The primary impetus behind this ambitious 12-disc box set is to gather all nine of the Grateful Dead's Warner Brothers titles. However, the staggeringly high quotient of previously unissued bonus material rivals - and at times exceeds - the content of those original albums. The Golden Road (1965-1973) truly has something - and usually a lot of it - for every degree of Deadhead. Working chronologically, the bonus material begins before the beginning so to speak, with the two-disc sub-compilation aptly titled "Birth of the Dead," a project actually green-lighted by Jerry Garcia in the mid-'80s. Disc one features studio recordings by a primordial incarnation of the band known as the Warlocks and later the Emergency Crew. Disc two contrasts their studio efforts with some of the earliest surviving live Grateful Dead recordings from July of 1966…

In several respects, this is a very strange album, though the music isn't strange at all and is in fact quite typical vintage Jimmy Reed. First, despite what the title might lead you to believe, this is not a live recording; all 23 of the tracks were done in the studio. Not only that, they weren't even performed at New York's famed venue Carnegie Hall, although producer Calvin Carter would later claim they were; instead, everything was cut elsewhere.
According to Pete Welding's notes to the record in the year (1961) the double LP was first issued, one-half is devoted to "recreations of some of Jimmy's most celebrated and biggest-selling recordings," while "the second LP here is Jimmy's celebratory recreation of his highly successful appearance at august Carnegie Hall this past May"…

Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Peggy Lee was so successful at the style that she cut two albums of light pseudo-Latin jazz in 1960. Like Peggy Lee, Julie London combined a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal. But while London had Lee's stripped-down musical approach, she just didn't share her unrelenting rhythmic vocal drive or her innate feeling for exotic rhythms. It doesn't help that London is paired with arranger Ernie Freeman, who was usually better at crafting Nashville and soft rock style charts than Latin jazz arrangements. This isn't a bad album - London sounds casual and confident throughout - but it is a rather bland one, and isn't blandness what these types of exotica albums are supposed to be fighting against…

Man's importance in the history of Welsh rock music cannot be understated. Fusing the worlds of Psychedelia, Blues, Rock and Roll and West Coast inspired rock, they were simply one of Britain's most original groups of the 1970's. Along with label-mates Hawkwind, Man were true champions. The reissuing of Man's entire legacy for United Artists continues with their 1974 Top 30 album hailed by many as their defining moment. The reissue is expanded with an extra previously unreleased CD recorded in Los Angeles in 1974 featuring "American Mother" never recorded by Man. The booklet includes liner notes exclusively penned by Man guitarist and raconteur Deke Leonard.

Tejas is the fifth studio album by the American rock band ZZ Top. It was released in late November 1976. The title is a Caddo language word meaning 'friends', which is the origin of the name of the band's home state, Texas. On Tejas, ZZ Top countrified the bluesy posture of their previous albums, resulting in a slight detour between the madcap spirit of Fandango and the psychedelic strut of Deguello. While the album lacks any singles as strong as "Tush" or "La Grange," "Arrested for Driving While Blind" is one of ZZ's classic anthems, capturing the group's wacky humor and jaunty good-time boogie. Other highlights include the driving "Enjoy and Get It On," "Avalon Hideaway," and the fine instrumental "Asleep in the Desert."

Incredible 43-track collection features "Broad Daylight", "Fire and Water", "My Brother Jake", "All Right Now", "Little Bit Of Love", "The Stealer", "I'll Be Creeping" and more favourites! Free were an English rock band formed in London in 1968, best known for their 1970 signature song "All Right Now". They disbanded in 1973 and lead singer Paul Rodgers went on to become a frontman of the band Bad Company along with Simon Kirke on drums. Lead guitarist Paul Kossoff formed Back Street Crawler in 1975, but died from a pulmonary embolism at the age of 25 in 1976. Bassist Andy Fraser formed Sharks.

When Jeff Lynne was growing up, he listened to music on longwave radio, soaking up all the sounds coming through the big radio in the living room. His 2012 tribute to these days, appropriately called Long Wave, is a far-reaching salute to the glory days of pop in the years before the Beatles. It's too easy to peg this as a standards album, a designation that isn't quite accurate. Lynne may cover many show tunes along with '50s favorites of big-band vocalists but he spends nearly as much time with rock & roll, and not just the operatic pop of his fellow Traveling Wilbury Roy Orbison, either. He cranks through Chuck Berry's "Let It Rock," slides into the silken harmonies of the Everly Brothers on "So Sad," and grooves through Don Covay's "Mercy, Mercy."

