Passion Jaroussky marks 20 years since Philippe Jaroussky made his professional debut and commenced his rapid ascent to stardom. As the French countertenor says, “Even after all these years, my passion for music is undimmed.” Ranging musically from the 16th to the 21st century, the triple album comprises both new recordings and highlights from recent albums, and it also showcases Jaroussky’s collaborations with a host of major singers – from the worlds of both classical music and pop – instrumentalists, conductors and orchestras.

Tear's Serenade and Nocturne are sterling performances, fervent and expressive without falling into preciousness. Harper's passionate Illuminations makes a strong case for a female voice in these fevered poems. Civil, Marriner and Tate provide atmospheric support.

If you know the great orchestral works of English modernist composer Gerald Finzi – his cello and clarinet concertos, his Eclogue, and Grand Fantasia & Toccata for piano and orchestra – you don't know the half of Finzi. And even if you know his great setting of Wordsworth's "Intimations of Immortality" for tenor, chorus, and orchestra, you still don't know the best of Finzi. For the best of Finzi, try this two-disc set of his five-song cycle to poems by Thomas Hardy. Like Schubert with Müller, Finzi had a particular affinity for Hardy and his special brand of pantheistic pastoral pessimism and his settings have a depth of understanding and an authenticity of utterance that make them especially effective and affecting.

Virgin Killer (1976). Virgin Killer is the first of four studio releases that really defined the Scorpions and their highly influential urgent metallic sound. It was released in 1976 and was the first album of the band to attract attention outside Europe. The album was a step in the band's shift from psychedelic music to hard rock. For the first time in the band's career the line-up stayed the same with Klaus Meine on vocals, Uli Jon Roth on lead guitar, Rudolf Schenker on rhythm guitar, Francis Buchholz on bass, and Rudy Lenners on drums. The nine tracks were laid down with Dieter Dierks producing. The band is in top form and churns out some melodic yet blistering heavy rock. Virgin Killer is full of heavy songs and exceptionally, fast, innovative guitar leads by Uli Jon Roth. These songs are infectious and Uli's guitar solo on the Jimi Hendrix inspired "Polar Nights" exhibits the thunder-heavy riffs and grooves that make it a classic…

This is the first compilation sampling the blues roster of Alligator Records as it existed in its earliest incarnation. These 11 tunes capture several Chicago blues and modern soul-blues artists, including Lonnie Brooks, Koko Taylor, James Cotton, Jimmy Johnson, Hound Dog Taylor, Son Seals, Fenton Robinson, Albert Collins, as well as Johnny Winter, Lonnie Mack, and Roy Buchanan.

Here is an excellent example of the US Progressive rock scene of the Seventies: having both technique and excellence, imagination & talent. They seemed to be influenced by a variety of styles. Their sound was a little folky at times, poppy at others, even a little jazzy at times, loosely in the shadow of Kansas, Yes, Genesis, early King Crimson and others, with lots of vocals everywhere.

There can only be one Chillout and Lounge Compilation Series being the market leader and it certainly is the Café Del Mar series! There have since been many imitators, but only one true Café Del Mar. No other album will reaffirm further this very simple statement than Volume 20 Includes exclusive tracks from Nightmares on Wax, Goldfrapp, Thievery Corporation, Rae & Christian, Penguin Café, Moby, M83, Morcheeba, Boards of Canada.

Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose – very loose – album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup.

Falco was the most internationally successful pop artist ever to come out of Austria. Falco had several international hits, "Rock Me Amadeus", "Der Kommissar", "Vienna Calling", "Jeanny", "The Sound of Musik", "Coming Home (Jeanny Part II, One Year Later)", and posthumously "Out of the Dark". "Rock Me Amadeus" reached No. 1 on the Billboard charts in 1986, making him the only artist whose principal language was German to score a vocal number-one hit in the United States. According to his estate, he has sold 20 million albums and 40 million singles, which makes him the best-selling Austrian singer of all time.