This is a rehash of the medieval themes and romantic piano pieces found on the first Fresh Aire. Fresh Aire II gets the nod over the debut by separating the two styles rather than alternating them; the side-long "Fantasia" consists of variations on a stirring medieval theme, not as fertile as Rick Wakeman or Camel's The Snow Goose perhaps, but not far off the mark either. The variations are described as doors (a convenient allusion given the music's conduciveness to reverie), with the intended effect of each described with Epimethean acuity by (presumably) Chip Davis. Without all those precious piano interludes in the middle, Mannheim manages to steamroll its way through more than 15 minutes of medieval mind candy.

With Breakfast in America, Supertramp had a genuine blockbuster hit, topping the charts for four weeks in the U.S. and selling millions of copies worldwide; by the 1990s, the album had sold over 18 million units across the world. Although their previous records had some popular success, they never even hinted at the massive sales of Breakfast in America. Then again, Supertramp's earlier records weren't as pop-oriented as Breakfast. The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits "The Logical Song," "Take the Long Way Home," and "Goodbye Stranger." Supertramp still had a tendency to indulge themselves occasionally, but Breakfast in America had very few weak moments. It was clearly their high-water mark.

Walk on Water finds the classic mid-'70s UFO lineup – featuring Michael Schenker – reuniting for another go-round. Much has changed in rock & roll since Schenker last played in UFO, but in UFO's world, things remain the same. The group continues to pound out heavy rockers without changing its formula much at all. To the disinterested observer or critic, this means Walk on Water is boring, but UFO diehards may be pleasantly surprised by the record, since it finds the band playing with energy and conviction, even if the music is predictable.

This short-lived psychedelic pop outfit was formed in the UK at the end of the 60s. Featuring Gillies Buchan (guitar/vocals), Edward Jones (bass/vocals), David McNiven (clarinet) and John Romsey (drums), the group was originally known as Skin but did not record as such. Human Beast signed to Decca Records in 1970 and made their debut with Volume One (Instinct). Though it sold poorly at the time, it has subsequently become the subject of collector’s interest. Typical of its contents were songs with expansive titles such as ‘Brush With The Midnight Butterfly’, ‘Reality Presented As An Alternative’ and ‘Appearance Is Everything Style Is A Way Of Living’. Fittingly, each featured similarly ponderous lyrics.

Bonnie Tyler needs little introduction: from the late 1970s to the late 1980s, she was one of the most popular British singers with a truly unique and amazing voice, a string of classic hits and a legion of fans. REMIXES AND RARITIES is a new compilation devoted to the hard-to-find tracks scattered across Bonnie's prolific career, from her earliest recordings for RCA in the late Seventies to her time with Hansa in the early Nineties, including many overlooked non-album tracks. Released with the blessing of Bonnie's management, Remixes And Rarities includes several highly collectable tracks which were only issued in South America or Japan; numerous tracks which have never graced CD before; and others which are long-out-of-print.

This music, the album EB=MC2 and Chapman and Banai’s concerts together before that can ultimately be traced back to two valleys. One near Hawnby, North Yorkshire, lush green and full of trees, the other, more austere, in northern Galilee. Michael Chapman, paying his way through Art College in the early ’60s worked as a woodsman on the North Yorkshire Mexborough estate in the summer breaks and found inspiration for classics like “In the Valley” and “Among the Trees,” leaning against the trees with his guitar. Slightly later, Ehud Banai spent an extended reflective period in the ’70s, alone near Rosh Pina in Galilee, with his guitar, a ghetto blaster and one cassette. On that inspirational cassette was Michel Chapman’s 1969 Fully Qualified Survivor album. Travel forward over 30 years to 2012, and Ehud, now a successful musician with a string of his own albums, is playing The 12 Bar Club on Denmark Street in London.

The Best of Van Morrison was Morrison's first greatest hits album and featured songs that were compiled from 25 years of material, including "Wonderful Remark", a song which first appeared on the soundtrack to the 1983 film The King of Comedy. Released in 1990 by Polydor Records, the album was a critical and commercial success, becoming one of the best-selling records of the 1990s and helping revive Morrison's mainstream popularity. Its success encouraged him to release a second and third greatest hits volume in 1993 and 2007, respectively. The album remains Morrison's best-seller.

