L'Enlèvement du Sérail (French Version) avec Florie Valiquette, qui inclut aussi la participation de Gaétan Jarry et l'Orchestre de l'Opéra Royal, est un enregistrement vocal de l'œuvre de Mozart.

Newly arrived in Paris, where he meets again his ex-pupil Marie-Antoinette, Gluck decides to court the Parisian public by revising one of his great Viennese successes: Orfeo ed Euridice. More than a simple adaptation to the French language and taste, his Orphée et Eurydice proves to be an out-and-out aesthetic revolution. This operatic wind of change has been recaptured for us to rediscover by Paul Agnew, Les Arts Florissants and three exceptional soloists.

RossoPorpora made its Arcana debut with an album dedicated to Luca Marenzio, which received widespread critical acclaim, including the German Record Critics' Award, Classic Voice’s Disc of the Month, a Diapason rating of 5, and five-star reviews from Musica and Amadeus. It was described as “magnificent” by Early Music Review and hailed as “a desert island disc” by Forum Opéra. Now, with its second album, the ensemble turns to one of the cornerstones of 17th-century music: Claudio Monteverdi’s Sixth Book of Madrigals. In a deeply immersive exploration of the composer’s inner world during his final years in Mantua, RossoPorpora delivers a profoundly moving interpretation of the many masterpieces contained in the collection—Lamento d’Arianna, Lagrime d’Amante sul sepolcro dell’Amata, Zefiro torna, Oimè ’l bel viso, Qui rise o Tirsi—which together mark one of the highest achievements in the history of the madrigal.

In September 2025 Fretwork return with an album of works for Viol by the John Jenkins. Jenkins was a highly active and productive composer who lived through a period of significant transformation in English music, with his lifetime spanning from the era of William Byrd to that of Henry Purcell. He is particularly known for his contributions to the viol consort fantasia, drawing inspiration in the 1630s from a previous generation of English composers such as Alfonso Ferrabosco the Younger, Thomas Lupo, and Orlando Gibbons. His work is distinguished by its rich lyricism, exceptional craftsmanship, and a unique approach to tonality and counterpoint.

Das Aalborg Symphony Orchestra unter Henrik Vagn Christensen präsentiert hier Königlich-Dänische Konzerte für Blechbläser von Thorvald Hansen (1847-1915), Mogens Andresen (*1945) sowie die Bearbeitung einer Flötensonate von Morten Raehs (1702- 1766) im Stile von Maurice André. Hervorragende Solisten bringen die vorgestellten Werke zum Strahlen und garantieren ein wahrhaft königliches Vergnügen!

Many U2 albums experience a difficult birth, but their 13th studio record underwent a particularly extended labor. Gestating for years, possibly started immediately after 2009's No Line on the Horizon and ushered into existence by many midwives, Songs of Innocence appeared suddenly in September 2014, nearly nine months after "Invisible," the presumptive lead single for the record, flopped. "Invisible" is nowhere to be found on Songs of Innocence, yet its vaguely electronic thrum did indeed turn out to be a taste of where U2 were headed after those endless sessions wound up shepherded by Danger Mouse. Songs of Innocence – its title taken from William Blake, although many music nerds may first think of David Axelrod – does indeed incorporate electronic elements in a way no U2 album since Pop has, weaving samples, loops, and other flourishes within music that otherwise adheres to the self-conscious classicism that has been the band's stock in trade since Y2K. Which is another way of saying that where the U2 of the '90s looked forward, the 2014 U2 are looking back, aware of a legacy that includes decades of arena-filling anthems, the deliberate reinvention of Achtung Baby, and their initial inspiration from the great spark of punk rock.

Cilla Black Who was the second biggest-selling music star to come out of Liverpool after the Beatles? It wasn't Gerry & the Pacemakers or Billy J. Kramer & the Dakotas, nor was it the Searchers. It was Cilla Black, a onetime coat-check girl from the Cavern Club who was still learning to sing with confidence, forget developing a technique, just about the time that the Beatles were cutting their first EMI record. Cilla Black holds a unique position in the history of pop music, and the British Invasion. As Brian Epstein's discovery and protégée, she was the first and only important female performer to emerge from Liverpool in the heyday of the British beat boom. In conjunction with Epstein's management and George Martin's production skills, she became a formidable ballad singer, her hits lasting longer than any Epstein clients other than the Beatles.

