politics Michael Kirk and his team, this documentary traces the U.S. response to the September 11, 2001 terrorist attacks and the devastating consequences that unfolded across four presidencies.

Like most compilations from his old group the Stranglers, Hugh Cornwell's first solo collection subscribes to the "leave them wanting more" theory, as it whets the appetite instead of fully satisfying. If this was the be-all, end-all when it comes to Hugh's first six solo albums, then cuts like "Picked Up by the Wind" and "Black Hair Black Eyes Black Suit" would be included, but brevity is the thing here, and this tight, no-filler track list packs quite the punch, and that's hard to argue against. New song "Live It and Breathe It" lives up to the other numbers here – as opposed to when the Stranglers would screw up comps with throwaways like a cover of "96 Tears" – and the black humor of the old days is back with the cover art that features Hugh's well-done plus well-revered solo albums, along with a sledgehammer that says "F*ck it all!"

Les Illuminations was premiered by Sophie Wyss in 1939, but, as with much of Britten's work, has been colonised since by tenors. Here, it is a joy to hear Felicity Lott singing a soprano version. Her voice is in the full bloom of youth, and she sings with a thrilling freshness and verve, entirely in keeping with the mood of excitement. There are many delicious moments – how wittily she confides "Des drôles trés solides" in Parade, and explodes with an ecstatic "J'ai seul la clef de cette parade sauvage !" echoing the sole phrase in the opening fanfare, but with a completely different tone. When the same phrase appears again, in Interlude, she sings it in yet another way, echoing the instrumental colouring around it.

Homer wrote his epic, The Iliad, in 700 BC 500 years after the Trojan Wars were supposed to have taken place. On what did he base his story? Where was Troy situated? Did Paris and Helen really exist? What was the significance of the famous wooden horse? Can archaeology help us to recreate a Bronze Age citadel which stood at the cross roads of the major trading routes of the day? Did the Trojan war ever happen,or was the city destroyed by natural causes?It's fascinated poets, painters and Hollywood directors for over 2,500 years.

Información de la editorial: ¡La mítica historia que lanzó al estrellato a Frank Castle, en un volumen de lujo que incluye también su secuela y decenas de extras! El Castigador ha escapado de prisión y ha encendido la mecha de una guerra de bandas, pero su peor enemigo planea lanzarle el mayor ataque de su carrera. Un cómic violento y adulto, dibujado por Mike Zeck (Secret Wars, La última cacería de Kraven) en el apogeo de su carrera.

Contiene Punisher 1-5 y Punisher: Return To Big Nothing GN USA

Professor Diarmaid MacCulloch - one of the world's leading historians - reveals the origins of Christianity and explores what it means to be a Christian.

Linn welcomes back lute virtuoso William Carter in a programme of works by another virtuoso, Esaias Reusner (1636-79), who worked and performed across Europe. Born in Silesia, he was considered to be one of the best lute players of his time and his influence was extensive. "Some may be drawn to the brilliance and noise of thunder and lightning, but ever since my youth, the soft and sweet sonorities of noble music has been my only pleasure", so writes Reusner in the preface of his major work, Delitiae testudinis.This collection, introspective in essence, is outstanding not just for its exceptional quality but because it contains the very first dance suites - for any instrument! - published in Europe. This sequence of dances (Allemande, Courante, Sarabande, Gigue) was a form used by virtually every Baroque composer who followed, including Bach and Haendel. Carter has recorded three of these suites and also pieces from later publications, some of which are premiere recordings.