An obscure footnote of early-'70s British art rock, Khan featured guitarist Steve Hillage, keyboardist Dave Stewart, and ex-Crazy World of Arthur Brown bassist Nick Greenwood. Their sole album from 1972 was dominated by Hillage's lengthy, ambitious compositions and Stewart's organ, which owed much to the Canterbury Scene of British prog rock. The group didn't offer much to distinguish themselves from the many other British outfits exploring similar territory, and disbanded after one LP. Hillage went on to join Kevin Ayers and Gong before establishing a solo career; Stewart played with Hatfield & the North and National Health.

Alpha is the second studio album by British rock band Asia, released in 1983. It was certified platinum in the United States, eventually selling close to two million copies. Released one year before the departure of guitarist Steve Howe, Alpha was the last album with the band's original line-up until 2008's Phoenix, after the original members reunited in 2006, and the last album with Howe until Aqua in 1992. Alpha was written by the songwriting tandem of John Wetton and Geoff Downes, with the exception of "The Smile Has Left Your Eyes", which was written by Wetton alone. Alpha was recorded during the spring of 1983 at Le Studio in Morin Heights, Quebec and Manta Sound in Toronto.

I Can See Your House from Here is the seventh studio album by English progressive rock band Camel. Released in 1979, a new line up was introduced with founding members Andrew Latimer (guitar) and Andy Ward (drums) joined by bassist Colin Bass (to replace Richard Sinclair) and keyboardists Jan Schelhaas (who joined in 1978 for the Breathless tour) and Kit Watkins (ex-Happy The Man) who replaced Dave Sinclair. At one point, the album was going to be called Endangered Species.

British prog rock act Skin Alley were a farsighted collaboration between Thomas Crimble (keyboards/bass/vocals), Alvin Pope (drums), Krzysztof Henryk Justkiewicz (keyboards), and Bob James (sax/guitar). Formed in the late '60s, they made inroads quickly and found themselves signed to CBS for their self-titled debut in 1969. That album, and its 1970 follow-up, To Pagham & Beyond, saw the band in top prog form – a pastiche of folk, jazz, and rock that, although well traveled by this time, managed to delight more than a few critics with its freshness and vitality. Crimble and Pope moved on later that year and were replaced by Nick Graham (formerly of Atomic Rooster) and Tony Knight (ex-Bronx Cheer), respectively. With new members in place, Skin Alley's sound took on a more polished, mainstream approach and began prominently featuring the complex string, woodwind, and brass arrangements of Graham. Their jazz-rock fusion sound was still there, but with decidedly more polish and sophistication.

Spirogyra were a British folk rock/prog band that released three albums between 1971 and 1973. The group's most well-known members are co-founder, songwriter, and guitarist Martin Cockerham and singer Barbara Gaskin. Their sound has been described as "whimsically English" and their third album, Bells, Boots and Shambles, has come to be regarded as "a lost masterpiece". A later incarnation of the band was formed in the early 2000s, with further studio albums in 2009 and 2011. The band conclusively ceased to exist with Martin Cockerham's 2018 death. Their debut album, St Radigunds, was recorded at Sound Techniques studio, produced by Robert Kirby and engineered by Jerry Boys. Named after the Canterbury street on which the members lived, its lyrics express the anti-capitalistic, anti-materialistic orientation of the band and of the broader Canterbury scene. The album has been described as "effectively a document of Spirogyra's well-honed live set". Released in September 1971, it received positive reviews in NME and other rock publications, and was supported by a 24-date tour of the United Kingdom.

Sweetback are an English band composed of members from the band Sade, excluding the frontwoman, Sade Adu. They are a jazz/funk band with R&B overtones. Membership includes Stuart Matthewman, Paul Denman, and Andrew Hale. The group was formed in 1994 at the conclusion of Sade’s Love Deluxe World Tour. They released two studio albums: Sweetback (1996) and Stage 2 (2004). Their albums feature a host of guest vocalists, such as Leroy Osbourne, Amel Larrieux, Maxwell, Aya (Lysa Aya Trenier), Bahamadia, Chocolate Genius and El DeBarge. Their first album was re-released on vinyl in 2016.

The Man Who Sold the World is the third studio album by the English musician David Bowie, originally released through Mercury Records in the United States on 4 November 1970 and in the United Kingdom on 8 April 1971. Produced by Tony Visconti and recorded in London from April to May 1970, the album features the first appearances on a Bowie record of future Spiders from Mars members Mick Ronson and Mick Woodmansey. Following the largely acoustic and folk rock sound of David Bowie (1969), The Man Who Sold the World marked a shift toward hard rock, with elements of blues rock. The lyrics are darker than his previous releases, exploring themes of insanity, religion, technology and war.

