Live Wire/Blues Power is a live album from Albert King recorded in 1968 at the Fillmore Auditorium in San Francisco, CA. Featuring originals and King’s rendition of classics, the album demonstrates Albert King’s blues prowess. According to Rolling Stone, this album is “Just the unadulterated pure and simple blues.

Last Night Blues is Lightnin’ Hopkins’ 1961 album, featuring Sonny Terry. The second of three album collaborations, Last Night Blues showcases Hopkins’ and Terry’s different yet complementary styles to create a well-rounded listening experience. AllMusic declared, “this dynamite disc represents what the blues should be: stripped-down, soulful, and full of truth.” This edition has been remastered from the original tapes.

Wilco Evolving from a rough-and-tumble alt-country act into a mature and eclectic indie rock ensemble, Wilco have become critical favorites and cult heroes on the back of a stylistically diverse body of songs from founder Jeff Tweedy.

Bravo Hits Vol. 127 once again offers the best of the charts on 2 CDs: James Arthur, Kamrad, Lost Frequencies, Sabrina Carpenter and Purple Disco Machine are just a few to name. and the best tracks with Hugel, James Arthur, Rag'n'Bone Man, Coldplay, Ray Dalton, Benson Boone and many more

Forq's latest release, 'Big Party,' is a celebration of its undeniable grooves, singular sonic brand, and mischievous humor. Your host for this party is critically acclaimed keyboard player, composer, and arranger Henry Hey. He’s joined by Forq veterans: Snarky Puppy guitarist Chris McQueen with his signature funky sound, Government Mule bassist Kevin Scott with his grooving bass lines, and Snarky Puppy drummer Jason 'JT' Thomas with his unmistakable musicality and relentless power. This raucous potluck shindig also boasts incredible guitarists Ryan Scott and Jordan Peters, bassists James Genus, Chris Morrissey, and Eli Menezes, and drummer Josh Dion. Tying it all together is the unexpected harmony, head-nodding, and toe-tapping joy that is absolutely Forq. It's a 'Big Party,' and everyone's invited!

Bill Leeb is the Vancouver-based musician and mastermind behind electro-industrial scene mainstays Front Line Assembly and ambient-pop duo Delerium, as well as a key member of other occasional recording projects that include Noise Unit, Intermix and Cyberaktif. 'Model Kollapse' marks Leeb's first solo venture since the mid-80s days of Front Line Assembly, when he began making recordings in his bedroom and released them on limited edition cassette format. Almost four decades on, his new album was recorded and produced in Vancouver, Toronto and Los Angeles with assistance provided by production duo Dream Bullet and long-term FLA/Delerium cohort Rhys Fulber, plus regular mixing engineer Greg Reely. Hard-edged yet melodic, danceable and very much song rather than soundscape-driven, the album carries traces of hard-edged electronic dance music pioneers such as DAF, Front 242 and Skinny Puppy (of whom Leeb was an original member), as well as his own oeuvre. However, it also displays the influence that acts like these had on latter day artists such as Gesaffelstein and ADULT., plus much of what has in recent years become known as darkwave.

Haydn’s creative imagination was stimulated by eminent Italian composers such as Porpora and Scarlatti and by his contemporary C.P.E. Bach, whose piano sonatas Haydn had performed. Through Georg Wagenseil, an important figure in Viennese music for the piano, he also absorbed a new sense of musical form. Together, these influences generated Haydn’s own individual language, as shown in the Sonata in C major with its elegance and wit. The Andante con variazioni in F minor shows further refinement and development in the composer’s command of variation form. Alexandra Ivanova performs on fortepianos from Haydn’s era.

Today, with the advent of streaming and the resurgence of popularity in vinyl, there is more music available to the public to listen to than at any previous time in history. Yet, year after year, people from around the world still choose to listen to Louis Armstrong more than any other artist born at the turn of the 20th century. The question remains: Why? This new collection, the first authorized Louis Armstrong hits collection to be released in decades, helps to provide answers. Wonderful World: The Best of Louis Armstrong contains 13 of his biggest hits, including "A Kiss To Build A Dream On," "La Vie En Rose," "Hello, Dolly!" and "What A Wonderful World," plus timeless duets with Ella Fitzgerald like, "Cheek To Cheek" and "Dream A Little Dream of Me."

The third volume of Bare Bones collects 16 alternate duo arrangements of songs that were released on Garcia/Grisman, Not For Kids Only, Shady Grove, Been All Around This World and even Volume II of this series. The program includes many of the very first performances of the classic tunes the duo recorded.

Over the last five decades, krautrock pioneers Guru Guru have pushed boundaries and experimented with free jazz, rock'n'roll, Indian, South East Asian and African rhythms and scales to create their own brand of psychedelic, cosmic rock. This reissue of their acclaimed 1977 album is an excellent representative of their global experiment, which has succeeded impeccably. Recorded after long stays in India in the mid-1970s, Globetrotter is a milestone in Guru Guru's discography. Total playing time: 40 minutes. In stereo. Fully remastered.

Bruce Springsteen - Lead vocal, electric and acoustic guitars, harmonica; Roy Bittan - Piano, keyboards, accordion; Clarence Clemons - Tenor and baritone saxophones, percussion, backing vocal; Danny Federici - Organ, keyboards, accordion; Nils Lofgren - Electric and acoustic guitars, backing vocal; Garry Tallent - Bass; Stevie Van Zandt - Electric and acoustic guitars, mandolin, backing vocal; Max Weinberg: Drums; Charlie Giordano - Organ, keyboards, accordion; Soozie Tyrell - Violin, acoustic guitar, percussion, backing vocal

Recorded on tour between February 2022 through December 2023 in America, UK, Europe and Australia, Live Drugs Again follows 2020’s Live Drugs and represents The War On Drugs at their ragged, righteous best. Bandleader Adam Granduciel comments, “Live Drugs Again chronicles the evolution of these songs from the studio to stages all over the world; documenting our continued growth as a live band. This series ensures that these versions, and some of our favorite moments on stage, will live on.”

Sam Shepherd aka Floating Points has announced his new album Cascade will be released on 13 September via Ninja Tune. Along with the announcement Shepherd has shared lead single 'Key103' which comes with visuals continuing his ongoing collaboration with Tokyo based artist Akiko Nakayama.

Featuring 16 pieces over its restless 40-minute duration, Tim Bowness's eighth studio album represents a new beginning on a new label Kscope. A collection of acute contrasts, Powder Dry is a vibrantly accessible and wildly experimental genre- blurring assault, embracing Industrial Rock, Electro Pop, singer- songwriter directness, haunted carnival soundscapes and more. Entirely produced, performed and written by Bowness (a first), Powder Dry was mixed (in Stereo and Surround Sound) by Bowness's partner in no- man (and 'The Album Years' podcast), Steven Wilson, who also acted as Bowness's sounding board during the mixing process.

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."