Are You Gonna Go My Way is the third studio album by American singer Lenny Kravitz, released on March 9, 1993 by Virgin Records. It was recorded at Waterfront Studios, Hoboken, New Jersey by Henry Hirsch. It became Kravitz's first top 20 album on the United States Billboard 200, and his first number one album in both Australia and the United Kingdom, achieving worldwide success that helped to establish his popularity as a performer. The album had a good reception by fans and music critics and it is still considered one of Kravitz's best works. Musically, it contained songs inspired by classic rock artists such as Jimi Hendrix, John Lennon, Curtis Mayfield, Sly and Robbie, and Prince.

Freddie Mercury Remixes - 6-track CD includes Living On My Own [Extended Mix and Roger S Mix], Time [Nile Rodgers 1992 Remix], Love Kills [Wolf Euro Mix], The Great Pretender [Malouf Mix] & My Love Is Dangerous [Lord-Alge Mix].

Camel At The Royal Albert Hall celebrates Camel's superb Moonmadness 2018 tour. Universally acclaimed by everyone that saw it, the RAH concert was the pinnacle of the tour. With the line-up of Andrew Latimer (guitar/flute/vocals), Colin Bass (bass/vocals), Denis Clement (drums) and Pete Jones (keyboards/vocals), this is Camel at their best.

Another prized jewel in the Rolling Stones' unmatched catalogue is restored to its full glory. This 2CD 2020 Deluxe Edition features the new stereo album mix, sourced from the original session files and three previously unreleased tracks - Scarlet, All The Rage, and Criss Cross. Digipak with 20-page booklet.

Nils is one of the foremost artists in the Smooth Jazz genre. His catalog of albums includes 10 studio releases and 1 Best Of Nils release. He has had numerous #1 and top 10 singles on the Billboard Smooth Jazz Chart including 3 #1 singles from his last album "Caught In The Groove" (BCD-560). That album was also #1 on the smooth jazz album chart for an unprecedented 1 year! Nils new release "Cool Shades" sounds like another big hit for him. Nils' powerhouse ensemble of longtime musicians shine through on every track of Cool Shades, and his producing and composing skills make this collection of songs another must have smooth jazz album.

Cœur de Pirate is the solo project of award-winning singer-songwriter and pianist Béatrice Martin. Since the age of 3, Martin has been playing the piano and expressing herself through songs and music. After spending several years singing and playing keyboards in Montreal indie bands, Martin decided to go solo and released her eponymously titled debut album in September 2008, to immediate national and international acclaim. Her popularity on YouTube and MySpace helped her garner millions of new fans. Cœur de Pirate has now sold more than one million albums worldwide and counting.

This 2013 anthology of the British synth pop group Visage is essentially an expanded edition of 1983's Fade to Grey: The Singles Collection. In 1993, it was rebranded under its current title Fade to Grey: The Best of Visage with the addition of two more tracks ("Love Glove" and "Fade to Grey [Bassheads 7" edit]"), both of which have been jettisoned from the 2013 version, along with the fantastic new romantic album cover and a handful of other tracks. So what makes the updated set noteworthy? Well, there are a couple of BBC versions of "The Anvil" and "Can You Hear Me?" and dance mixes of the sleek "Mind of a Toy," the guitar-heavy "We Move," and their early post-disco single "Frequency 7."

Like so many Willie Nelson albums of the 2010s, Ride Me Back Home bears a title that appears to be a vague nod to Nelson's mortality. Unlike, say, God's Problem Child or Last Man Standing, the cloud doesn't appear to hang so heavy on Ride Me Back Home, but maybe that's because the album is amiably unkempt in a way its immediate predecessors were not. Some of that is due to how Nelson and his longtime producer Buddy Cannon don't rely heavily on original material this time around. The pair write four originals, while Nelson collaborates with Sonny Throckmorton on the elegiac title track.