Fickle Pickle was an early- '70s band that was part of the Morgan Studios orbit, along with such bands as Orange Bicycle and the Smoke. Indeed, much of Fickle Pickle's lineup was filled out by ex-members of both of those bands, including Geoff Gill, Cliff Wade (a member of the short-lived early- '70s version of the Smoke), and Will Malone, plus ex-Jude member Steve Howden, with Denny Beckerman occasionally augmenting their lineup. They recorded a small number of singles in the early 1970s, including a cover of Don McLean's "American Pie," and enjoyed a hit in the Netherlands with their version of "Maybe I'm Amazed."

Atom Heart Mother, for all its glories, was an acquired taste, and Pink Floyd wisely decided to trim back its orchestral excesses for its follow-up, Meddle. Opening with a deliberately surging "One of These Days," Meddle spends most of its time with sonic textures and elongated compositions, most notably on its epic closer, "Echoes." If there aren't pop songs in the classic sense (even on the level of the group's contributions to Ummagumma), there is a uniform tone, ranging from the pastoral "A Pillow of Winds" to "Fearless," with its insistent refrain hinting at latter-day Floyd. Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era.

Diamond Life is the debut studio album by English band Sade. It was released in the United Kingdom on 16 July 1984 by Epic Records and in the United States on 27 February 1985 by Portrait Records. The album contained a variety of musical elements including soul, jazz and sophisti-pop, mostly with love lyrics. The album spawned four singles, including "Your Love Is King" and "Smooth Operator". Music critics acclaimed Diamond Life and it was also a commercial success, winning the 1985 Brit Award for Best British Album. The album charted highly in the UK and US, and was later certified multi-platinum in both countries. Diamond Life sold over six million copies worldwide, becoming one of the top-selling debut recordings of the era and the best-selling debut album by a British female vocalist, a record that stood for 24 years. It was also among 10 albums nominated for the best British album of the previous 30 years by the Brit Awards in 2010, losing to (What's the Story) Morning Glory? by Oasis. Pitchfork placed the album at number 10 on its list of The 200 Best Albums of the 1980s.

Legendary guitarist Yngwie Malmsteen releases Blue Lightning on March 29, 2019 on Mascot Records To call Yngwie Malmsteen a 'maestro' or 'virtuoso' is to state the obvious. But such terms don't do sufficient justice to either his talent or impact. There are innumerable guitarists who have copied a small part of the vast musical spectrum that defines him, but nobody comes close to achieving what he has over a period of nearly four decades. Now, with 'Blue Lightning', the man highlights not only his enduring dexterity and diversity, but also pays homage to those from the blues world who have fuelled his artistic spirit for so long. Anyone who is expecting Malmsteen to copy exactly the way the original versions sound is in for a shock. Because that is not what he has done. He has masterfully transformed classics like Smoke On The Water, Purple Haze and While My Guitar Gently Weeps into his idiom, and wrote and recorded 4 new tracks for this album.

Colombian singer/songwriter Marta Gomez is a wonderful, enigmatic talent. Her voice has the lulling softness that evokes Brazil's female vocal icons, yet there's a depth to her writing that goes far beneath the surface. She's also something of an expert on Latin rhythms – there are 13 different ones on this disc, all of them rooted in different cultures, from Colombian bambuco to Argentine chamame. But everything is so perfectly put together that you forget the academic side, pulled along by the music and voice. Recorded over just three days, it's a small masterwork. It doesn't matter if you don't understand Spanish, as Gomez evokes delicate moods in her work, each piece beautifully arranged and shaded, with a very live sound.

Shakatak are an English jazz-funk band, founded in 1980. Shakatak scored a number of chart entries, including two Top 10 hits in the UK Singles Chart, "Night Birds" (1982) and "Down on the Street" (1984), plus a further 12 entries in the Guinness Book of British Hit Singles. The group is still active and popular throughout the world, particularly in Japan and the Far East, and generally produce a new album every two years on JVC Records. From their first release in August 1980, (the Bill Sharpe composition "Steppin'" on the Polydor record label), and their first album, Drivin' Hard, the band's singles and albums have entered the charts regularly.

