When an unlikely ally enters the Bloom family's world in the form of an injured baby magpie they name Penguin, the bird’s arrival makes a profound difference in the struggling family’s life.

This 2005 session features the 15-year-old native Sicilian saxophonist making his American recording debut accompanied by a crack New York rhythm section. Although it's common to hear rueful expressions about what a Charlie Parker or Clifford Brown might have accomplished had they lived longer, a player as precocious as Francesco Cafiso reminds us of the challenges facing an artist who appears to "be there" already yet has a lifetime with practically an obligation to top himself. In June 2007, when he was 17, the gifted altoist made history of sorts when he entered Birdland, the domain named after the music's most acclaimed improviser, to play the "Bird role" in a re-creation of the predecessor-father figure's most popular recording, "Charlie Parker with Strings". From the evidence on "New York Lullaby" the young player is perhaps one of the few musicians up to such a formidable, even unenviable assignment.

Francesco Cafiso surprised the jazz world with his blazing chops in his early teens during a stunning duo concert with veteran pianist Franco D'Andrea. Several years afterward, he is working on developing a distinctive style of his own, which is a challenge for any young musician. These 2006 sessions mix well-known jazz compositions of the 1940s and 1950s with timeless standards, with the alto saxophonist backed by a solid rhythm section consisting of pianist Andrea Pozza, bassist Aldo Zunino, and drummer Nicola Angelucci.

As the head of a splendid quartet of Sicilian musicians, Francesco Cafiso presents a work that winds around eight beautiful standards. Cafiso embodies a strong link with the tradition and glorious past of his instrument. In his phrasing there are numerous references to the sacred monsters of jazz history from Charlie Parker to John Coltrane, from Eric Dolphy to Jackie McLean and, at the same time, has the tendency to go beyond the historical-stylistic limits showing great personality and extraordinary ideas.

Throughout the 1960s and 70s, Native American guitarist Jesse Ed Davis was the "go-to" sideman for a remarkable group of musicians. Starting in the mid-'Sixties, he toured with Conway Twitty, then become a key part of Taj Mahal's band, playing on several albums and tours including an appearance on The Rolling Stones Rock and Roll Circus and his historic pairing with Leon Russell to play on Bob Dylan's "Watching the River Flow" at the Concert for Bangla Desh (after which he accompanied George Harrison). By now, he'd caught the eye of ATCO Records, which released his debut LP Jesse Davis in 1971 featuring Russell, Eric Clapton, Gram Parsons, Merry Clayton, Ben Sidran, John Simon (producer of The Band), Alan White (of Yes), and many others including Delaney Bramlett behind the mixing desk.