Acclaimed for his great recordings of works by Mozart and Berlioz, it is a little surprising that Sir Colin Davis is not equally hailed for his superb renditions of Schubert's symphonies, a repertoire for which this conductor's blending of Classical elegance and Romantic passion is perfectly suited. Previously released as a box set in 1996, this RCA Complete Collection reveals Davis as a masterful interpreter of Schubert's unique uses of symphonic form; and his performances have real momentum and coherence, the two qualities that hold these symphonies together. Davis' sense of trajectory is plainly evident in the first six symphonies, which adhere to Classical models and depend on forward motion and clear structures to convey the unity of their movements. But propulsion is even more critical in the more expansive frameworks of the Symphony No. 8, "Unfinished," and the Symphony No. 9, "The Great".

Real Gone Jazz reissued seven classic albums from the early '60s by hard bop pianist Horace Parlan, Movin' and Groovin', Us Three, Speakin' My Piece, Headin' South, On the Spur of the Moment, Up and Down, and Doin' Alright (with Dexter Gordon). Even though this set does not contain any bonus tracks, this isn't a bad way to pick up these sessions if you don't already own them.

This double-disc reissue documents one of the more curious careers in country music. Both 1978's White Mansions and 1980's The Legend of Jesse James are Southern song cycles that were conceived by Britain's Paul Kennerley, then an unknown songwriter who somehow recruited a high-profile cast for each. A Civil War saga from the Southern perspective, White Mansions suffers from caricature and cliché but benefits from signature contributions by Waylon Jennings, Jessi Colter, and Eric Clapton. Jesse James has more focus and narrative momentum, with Levon Helm, Johnny Cash, and Emmylou Harris in lead roles. Though the albums are more noteworthy for artistic ambition than memorable material, Kennerley subsequently became a successful Nashville songwriter.

Robillard, ex-Fab Thunderbird and founder of Roomful of Blues, hits a cool-rockin' groove on the opening, "Midnite Cannonball", and rides it with style, chops and hot horn riffs through the closing 11-minute jam on the late Albert Collins', "Dyin' Flu". A fine mix of originals and classics.

As compilations go this is up there with the best. 28 tracks of the Beach Boys at the top of their form (or close to the top, anyway). And at the price this is great value. It's easy to forget just how important the Beach Boys were to the progression of popular music in the 1960s. Brian Wilson used to watch what the Beatles were doing and try to match them on the artistic level. The Beach Boys 'Pet Sounds' was born of this rivalry and Paul McCartney regarded it as one of the greatest popular-music albums ever made. It spurred the Beatles to complete 'Revolver' and then make 'Sgt Pepper'. Brian Wilson was the Beach Boys' creative genius and when he broke down they lost their leadership position. However they left a huge repertoire of major hits, many of which are captured on this compilation. Some of the most finely crafted pop-music recordings ever made are here. Pete Doggett has written a paragraph in the accompanying booklet giving a little background to each of the tracks, which makes for interesting reading.

Not the walls that should collapse is that passive place and "of craftsmanship" that the market has given to the Latin American. Today, for a Latin American artist to be recognized in the global art markets, he must be able to say "from here I speak". Recovering myths, traditions, ancestral cultures and popular are some of the twists that artists seek to be legitimized. "And I wonder: why? Already when you start working with record labels, you realize that it is the same market that imposes these criteria of legitimacy. It's interesting. Why do not other people need it to create their own language? We need instrumentalists able to think and live up to their time. They will be accused of heretics, yes, but I invite you to heresy.