Visions Of Atlantis Austrian symphonic metal band whose Nightwish-inspired songs are arranged as male/female duets.

Wonder Jazz, premier album de Manon David Club propose une variation de bulles régressives, d’accélérations, de réminiscences de jeux vidéo rétro, le tout baigné d’une orchestration léchée. “Extra Time”, balade d’ouverture, pourrait accompagner les crédits d’une sitcom des ‘80s tant elle semble avoir toujours existé, classique instantané qu’on se plaît à écouter en boucle en laissant défiler les images qu’elle convoque.

There is no sound in space, of course, and yet over the years certain conventions have grown up, especially in film, as composers and sound effects people have tried to provide aural equivalents to the sights of stars and planets moving through the void. By now, listeners "know" what space sounds like, and Jonn Serrie's series of albums, some of their material drawn from the soundscapes he has developed for planetarium shows, well represent these impressions. In the slow-moving patterns, bits of melody and rhythm are heard here and there, but most of the music is open-ended: if not formless, it nevertheless employs loose structures in which moods or themes can stretch or be abruptly terminated. Century Seasons is a two-disc compilation in which tracks from earlier Serrie albums have been remixed and woven together to create a lengthy journey through musical space…

One of the most prolific and reliable names in instrumental easy listening music, the 101 Strings Orchestra has literally recorded hundreds of albums since its inception in 1957. Their trademark sound is built on a reverence for melody, pristine production, and a pleasant, relaxing ambience; while occasional albums have concentrated on brass, piano, guitars, and even mild rock & roll rhythms, the string section – true to the group's name – nearly always remains front and center, because of its lush, soothing sound qualities.

Focus' debut album is gentler and more low-key and vocal-oriented than their subsequent efforts; fans of Jan Akkerman's pyrotechnics may be disappointed by his relatively restrained presence, but others may be pleasantly surprised to find a more economic group than they remember. A fair collection of progressive rock tunes without a clear focus, the material is dominated by Thijs Van Leer, often introducing classical sensibilities. But at least as often, it sticks with fairly conventional period folk-rock and blues influences, with occasional jazzy shadings. Akkerman's "House of the King" is the most accurate Jethro Tull imitation ever recorded.

Georg Friedrich Händels Messiah wurde am 13. April 1742 erstmals in Dublin aufgeführt und danach mehrmals umgearbeitet. Doch es existiert eine frühere Fassung von 1741, die auf den beiden autographen Partituren des Komponisten basiert. Der Musikwissenschaftler Malcolm Bruno hat diese Urfassung rekonstruiert. So agiert hier nun ein eigenständiger Holzbläsersatz aus zwei Oboen und Fagotten, und auch bei den Arien kann man Neues entdecken. Bruno ist von der Ersteinspielung des „Ur-Messiah“ begeistert und hoff t, „dass der Zuhörer die Erfahrung macht, den Messiah so zu hören, als ob er zum allerersten Mal aufgeführt würde, als ob die Tinte von Händels Manuskript noch feucht wäre.“ George Frideric Handel‘s Messiah was first performed in Dublin on 13 April 1742 and subsequently reworked several times. However, an earlier version from 1741 exists, based on the composer‘s two autograph scores. The musicologist Malcolm Bruno has reconstructed this original version and published it with Breitkopf & Härtel. In this version, an independent woodwind section consisting of two oboes and bassoons can be heard, and there are also new discoveries to be made in the arias. Bruno is enthusiastic about the first recording of the „Ur-Messiah“ and hopes „that the listener has the experience of hearing the Messiah as if for a fi rst time, as if the ink of Handel’s manuscript were still wet“.

Thomas Quasthoff was a thalidomide baby, growing to only about four feet tall and, in common with many of his fellow victims of the drug, has severely undeveloped arms. However, his voice and breathing apparatus are normal – if a bass-baritone voice that is uncommonly magnificent can be considered normal. When Quasthoff reached school age, he was assigned, according to government policy, to school programs designed for children with cerebral palsy. A lively, intelligent, and artistic child, Quasthoff clearly needed the stimulation of normal schooling, which a change in policy soon permitted.

Anlässlich des 400. Todestags von William Byrd im Jahr 2023 stellt der Saint Thomas Choir of Men & Boys, Fifth Avenue, New York eine Messe zu Fronleichnam so nach, wie Byrd sie Ende des 16. Jahrhunderts erlebt haben könnte. Diese neue Aufnahme enthält verschiedene lateinische Motetten, die der Komponist für das Fest geschrieben hat, sowie dessen vierstimmige Messe. Mit enthalten ist zudem eine Aufnahme von Byrds Great Service für die reformierte anglikanische Liturgie (die Kehrseite seiner katholischen Persönlichkeit), die 1981 nur auf Langspielplatte veröffentlicht wurde.

