This music documentary weaves together performances from Nick Cave and the Bad Seeds' 2016 album Skeleton Tree with candid footage of Cave opening up about the death of his 15-year-old son. Directed by Andrew Dominik (Chopper, The Assassination of Jesse James by the Coward Robert Ford).

Directed by the Tony Award winning and six time MET director, Bartlett Sher, this lavish production of Verdi's operatic masterpiece Otello features one of the most exciting young opera singers of her generation, Sonya Yoncheva, and the Metropolitan Opera & Chorus, conducted by their new director Yannick Nézet-Séguin.

54 compositions from the legendary composer on 3CDs, packaged in a fold out card digipack. Includes The James Bond Theme, Zulu, Midnight Cowboy, Coney Island, The Lion In Winter, Out of Africa, Dances With Wolves, The Ipcress File, The Quiller Memorandum, and many many more!

A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, Jones had already had a decade under his belt as one of the hippest arrangers, leaders, and composers in jazz – and the film business really respected those talents, and allowed Quincy to bring some really fresh styles into play – modes that really opened up the vibe of American cinema, and also paved the way for the funky styles of the 70s! As that decade approached, Jones left behind the cinema to take on some more higher-profile records of his own – but all the charms of those great albums can be found here at their roots – in this stunning collection of soundtrack material, some of which has never been on CD. The package is way more than just a sampler – and includes an album's worth of material from the films The Pawnbroker, Slender Thread, Mirage, The Deadly Affair, In The Heat Of The Night, In Cold Blood, Walk Don't Run, The Italian Job, Lost Man, and John & Mary – plus two versions of the love theme from The Getaway, and a bonus CD with 18 tracks – titled Q's highlights, and featuring tracks from his Mercury records – plus more by Billy Preston, Arthur Prysock, Bill Cosby, Shirley Horn, Letta Mbulu, Toots Thielemans, and others. Even features the "Sanford & Son" and "Ironside" themes!

Born in late 2011, Human Factor is an exciting Russian group formed by talented and experienced musicians. Konstantin Shtirlitz and Alexander Meshcheryakov, respectively former drummer and bassist with mighty Infront, have joined forces with keyboardist and guitarists Sergei Volkov, principle composer and arranger for Kaftan Smeha, and guitarist Ivan Ivanov of Hagi Tragger. The band’s music is probably best described as modern instrumental rock with major space and progressive rock influences, strong melodic edge, and definite sense of adventure: tracks segue one into the other, atmospheres are established and broken, some rhythm patterns have progressive-like complexity, but the primary attention is given to strengthening a sense of enjoyable aural journey. This is an excellent, mature recordings which fans of good instrumental rock music.

Hailed by many as the heir to Opeth's melodeath throne, In Mourning was formed in the Swedish woods in the year 2000. Since then the band has evolved over the years, striving to refine its sound to what it is today. Musically, the group blends a broad spectrum of influences into a foundation of melodic death metal. Thrusting from doomy metal-riffs, blasting drumbeats and deep growling vocals to calm breezes of clean flowing melodies and harmonies.
"Afterglow" takes off where the previous one, "The Weight Of Oceans" (2012), ends. It's more complex, yet more alive, with key In Mourning elements - and a few new twists and turns. The cover artwork was made by Kristian Wåhlin (Bathory, Tiamat, King Diamond). "Afterglow" is the first album featuring new drummer, Daniel Liljekvist (ex-Katatonia).

Countertenor performances of 19th century opera are a historical and, ultimately, true novelty. This said, for those who love the sound of the countertenor voice and want to give it a try, there are several factors that recommend this release by countertenor Franco Fagioli, with the small orchestra Armonia Atenea under George Petrou. First is that castrati were still around in Rossini's time, although on the decline, and the composer was reportedly intrigued by their voices. Second, Fagioli, unlike the vast majority of other countertenors, studied bel canto singing rather than Baroque repertory exclusively, and a certain distance present in the work of other countertenors is absent here. And third, and most important, is Fagioli's voice itself. Of the countertenors active today, he's the one with the range, the power, the attitude to make you suspend disbelief and think for a moment that you're actually listening to a castrato. He enters into the various Rossini roles represented on this recording, several of which were mezzo-soprano "pants" roles; this adds to the layers of identity-switching happening, and the parts hit Fagioli's vocal sweet spot. A bonus is that several of these are from Rossini opere serie that are little played or recorded.