As long-standing supporters of independent record stores all around the globe, the John Lennon Estate are excited and proud to be able to join the fun with this new, exclusive, limited-edition 4-track 12” EP release. As a teaser to the forthcoming “Ultimate Edition” anniversary release of the Mind Games album (coming later this year in a collection of incredible new formats,) this extremely limited-edition EP sets the tone for what will be an extraordinary year for the music and legacy of John Lennon. Offered in two color variants – a luminous glow-in-the-dark 140g color vinyl or a 180g black vinyl version for Record Store Day 2024.

Formed in the 1994 in the back province of West Saxony (Germany) and based in Leipzig since 2001, Disillusion quickly matures to something of an underground institution. Already at the very beginning the band around mastermind Schmidt is enclosed by a unique charisma which leaves no doubt about the fact that this band could become a real high-flyer on their hard way to uncompromising music.
After 18 months' time of production in April 2004 "Back to Times of Splendor" is released and is rightly being hailed internationally as one of the best debut albums in progressive metal genre. In interviews the band themselves here and there compare their work in a tongue-in-cheek comment to the opulence of Peter Jackon's "Lord Of The Rings"…

Nonetheless is the fifteenth studio album by English synth-pop duo Pet Shop Boys, released on 26 April 2024 through the band's own label x2 and Parlophone. It was produced by James Ford and mostly recorded at his East London studio. The band's first album for Parlophone since Elysium in 2012, its four-year gap with Hotspot (2020) marks their longest period between studio albums to date. It was preceded by the single "Loneliness", released alongside the album announcement. The album was released on 26 April 2024 in a variety of formats, including digitally, and physically on CD and multiple variants of coloured vinyl. The 2-CD and double white vinyl editions include a four-track EP titled Furthermore, featuring new recordings of "Heart", "Being Boring", "Always on My Mind" and "It's a Sin".

Humanoid is the seventeenth studio album by German heavy metal band Accept, released on 26 April 2024. It is the band's first studio album on Napalm Records, with whom Accept had signed with in February 2022, and also marks the first time since 2017's The Rise of Chaos that they had recorded as a five-piece band rather than a six-piece. Humanoid has received positive reviews from critics. Dom Lawson of Blabbermouth.net gave the album a rating of seven-and-a-half out of ten, writing, "For those who enjoyed the previous five, there is absolutely nothing here that fails to live up to expectations. Accept are, and have always been, exceptionally good at heavy metal. It's their thing", and added that the album "can be devoured as another generous serving of fresh metal anthems." Lawson also referred to "Unbreakable" and "Mind Games" as "among the finest songs that the band have written since 2009", and "Straight Up Jack" as "so unapologetic about its debt to AC/DC that resistance is useless."

Deep Purple have never quite been placed in the revered 1960s canon that includes the Who, Pink Floyd, Led Zeppelin, or any of the other British rock bands who continue to reunite in various configurations to tour and even periodically release new albums, but given that the group has always been a riveting and brilliant live act, part prog, part heavy metal, part funky R&B, and imminently theatrical, that second-tier designation seems like both an oversight and a shame. Returning with this set, the band's first since 2005's Rapture of the Deep, and featuring a near-classic lineup of vocalist Ian Gillan, guitarist Steve Morse, bassist Roger Glover, drummer Ian Paice, and keyboardist Don Airey (Jon Lord, whose distorted organ parts were so much a part of the classic Deep Purple sound, left the band in 2002 and died in 2012 of pancreatic cancer), one can only marvel at how timeless it sounds, as if it were actually recorded in the early '70s and not tracked a little more than a decade into the 21st century.

Never one to do things timidly, with Vulnicura Björk delivers a breakup album that isn't just sad - it throws listeners into the total devastation of heartbreak. Starting with the album cover's wound/vulva imagery, she explores the tightly linked emotional and physical pain the end of a relationship brings with an intensity that has been missing from her music for too long. As expertly as she wedded feelings and concepts on Medúlla, Volta, and especially Biophilia, hearing her sing directly about her emotions is a galvanizing reminder of just how good she is at it. For the first time in a long time, the conceptual framework of a Björk album feels like it's in service of feelings she must express, and as she traces the before, during, and after of a breakup, she links Vulnicura to the most emotionally bare parts of her discography…

Audrey Powne's stunning debut album, From The Fire, is set to be one of those must have LPs in any music lover's collection. Something of an auteur release it features nine tracks all composed by Audrey, with all string arrangements and all produced by her. Audrey's decision to produce the whole album herself came from a desire to take creative control of her music and apply techniques developed from the influences of the producers she had previously worked with. If all of the above were not enough Audrey also wrote the lyrics for those tracks on which she sings, and as a multi-instrumentalist contributes piano, Rhodes and organ. She also features as a trumpeter with dextrous and soaring solos as evidenced by the two single releases so far; Feed The Fire and the title track, From The Fire.