The label Lemongrassmusic present Vol.24 of the „Lounge Du Soleil“ compilation series, featuring a representative cross section of their current and forthcoming releases.Get ready for a Chillout journey full of deep and groovy trips for you to relax and enjoy.

The most beautiful lounge & jazz songs by Papik, Banda Brasileira, Crystal Glide and many more on one compilation!

One of the greatest jazz-rock guitarists of the '80s and '90s provides this classic Christmas guitar album. A hugely successful guitarist and composer, Larry Carlton emerged from the Los Angeles studio scene of the late '60s, eventually becoming a popular contemporary jazz artist in his own right. Noted for his lithe technique, sweet-toned, blues-inflected sound, and distinctive use of volume pedals, Carlton first came to prominence as a member of crossover jazz and R&B outfit the Crusaders. From there, he developed into an in-demand session player, recording on up to 500 albums a year and appearing on over 100 gold albums. His studio credits from the '70s and early '80s include work with musicians and groups like Steely Dan, Joni Mitchell, Michael Jackson, Sammy Davis, Jr., Herb Alpert, Quincy Jones, Bobby Bland, Dolly Parton, Linda Ronstadt, and literally dozens of others.

Asia are an English rock supergroup formed in London in 1981. The most commercially successful lineup was its original, which consisted of four members of different progressive rock bands who had enjoyed great success in the 1970s: lead vocalist and bassist John Wetton (King Crimson, Uriah Heep and U.K.), guitarist Steve Howe (Yes), keyboardist Geoff Downes (Yes and the Buggles) and drummer Carl Palmer (Emerson, Lake & Palmer). Their debut album, Asia, released in 1982, remains their best-selling album and went to number one in several countries. Billboard listed it as the top album in the U.S. in 1982. The lead single from the album, "Heat of the Moment", remains their top charting and best-known song, reaching the top 40 in over a dozen markets. It peaked at #4 in the U.S. on the Billboard Hot 100 and hit #1 on the Billboard Mainstream Rock chart.

Asia are an English rock supergroup formed in London in 1981. The most commercially successful lineup was its original, which consisted of four members of different progressive rock bands who had enjoyed great success in the 1970s: lead vocalist and bassist John Wetton (King Crimson, Uriah Heep and U.K.), guitarist Steve Howe (Yes), keyboardist Geoff Downes (Yes and the Buggles) and drummer Carl Palmer (Emerson, Lake & Palmer). Their debut album, Asia, released in 1982, remains their best-selling album and went to number one in several countries. Billboard listed it as the top album in the U.S. in 1982. The lead single from the album, "Heat of the Moment", remains their top charting and best-known song, reaching the top 40 in over a dozen markets. It peaked at #4 in the U.S. on the Billboard Hot 100 and hit #1 on the Billboard Mainstream Rock chart.

5 NOUVEAUX TITRES DONT UN INEDIT "GRAVE-MOI LE CŒUR"
Après les albums « JOHNNY » en 2019 et « ACTE II » en 2021 dont les ventes cumulées dépassent les 700.000 exemplaires et après une tournée JOHNNY SYMPHONIQUE TOUR ayant réuni plus de 50.000 spectateurs Yvan Cassar, directeur musical de Johnny Hallyday a réalisé 4 nouveaux titres : GABRIELLE, GRAVE-MOI LE CŒUR [INEDIT TOTAL], J'AI OUBLIE DE VIVRE, DERRIERE L'AMOUR et nous offre en prime une version magistrale d'ALLUMER LE FEU captée à Nice.

Pop's rush to raid the cradle continues with this promising, self-titled debut by 25-year-old Canadian singer Michael Bublé. And while the young vocal star's good looks are smart enough for a boy band, his muse seems to have sprung from a more sassy and compelling musical era. Mentored by Paul Anka (whose 1950s hit "Put Your Head on My Shoulder" is covered in dreamy, cabaret fashion here), Bublé sings in the orbits of Darin and Sinatra, covering swing epoch gems ("Come Fly with Me", "The Way You Look Tonight", "That's All") and rock-era standards (Van Morrison's "Moondance", "How Can You Mend a Broken Heart" by the Brothers Gibb, Queen's "Crazy Little Thing Called Love") with equal aplomb. David Foster's production is typically slick and played to the back row of the bleachers, but it's informed by smart contexts provided by such arrangers as Johnny Mandel, Randy Waldman and Mike Melvoin. If the choices of material are sometimes staid and predictable, they also give the singer a crucial framework for building toward something more challenging; his is a bright future.