Their Warner Classics debut makes clear that Christina & Michelle Naughton show great imagination in their programming: Messiaen's mystical and epic Visions de l'Amen, composed during World War II, appears alongside John Adams' boisterous and percussive Hallelujah Junction, inspired by a truck stop on the border of Nevada and California. The CD is completed with J.S. Bach's serenely moving Gotttes Zeit ist die allerbeste Zeit, BWV 106, in an arrangement by the contemporary Hungarian composer Gyorgy Kurtag.

Released in time for the 21st anniversary of the Rolling Stones' 1995 live album Stripped, Eagle Rock's Totally Stripped package focuses on the visual element. At its simplest, it's a CD/DVD set, with the DVD containing a documentary following the Stones through studio sessions and rehearsals for their club shows in London, Amsterdam, and Paris…

A deep yet unsentimental emotional resonance and a patient, contemplative view of time whether relating to harmonic rhythm or human experience are complementary characteristics that run through his instrumental, vocal and theatrical catalog like a red thread, the composer inspired by disparate spirits from Wagner and Satie to Cage and Silvestrov. The ECM New Series released multiple recordings of Bryars music in the 1980s and early 90s, including the classic albums After the Requiem and Vita Nova. The first full ECM album from Bryars in decades is The Fifth Century, which includes the seven-part title work: a slowly evolving yet immediately involving setting of words by 17th-century English mystic Thomas Traherne, performed by the mixed choir of The Crossing with saxophone quartet PRISM. The album also features Two Love Songs, luminous a cappella settings of Petrarch for the women of The Crossing. The music within words, the humanity in breath, the sense of eternity within a moment or of a moment in eternity all are at play in Bryars latest music on ECM.

A fresh blend of Craig’s pioneering garage sound, RnB and blazing club bangers, this album is a celebration of one of the UK’s most loved artists, back on British soil, and at the helm of his own unique, authentically British sound; a sound that made waves across the globe, making him the voice of one of the most pivotal eras in UK music, and in turn, making him one of the most successful artists in UK chart history. Sixteen years since the critically-acclaimed, Born To Do It changed his life, Craig catapulted back into the charts and in to the nation’s hearts with Big Narstie on the single "When The Bassline Drops", marking the beginning his triumphant return. From the bass bubbling smash hit, "Nothing Like This" with Blonde to the stripped back "All We Needed" showcasing Craig’s vocals, the new album pays homage to his distinctive signature sound, but also shows Craig in a new found light. It is the same, instantly recognisable voice, but showing the progression of an artist that has truly come in to his own.

GRAMOPHONE Magazine Editor's Choice - February 2016. Critical acclaim for Jonathan Plowright's two previous discs in his series of Brahms’s works for solo piano includes distinctions such as ‘10/10’ on the website Classics Today and top marks in Diapason as well as ‘Instrumental Choice of the Month’ in BBC Music Magazine. On his third disc Plowright presents the listener with two seemingly contradictory aspects of Johannes Brahms: the deeply serious, emotionally charged, but also meticulously constructed late Piano Pieces of Op. 118 and their precursor Op. 76 appear side by side with the unapologetic extroversion and scintillating verve of most (if not all) of the 16 Waltzes Op. 39, and the flamboyant Variations on a Hungarian Melody. Brahms’s fascination with Hungarian gypsy music stemmed from his friendship with the violinist Eduard Reményi, and found an outlet in several works, among which the Hungarian Dances are probably the most famous.

A fiery guitarist and talented songwriter who plays a unique blend of Memphis R&B, southwest blues, and urban funk. Collection includes: Hell Or High Water (2002); The Hard Way (2004); Moment Of Truth (2007); Speak No Evil (2009); Red Clay Soul (2016); Winning Hand (2018).

2CD set. Broad 32-track compilation features The Velvet Underground, Love, Kevin Ayers, The Yardbirds, The Move, July, Buffalo Springfield, Wizzard, Talk Talk, Van Morrison, The Electric Prunes, Rahsaan Roland Kirk and others!