At the beginning of the 2000s, a new wave of music spilled into the cocktail bars and lounge music was born. The band DePhazz quickly became the insider tip darling of television and radio editors, who liked to put the band's retro-electronic sounds on heavy rotation among their lifestyle and news reports and thus enveloped the entire nation in an aesthetic carpet of sound. Through numerous samplers such as "Buddha Bar" or "Cafe del Mar", songs like The Mambo Craze reached the whole world.

The Unauthorised Live Recordings … The Beatles Live 1964 - 1965: Unknown concerts, at least 2 different concerts but probably more …

Jimi Hendrix's sonic assaults and attacks hypnotized, frightened, and amazed audiences in the late '60s. His studio recordings helped him attain his reputation, but his live works validated it. That's the case on the 13 songs from a 1968 Winterland concert that made their way onto CD in 1987. Whether he was doing short, biting songs like "Fire" or stretching out for sprawling blues statements like "Red House" and "Killing Floor," Jimi Hendrix turned the guitar into a battering ram, forcing everyone to notice and making every solo and note a memorable one.

Tommy is the fourth studio album by the English rock band The Who, a double album first released in May 1969. The album was mostly composed by guitarist Pete Townshend as a rock opera that tells the story about a deaf, dumb and blind boy, including his experiences with life and his relationship with his family. Townshend came up with the concept of Tommy after being introduced to the work of Meher Baba, and attempted to translate Baba's teachings into music. Recording on the album began in September 1968, but took six months to complete as material needed to be arranged and re-recorded in the studio. Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. Its critical standing diminished slightly in later years; nonetheless, several writers view it as an important and influential album in the history of rock music. The Who promoted the album's release with an extensive tour, including a live version of Tommy, which lasted throughout 1969 and 1970.

Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1984 and 1990 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."

Captain Fantastic and the Brown Dirt Cowboy is the ninth studio album by Elton John. The album is an autobiographical account of the early musical careers of Elton John (Captain Fantastic) and his long-term lyricist Bernie Taupin (the Brown Dirt Cowboy). It was released in May 1975 by MCA in America and DJM in the UK and was an instant commercial success. The album reached number 1 in its first week of release on the US Billboard 200, the first ever album to do so, reportedly selling 1.4 million copies within 4 days of release, and it stayed in that position in the chart for seven weeks. In 2003, the album was ranked number 158 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time, maintaining the rating in a 2012 revised list.

Listen is the sixth studio album by French DJ and music producer David Guetta. It was released on 21 November 2014. It features collaborations with artists from the R&B, hip hop, alternative rock and pop worlds such as Sam Martin, Emeli Sandé, The Script, Nicki Minaj, John Legend, Nico & Vinz, Ryan Tedder (the lead singer of pop rock band OneRepublic), Sia, Magic!, Bebe Rexha, South African male choral group Ladysmith Black Mambazo, Ms. Dynamite, Elliphant, Birdy, Jaymes Young, Sonny Wilson, Vassy, and Skylar Grey. It also features additional production from Guetta's frequent collaborator Giorgio Tuinfort, Avicii, Afrojack, Nicky Romero, Showtek, and Stadiumx among others, with additional writing credits from Austin Bisnow, Jason Evigan, Julie Frost, and The-Dream among others.

Anamorphosée is the fourth studio album by Mylène Farmer, released on 17 October 1995. Led by the number-one single "XXL", the album was something of a departure from her previous work. Although it received mixed reviews from critics, the album was very successful, peaking at no.1 and staying on the French album chart for almost two years.

Appearing after the sprawling, unfocused double-album set Ummagumma, Atom Heart Mother may boast more focus, even a concept, yet that doesn't mean it's more accessible. If anything, this is the most impenetrable album Pink Floyd released while on Harvest, which also makes it one of the most interesting of the era. Still, it may be an acquired taste even for fans, especially since it kicks off with a side-long, 23-minute extended orchestral piece that may not seem to head anywhere, but is often intriguing, more in what it suggests than what it achieves. Then, on the second side, Roger Waters, David Gilmour, and Rick Wright have a song apiece, winding up with the group composition "Alan's Psychedelic Breakfast" wrapping it up.