Eternal Nightmare is the debut album by the San Francisco Bay Area thrash metal band Vio-lence. It was released on June 27, 1988 through MCA Records' Mechanic sublabel. A limited 10" promo single was released, with two tracks "Eternal Nightmare" and "Phobophobia"; the release was quite unique, as it came in a "vomit pack", a sealed plastic cover containing fake vomit. Shortly after, thrash metal innovators Slayer released a single in a similar format but with fake blood, and rock band The Revolting Cocks released a single with fake semen.

Mr Demachy's 'Pieces de violle' of 1685 are for viole solo, scored without basso continuo. Demachy represents the previous generation to Marais and Forqueray le pere, whose works included a separate bass voice in addition to the viole.

We first heard Sawallisch in Prague conducting the Czech Philharmonic Orchestra during the Prague Spring festival of 1958 and since then he has been a guest at this festival seven times more. In between, however, he has also been a guest conductor of the Czech Philharmonic and we even heard himas a pianist with Josef Suk as his sonata partner. Sawallisch, as one of the leading opera conductors today and a great admirer of Czech music, literally fell in love with the Czech Philharmonic Chorus which he conducted in big oratorios and cantatas (he even invited it in 1964 to the Milan La Scala for several performances of Wagner's Lohengrin). He very gladly visits us tocollaborate both with the Czech Philharmonic Orchestra and its chorus.

After years of trying to separate himself from his legendary status as Led Zeppelin's frontman, Robert Plant finally reconciles with his past on Now & Zen. He borrows a few Zeppelin riffs, and even enlists Jimmy Page to play guitar on his hit "Tall Cool One." This album is also notable in that it marks his first collaboration with keyboardist Phil Johnstone, who would continue to play and write with Plant on subsequent albums. Musically, the album relies on standard rock arrangements except that the vocals and drums are at the forefront and keyboards instead of guitars are used to fill out the sound.

This deluxe reissue not only reintroduces the original EP in all its glory but also treats fans to a selection of bonus tracks, including vintage live performances and other rarities that showcase UFO’s dynamic live energy and musical evolution. The artwork has been revamped with an even sexier front cover image.
Recorded in the wake of the band’s electrifying 1987 tour in support of their ’85 album Misdemeanor, this EP marked the final collaboration between UFO frontman Phil Mogg and the virtuosic Japanese-born guitarist Atomik Tommy M. Much like its predecessor, Ain’t Misbehavin’ goes full throttle from beginning to end with Mogg matching his vocal prowess to the pyrotechnic playing of guitarist Tommy alongside superstar bassist Paul Gray (The Damned) and former Magnum drummer Jim Simpson. The brilliant lead off track, “Between A Rock And A Hard Place,” ranks up there with some of the band’s best rockers.

Esoteric Recordings are proud to announce the repromotion of a remastered and sonically enhanced edition of Direct. It comes as a deluxe digi-pack design, with the master personally supervised by Vangelis.
Direct was released by Arista Records in October 1988 and was the first Vangelis to be recorded in Athens, following his relocation to the city from London. A fine body of work, the album title was inspired by Vangelis’ method of composing and recording, relying on spontaneity, with the compositional and recording process occurring simultaneously in the studio with few (if any) overdubs taking place.
This Esoteric Recordings release (undertaken with the full approval and supervision of Vangelis himself) features a booklet that restores the original album artwork.

This collection of all of Schubert's songs for low voice is one of the landmark recordings of the 20th century because it features two of the greatest Schubertians of their era, baritone Dietrich Fischer-Dieskau and pianist Gerald Moore. The recordings, made by Deutsche Grammophon between 1966 and 1972, come from Fischer-Dieskau's prime, when he was in his early to mid-thirties, his voice fully mature and its youthful bloom gloriously resplendent.

Nobody's Perfect is a live album released in 1988 by the British rock band Deep Purple. It was recorded during the tour in support of The House of Blue Light in 1987 in Europe and the US. The outer sleeve photography was designed by Aubrey Powell of Hipgnosis. It also contains a new live in studio version of "Hush" to commemorate their 20th anniversary. "Black Night" was also re-recorded but never released. "Hard Lovin' Woman" includes parts of "Under the Gun" during Blackmore's guitar solo. "Strange Kind of Woman" includes the "Superstar" chorus from Jesus Christ Superstar.

The Queen Album is a solo cover album of the band Queen by Elaine Paige. It was released in 1988 and peaked at No. 51 in the UK in November 1988. This is the only album from Paige to be released on Siren Records and distributed by Virgin Records. The album was re-issued with different artwork on CD in 1990 on Virgin VIP by Virgin Records. This is the only Paige album compiled of songs written and recorded by one composer or group. The album is a covers album of ten songs previously recorded by the rock group Queen, a favourite of Paige. The selected songs are a combination of hits and lesser-known album tracks, taken from Queen's entire back catalogue.

Hard core ZZ Top and Texas Blues fans know who Rocky Hill is. Very few others do, however, and that's a shame.
Rocky Hill was the brother of ZZ Top bass player and vocalist Dusty Hill, and in fact played in a psychedelic Blues band with Dusty in the late 60's. That band, a trio called American Blues, also included a certain drummer by the name of Frank Beard. Right there you had two-thirds of the future ZZ Top ready to go.
After the band broke up (with three albums to their credit) Beard joined a band being put together by a guitar player/singer named Billy Gibbons. When their bass player left Beard suggested his American Blues bandmate Dusty Hill, and the rest is history…

Great UK underground heavy psych rock album from 1969 recorded by a trio from Lancashire. Well structured songs with fine melodies similar in places to Cream but with the odd swathe of mellotron lending an early progressive touch. Much loved by collectors of UK underground music this album is well worth checking out…Highly recommended.

One of the most striking debut albums ever released, this disc instantly established Chapman as a musical force, and with good reason. Immediacy, integrity of purpose and unqualified artistry are apparent in nearly every song. And while "Fast Cars" remains Chapman's best-known work, "Talkin' Bout a Revolution" is that rarest breed: a song which is both topical and timeless. Any exploration into Chapman's work should begin with this at times stunning effort; it is a disc of remarkable uniformity and clarity that Chapman has yet to improve on.