…Famous Last Words… was the last album that Roger Hodgson made with Supertramp before seeking a solo career, and he made sure that radio would take kindly to his last hurrah with the band. Sporting an airy and overly bright pop sheen, …Famous Last Words… put two singles on the charts, with the poignant "My Kind of Lady" peaking at number 31 and the effervescent smile of "It's Raining Again" going to number 11. The album itself went Top Ten both in the U.S. and in the U.K., eventually going gold in America.

Freak Out! is the debut studio album by American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent Los Angeles freak scene's "freak-out" trend. In 1999, the album was honored with the Grammy Hall of Fame Award, and in 2003, Rolling Stone ranked it among the "500 Greatest Albums of All Time".

Although it's only a teaser for a forthcoming ten-CD set, the three-CD Solo box is a pretty comprehensive look at Freddie Mercury's less rock-oriented solo career. Mercury's two albums from the '80s, 1985's Mr. Bad Guy and 1988's Barcelona, are repackaged in their entirety as separate discs; there's also a third disc of rarities, including Mercury's pre-Queen solo single "I Can Hear Music" (recorded as Larry Lurex), his movie soundtrack contribution "Love Kills," and his non-LP U.K. hit cover of "The Great Pretender." In addition, the set has been remastered and comes with a 28-page booklet.

The only Beatles album to occasion negative, even hostile reviews, there are few other rock records as controversial as Let It Be. First off, several facts need to be explained: although released in May 1970, this was not their final album, but largely recorded in early 1969, way before Abbey Road. Phil Spector was enlisted in early 1970 to do some post-production work, but did not work with the band as a unit, as George Martin and Glyn Johns had on the sessions themselves; Spector's work was limited to mixing and some overdubs. And, although his use of strings has generated much criticism, by and large he left the original performances to stand as is: only "The Long and Winding Road" and (to a lesser degree) "Across the Universe" and "I Me Mine" get the wall-of-sound layers of strings and female choruses.

Minute by Minute is the eighth studio album by American rock band The Doobie Brothers, released on December 1, 1978, by Warner Bros. Records. It was their last album to include members John Hartman (until Cycles) and Jeff "Skunk" Baxter. The album spent 87 weeks on the Billboard 200 chart. In the spring of 1979 Minute by Minute was the best-selling album in the U.S. for five non-consecutive weeks. It was certified 3× Platinum. The song "What a Fool Believes" hit No. 1 on the Billboard Hot 100 in April 1979 and became the band's biggest hit. The title track and "Depending on You" were also released as singles and reached the top 30. Minute by Minute made The Doobie Brothers one of the big winners at the 22nd Grammy Awards. The album got the trophy for Best Pop Vocal Performance by a Duo or Group and received a nomination for Album of the Year; the single "What a Fool Believes" earned them three Grammys, including Song and Record of the Year.

Bare Bones is a mellow, mostly acoustic collection of original and previously recorded Wishbone Ash songs. The only remaining member from the British outfit's '70s glory days, guitarist Andy Powell selected some numbers from the Argus and Wishbone Four years that blend nicely with some late-era compositions. Soft-rocking country tunes like the superior "Hard Times" and "Baby Don't Mind" dominate most of the Bare Bones track list. Classics like "Errors of My Ways" are low on folk/country appeal, but still sound very different than the original recordings. Despite this offering's unique textural quality, Wishbone Ash fans will definitely recognize the easy melodic sense that the band always captured in the studio. For a group so separated in time from their glory years, Powell and company do a remarkable job keeping things fresh on Bare Bones.

Typifying the excesses that have frequently been denounced in their genre, UK progressive rock band Gravy Train recorded a series of albums for Vertigo Records and Dawn Records in the early 70s bedecked in grandiose, conceptual artwork. The group’s core members were Norman Barratt (vocals/guitar; b. 5 February 1949, d. 30 July 2011), Barry Davenport (drums), J.D. Hughes (woodwind/keyboards/vocals) and Les Williams (bass/vocals). Their first, self-titled 1970 album was dominated by Hughes’ flute melodies, which earned the group initial comparisons to Jethro Tull, as well as extended rock riffs. One of the songs, ‘Tribute To Syd’, was an obvious salute to the genius of Syd Barrett.

Permanent Vacation is the ninth studio album by American rock band Aerosmith, released in August 1987 by Geffen Records. The album marks a turning point in the band's career. It is their first album to employ professional songwriters, instead of featuring material solely composed by members of the band. This came as a suggestion of executive John Kalodner, who also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by heavy music video airplay on MTV. Though Done with Mirrors was intended to mark Aerosmith's comeback, Permanent Vacation is often considered their true comeback album, as it was the band's first truly popular album since their reunion.

