The first-time teaming of Poland’s dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced. The alliance plays four new tunes by Marcin and one by Joe, as well as Carla Bley’s classic “Vashkar” (in two variations), plus collective improvisations with strong input from all four players; Slawomir Kurkiewicz’s bass skills are particularly well-deployed in the spontaneous piece “Arco”. Joe will be joining the Polish trio for a number of selected concerts in the autumn. Arctic Riff was recorded at France’s Studio La Buissonne in August 2019, and produced by Manfred Eicher.

Encore is a new album produced from previously unheard archival recordings by the legendary Bahamian guitarist Joseph Spence, made in 1965 at the height of his career. Spence’s radically innovative guitar style transformed elements of Bahamian traditional music into adventurous, joyful improvisations and influenced players worldwide. His powerful singing stemmed directly from the rhyming tradition created by Bahamian sponge fishermen early in the 20th century. The music is punctuated by Spence’s unique, sometimes otherworldly vocalizations including humming, short bursts of lyrics, and near-scat singing. Some of the recordings include singing by Spence’s sister Edith Pinder and her family members Raymond and Geneva Pinder. Producer Peter K. Siegel captured these performances at Spence’s only New York concert, at the performer’s cottage in Nassau, Bahamas, and at Siegel’s apartment in Manhattan.

In the late 1960s and early 70s, John Barry was at his creative peak, writing both his greatest Bond music for On Her Majesty’s Secret Service and the score for the Oscar-winning Midnight Cowboy within a few months of each other. As one decade melted into the next, Barry would provide a host of haunting, highly atmospheric scores: The Appointment, Deadfall, Mary Queen Of Scots, Follow Follow, with possibly his finest ever saved for Nicolas Roeg’s masterpiece Walkabout. He also found time to write the deathless theme for TV series The Persuaders.

The Lost Album From Ronnie Scott's is an unreleased live recording of jazz icon Charles Mingus from Ronnie Scott's jazz club in London captured in August 1972. It features alto saxophonist Charles McPherson, tenor saxophonist Bobby Jones, trumpeter Jon Faddis, pianist John Foster, and drummer Roy Brooks.

Although a favoured student of J.S. Bach, Johann Ludwig Krebs didn’t see any substantial success in his own lifetime. More recent assessments have discovered a highly educated, enlightened and open minded musician who was clearly highly accomplished as a performer, demonstrating a fascinating synthesis of Baroque, Galant and Classical forms.

Arba - Borochov's fourth album as leader, was recorded in 2022 with his quartet of in-demand New York musicians and Grammy award-winning producer Matt Pierson, and is due for release on 8th September 2023 on Greenleaf Music. The nine original compositions celebrate an emergence from a time of hopelessness and loss to a recognition of faith in the radiant life-force. Borochov performs on a custom-made Monette 4-valve quarter-tone trumpet which he uses to incorporate Maqams into his playing (the middle-eastern microtonal modes that are the musical language of his traditional upbringing).

GleAM Records is proud to announce the release of Everyday Life, the debut album of Italian guitarist and composer Edoardo Liberati and his project Synthetics.

Dan Tyminski is set to release God Fearing Heathen, his first true bluegrass album in 15 years, on June 23 via 8 Track Entertainment.

"La Cosmologie de la Poire" takes us into its fantastic, enchanting and magical universe. In few second you find yourself in the forest of Brocéliande surrounded by fairies and goblins. Their universe is inspired by old, traditional and improvised music. Their sound is simply unique. The debut album of this fantastic quartet is an indefinable masterpiece of fantasy and musical prowess. Starting from ancient and popular music and using techniques of improvisation mixed with traditional composition Nicolas Cambon, Anna Fusek, Karsten Hochapfel and Gabi Levasseur offer to the listener something really unique and unmissable in the musical world.

Gifts–recorded with the Weavers quartet–serves as a deeply personal musical memoir.

We know that key influences on Flamenco date back to Islamic Iberia or the Al- Andalusian era of Spain between the 8th-15th centuries. Yet the first mention of Flamenco by name is not until 1774, where it appears in an epistolary novel, Cartas Marruecas, by the playwright and soldier, Jose de Cadalso y Vazquez.

With several top 40 hits to his name and a remarkably diverse oeuvre spanning several different styles, Livingston Taylor is widely regarded for his creation of beautiful, introspective, and original songs and sparkling interpretations of the classic songbook. Pair his compositional talents and natural performance ability with the might, musicality, and precision of the BBC Concert Orchestra, and a spellbinding program of melodies old and new come to life.

Before the advent of recordings, playing duets was a popular social activity. This disc contains what an afternoon of music making between two string players in the 1790s might have included.

Saxophonist Adam Estes and pianist Adrienne Park share transcriptions of master works by Beethoven, Chaminade, Burhans, and Saint-Saëns on their LYRICAL BARITONE, VOL. 1. Borrowed from the flute, bassoon, and cello repertoires, this album celebrates this captivating music reimagined for baritone saxophone and piano duo. While the lowest note of the cello and the baritone saxophone is the same, the common playing range isn’t: the cello’s stretches an entire octave further, rendering literal transcriptions fiendishly difficult to play. This considerable challenge seems to pose no difficulty to Estes and Park at all: with great lightness and delicacy, they navigate calmly and confidently through even the most treacherous musical waters. A virtuosic feat and feast.

We know that key influences on Flamenco date back to Islamic Iberia or the Al- Andalusian era of Spain between the 8th-15th centuries. Yet the first mention of Flamenco by name is not until 1774, where it appears in an epistolary novel, Cartas Marruecas, by the playwright and soldier, Jose de Cadalso y Vazquez.