Crosby, Stills & Nash's eponymous debut album marks the point where rock music transitions from the heady explorations of the 1960s into the burnished self-reflections of the '70s. Upon its release in 1969, the album ushered in a new era, one where revolutions turned inward as the music got quieter and softer, creating a soundtrack for a generation easing into adulthood. Maturation looms large in the collective work of David Crosby, Stephen Stills, and Graham Nash, who were occasionally joined by Stills' former Buffalo Springfield bandmate Neil Young, who was added to help fill out the band's sound as they headed out on tour that wound up shattering all previous records for ticket sales. CSN(&Y) made music for grown-ups during their '70s heyday, an aesthetic that eventually evolved from folk-rock into adult contemporary pop in the '80s. The transition wasn't necessarily smooth.

The Moody Blues With the release of 1967's Days of Future Passed, the Moody Blues left behind their R&B origins and emerged as pioneers of Britain's emerging art rock sound. A richly imagined concept album that fused classical music with rock, Days of Future Passed arrived less than six months after the Beatles' Sgt. Pepper's Lonely Hearts Club Band to an audience already primed to embrace such a progressive work. What's more, it was a hit on both sides of the Atlantic thanks to its dreamy singles "Nights in White Satin" and "Tuesday Afternoon," establishing the Moodies as both a commercially viable and deeply creative unit. Over subsequent releases like 1968's In Search of the Lost Chord and 1969's On the Threshold of a Dream, they developed into a five-man orchestra of rock mystics, creating music that was challenging enough to please the psychedelic crowd, but still accessible to mainstream radio listeners.

Available for the first time on vinyl is the complete OLYMPIA THEATRE, PARIS, FRANCE 5/3/72 show from the Grateful Dead’s legendary Europe ‘72 Tour. 6-LP, 180-Gram, Limited Edition of 10,000 worldwide.

American singer-songwriter, actor, and author, born February 26, 1932 in Kingsland, Arkansas, USA; died September 12, 2003 in Baptist Hospital, Nashville, Tennessee, USA.

Live! is an album by The Police, released in 1995.

Less up-tempo, frantic and danceable - and considerably more melodic - than regular 60s Soul, the roots of SOUTHERN SOUL can be dated back to the mid-50s.This 60-track, 2-CD set comprehensively explores the birth of Southern Soul, from the point where Gospel, R&B and even rural Country began to merge.Many of the genre's biggest names are featured herein, notably Ray Charles, Bobby Bland, Sam Cooke, Ted Taylor, Ivory Joe Hunter, Brook Benton, Solomon Burke, Arthur Alexander, Irma Thomas, Johnny Adams, Little Willie John, Betty Lavette, Little Esther Phillips, etc.Also included are deep Soul cuts from James Brown, Otis Redding, Roy Brown, Ruth Brown, Sam & Dave, Carla Thomas, William Bell, The Tams, Barbara Lynn, Sugar Pie DeSanto, Joe Tex, etc., names perhaps more readily associated with regular R&B and/or 60s Soul.This is a unique and irresistible collection of hits and collectors' obscurities, many of the latter unavailable elsewhere on CD.

Famed for his work in Buffalo Springfield and Crosby, Stills & Nash, two of pop music's most successful and enduring groups, Stephen Stills was born in Dallas, Texas, on January 3, 1945. He became fascinated by music at a young age, and by the age of 15 was playing professionally. He eventually dropped out of college to move to New York City to try his hand as a folk performer before signing on as a guitar player with the Au Go-Go Singers, where he befriended a fellow bandmate named Richie Furay. After a tour of Canada (during which they headlined a bill with the Squires, which featured guitarist Neil Young), Stills left the Au Go-Gos in 1965 for Los Angeles, where he became enmeshed in the city's burgeoning folk-rock community. After a series of session gigs and auditions (including one for the TV series The Monkees), in the spring of 1966 Stills enlisted Young, Furay, bassist Bruce Palmer, and drummer Dewey Martin to form the Herd, later dubbed the Buffalo Springfield.

Foreigner Double Vision: Then And Now takes viewers behind the scenes as original band members join Mick Jones and FOREIGNER's current lineup for the very first time in the band s 40-year history. Both incarnations of the band share the same stage for an epic performance. Watch rock and roll history with one of music s most anticipated reunions. Recorded in 2018, Foreigner - Double Vision: Then And Now celebrates the 40th anniversary of the band s multi-platinum 1978 album, Double Vision with a masterful live performance of the band s biggest hits, filmed at Soaring Eagle Casino & Resort, Mount Pleasant, MI. Original members Lou Gramm, Al Greenwood, Dennis Elliott, Ian McDonald and Rick Wills take the stage with Mick Jones, Kelly Hansen, Tom Gimbel, Jeff Pilson, Michael Bluestein, Bruce Watson and Chris Frazier. They rock through some of the best-selling songs that bring back the memories which make it feel like the first time for both long-time fans and new generations.