Middle of the Road is Eric Gales fourth album on Provogue/Mascot label Group after Transformation (2011), Relentless (2010) and The Psychedelic Underground (2007) and it sees him at his most expressive yet; it is a deeply personal and reflective record that echoes where he is in his life right now and he opens himself up and allows himself the chance to really flourish. Middle of the Road is the running theme throughout the record. "It's about being fully focused and centered in the middle of the road. If you’re on the wrong side and in the gravel you're not too good and if you're on the median strip that's not too good either, so being in the middle of the road is the best place to be", according to Eric. Along the way he brings in not only a host of guest and collaborators, but also those closest to him: Lauryn Hill, Gary Clark Jr, Eugene Gales, LaDonna Gales, Lance Lopez, Raphael Saadiq and Christone ‘Kingfish’ Ingram.

Present Tense is the first Sagittarius album, released in 1968 by Columbia Records. Though the record was basically a Gary Usher solo project, he enlisted many top LA session musicians, and heavily utilized Curt Boettcher as a songwriter, musician, vocalist, and producer (even going so far as to include two tracks that Boettcher had produced on his own as the leader of the group The Ballroom). The album also contains the recording "My World Fell Down", which had no Boettcher involvement, albeit the LP version was edited, with the musique concrète bridge from the single version being excised (though a few extra bars of music were added in between the first and second verses). The single "Hotel Indiscreet" also had a similar fate when it reached the LP. The album was reissued on CD by Sundazed Music in 1997 with 9 bonus tracks. Two of these are the original single versions of "My World Fell Down" and "Hotel Indiscreet", as well as another track from The Ballroom, a Sandy Salisbury song, and the instrumental track for a song that was recorded by Chad & Jeremy. In 2006 the album was reissued again on CD in Japan by Sony in a Mini-LP style sleeve, featuring the album but with different bonus tracks, then again in 2009 by Rev-Ola Records but with the same track listing as the Sundazed reissue.

Digitally remastered expanded edition of the final Move album that included Bev Bevan, Roy Wood and Jeff Lynne, who would eventually disband the group to form Electric Light Orchestra. Amid the 9 added bonus tracks are the original single plus an alt version of "Do Ya", one of the groups last recordings that would become a hit for ELO later in the decade. This edition is released in celebration of the 35th Anniversary of the group's signing to EMI Records.

Supertramp is the debut album by the British rock band Supertramp, released in August 1970. The first UK press was released under the title "And I'm Not Like Other", but this title was printed on the labels only. In some countries it was released under the titles Surely (Singapore), and Now and Then (Spain). It was not released in the United States until late 1977, but available through importers and was usually carried in record stores that specialised in British imports. The 1977 issue reached No. 158 on the US Billboard 200. The critical response to the album was generally positive, with a review by Judith Simons in Daily Express commenting: "This debut record album by a group of promising musician-poets is rather more melodic than most discs which pass under the label 'progressive pop.'"

Tin Machine II is the second and final studio album by the Anglo-American rock band Tin Machine, released on 2 September 1991 through Victory Music. The band, composed of David Bowie, Reeves Gabrels on guitar and brothers Tony Fox and Hunt Sales on bass and drums, respectively, recorded it in Sydney, Australia, in late 1989 at the conclusion of the Tin Machine Tour. After Bowie completed his solo Sound+Vision Tour in late 1990, recording resumed in Los Angeles, California, until March 1991. The production was handled by Tin Machine and Tim Palmer, who produced their debut studio album (1989), with additional production by Hugh Padgham on "One Shot". While the album musically retains a hard rock sound, the songs are more melodic compared to its predecessor, with lyrics focusing on love.

1985 Japanese CD release on the Teichiku Records label. One of the earliest releases of the Beatles on CD, this album features tracks from the Beatles failed audition for Decca records on January 1, 1962. The drummer on these tracks is Pete Best (not Ringo Starr).

Spirits Having Flown is regarded today as something of a letdown, representing the tail-end of the Bee Gees' period of greatest success, perhaps because it preceded a two-year layoff that, in turn, heralded a decline in their fortunes. At the time, however, no one heard anything less than what they expected – beautiful slow dance numbers ("Too Much Heaven," "Love You Inside Out"), achingly gorgeous romantic numbers ("Reaching Out"), soaring ballads ("Spirits (Having Flown)"), and pounding dance-rock numbers ("Tragedy"). If a few songs on the LP's second side, like "Stop (Think Again)" or "Search, Find," weren't quite up to that high standard, even the latter song displayed dazzling interwoven vocals on the choruses (which were pretty infectious) that made the trip worthwhile.