Having sold over 55 million records worldwide, 14 chart-topping singles and seven chart-topping albums, Irish supergroup Westlife are celebrating over 25 years of success with their career-spanning album 25 - The Ultimate Collection. This 25-track deluxe edition features hits from every era, including fan favorites, along with four brand-new tracks recorded especially for this anniversary project.

Absolutely Free is the second album by American rock band the Mothers of Invention, released on May 26, 1967, by Verve Records. Much like their 1966 debut Freak Out!, the album blends complex musical composition with political and social satire. Its blend of jazz, classical, avant-garde and rock idioms within multi-sectional, suite-like compositions, referred to on the album cover as two “oratorios” (with librettos available by mail order), is seen as an important and influential precursor to progressive rock and rock operas. The band had been augmented since Freak Out! by the addition of woodwinds player Bunk Gardner, keyboardist Don Preston, rhythm guitarist Jim Fielder, and drummer Billy Mundi; Fielder quit the group before the album was released, and his name was removed from the album credits.

Indelibly Stamped is the second album by the British rock band Supertramp, released in 1971. It marked a dramatic change in direction to a more straightforward rock sound, and by admission of the band's own liner notes, "Travelled" is the only song with any resemblance to their debut album. Like their debut, this album was a commercial failure upon release, but in later decades it went gold in France and Canada. Original editions have a colour gate-fold cover and different text for the band name and album title. The cover photograph features the tattooed torso and arms of a topless woman. This is the first Supertramp album issued in the U.S. The album was banned from a number of record stores in Australia, while others sold each copy inside a brown paper sleeve.

Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. The album reflects the twin influences of country music and Bob Dylan, whom the Beatles met in New York in August 1964. Partly as a result of the group's hectic schedule, only eight of the tracks are original compositions, with cover versions of songs by artists such as Carl Perkins, Chuck Berry, Buddy Holly and Little Richard being used to complete the album. Beatles for Sale received favourable reviews in the UK musical press, where it held the number one spot for 11 of the 46 weeks that it spent in the top 20. The album was similarly successful in Australia, where the band's cover of Berry's "Rock and Roll Music" also topped the singles chart. In 2000, the album was voted number 204 in the third edition of Colin Larkin's book All Time Top 1000 Albums.

With Rain Dances, Camel began exploring shorter, more concise songs, but it wasn't until its follow-up, Breathless, that they truly made a stab at writing pop songs. Although they didn't completely abandon improvisational prog rock – there are several fine, jazzy interludes – most of the record is comprised of shorter songs designed for radio play. While the group didn't quite achieve that goal, Breathless is nevertheless a more accessible record than Camel's other albums, which tend to focus on instrumentals. Here, they try to be a straightforward prog rock band, and while the results are occasionally a little muddled, it is on the whole surprisingly successful.

Five CD box set containing every studio recording that this American trio released during their '60s heyday and their short-lived '70s reunion plus alternatve versions, etc. Although Scott Engel, Gary Leeds and John Maus were not actually brothers, they achieved enormous success in England and Europe and are now considered to be one of the most influential musical forces of their time. The 115 songs include 'The Sun Ain't Gonna Shine Anymore', 'Make It Easy On Yourself', 'There Goes My Baby', 'Doin' The Jerk', 'Everything's Gonna Be Alright' and many many more.

Original Hits: 70s is a decent six-disc set, highlighting 111 pop singles released in that decade. Along with the original versions of radio classics by Al Stewart, Blondie, the Knack, KC & the Sunshine Band, and Dr. Hook, are less-than-obvious inclusions by Peter Tosh, XTC, the Move, and Benny Hill!

Texas Troubadour is a four-disc box set that packages the late songwriter Townes Van Zandt's first seven studio albums for the Poppy and Tomato labels: For the Sake of the Song (1968); Our Mother the Mountain (1969); Townes Van Zandt (1970); Delta Momma Blues (1971); High, Low and In Between (1972); The Late Great Townes Van Zandt (1972), and Flyin' Shoes (1978). In addition, there are four studio outtakes from 1972-73 and a decent portion of Live at the Old Quarter, Houston issued in 1973. Charly reproduces the original cover art in miniature, two covers to each CD. Sound is the same as on the original CD issues, so fans who already own these albums will not be served by purchasing them again in this format. Musically, the work is superb, and since many of Van Zandt's recordings are out of print, this is a fine argument for getting them altogether. Another plus is Adam Komorowski's extensive biographical essay included in the 36-page color booklet that's loaded with photos.