Avid Jazz continues with its Four Classic album series with a re-mastered 2CD release by Steve Lacy, complete with original artwork and liner notes.
“Soprano Sax”; “Reflections - Steve Lacy Plays Thelonious Monk” “The Straight Horn Of Steve Lacy”; and “Evidence”.
Born in New York City, Steven Norman Lackritz (better known to jazz fans as Steve Lacy ) was one of a rare breed of jazz men to play the soprano sax, almost exclusively. Other famously few players include Sidney Bechet, Johnny Hodges and occasionally John Coltrane. For a musician starting life in a Dixieland jazz band playing alongside such greats as Henry “Red” Allen and Pee Wee Russell, Steve Lacys jazz journey may look an unexpected one…

An all-too-irresistible confection of well-known and much-loved pop and glam allsorts can’t disguise Sweet’s authentic hard rock centre. Don’t turn it down. In this brand new blockbuster collection, Andy, Brian, Steve and Mick take you through some hellraising action and blitz you into happy submission. Are you ready? Includes detailed sleevenotes in an 8-page booklet.

Lurrie Bell returns with this CD he’s telling people is his best. It showcases all the passion, depth, rawness, and uniqueness that keeps Lurrie at the top of many Real Deal Chicago Blues lists. His ace working band and frequent collaborator Matthew Skoller (on harp) provide the drive and the safety net while Lurrie walks the tightrope vocally and instrumentally. Motivated by his 2013 Blues Music Award for “Song Of The Year” for the title track from Blues In My Soul, Lurrie had a hand in writing five of the thirteen tracks. “Driftin'”, “One Eyed Woman”, “Hold Me Tight”, “Sinner’s Prayer”, “Do You Hear”, “Born With The Blues”, “Hidden Charms” and more.

Digitally remastered edition of this classic solo release from the Deep Purple member. The new artwork includes liner notes exclusively written by Roger Glover. The Gemini Suite was first performed in September 1970 at the Royal Festival Hall and was recorded the following year at the Abbey Road and de Lane Lea studios as the first solo project of Jon Lord. It is a six piece classic-rock fusion work inspired by the members of Deep Purple and was recorded with the London Symphonic Orchestra conducted by Oscar winner Malcolm Arnold and is featuring the guest musicians Albert Lee, Yvonne Elliman, Tony Ashton as well as the two other Deep Purple member Ian Paice and Roger Glover.

As evidenced by Megadeth's last three studio albums, fans are used to being let down. Dystopia could have been another case in point when an anticipated reunion of the Rust in Peace-era lineup failed to materialize. Undaunted, Dave Mustaine recruited Lamb of God drummer Chris Adler and Brazilian guitarist Kiko Loureiro of prog metal outfit Angra. Megadeth's 15th studio album marks a return to the band's thrash roots. It's angry, extremely aggressive, but also tight and polished. Adler adds clean, thunderous playing chock-full of syncopation and Loureiro proves to be a real surprise. Mustaine has historically cooked up imaginative riffs and motifs, but has seldom had a guitarist who displays the level of creativity and style that Loureiro does…

Trio Records proudly presents a 'live' recording of a quartet featuring the incredible US jazz saxophonist Harry Allen recorded at the Watermill Jazz Club with Italian pianist Andrea Pozza, gifted bassist Simon Woolf and ever popular drummer Steve Brown. Fans of the long linage of the saxophone greats will not be disappointed. Harry Allen can be instantly lined up as a disciple of the late Stan Getz, but he has absorbed far more of the jazz saxophone tradition with elements of Hawkins, Webster, Zoot and Al, and elements from one of his teachers Scott Hamilton. However, Harry Allen's voice is very much his own and as fresh as any on the contemporary scene. With a formidable technique and searing sound Harry Allen continues the tradition of the great saxophonists before him. The material on the CD is a straight blowing set ofjazz standards, a couple of great originals penned by Harry Allen and Judy Carmichael and the theme to Star Trek based on the standard Out Of Nowhere.

This performance of the fiery Fantasy in G minor for violin and orchestra, Op. 24, of Josef Suk, with violinist Christan Tetzlaff catching the full impact of the irregular form with its dramatic opening giving out into a set of variations, is impressive. And Tetzlaff delivers pure warm melody in the popular Romance in F minor, Op. 11, of Dvorák. But the real reason to acquire this beautifully recorded Ondine release is the performance of the Dvorák Violin Concerto in A minor, Op. 53, a work of which there are plenty of recordings, but that has always played second fiddle (if you will) to the Brahms concerto. Tetzlaff and the Helsinki Philharmonic under John Storgårds create a distinctive and absorbing version that can stand with the great Czech recordings of the work. Sample anywhere, but especially the slow movement, where Tetzlaff's precise yet rich sound, reminiscent for those of a certain age of Henryk Szeryng, forms a striking contrast with Storgårds' glassy Nordic strings. In both outer movements as well, Tetzlaff delivers a warm yet controlled performance that is made to stand out sharply.

Verlaine’s poetry lends itself well to music and many of his poems have been set successfully by numerous composers. Thus it was a brilliant idea to build a programme around Verlaine and include several settings of some of the poems. Since Carolyn Sampson has cast her net widely and included several rarely heard composers, we are offered a very comprehensive odyssey through the Verlainean waters.