The Putumayo Discovery series continues with the digital album, Fiesta Latina, featuring 10 upbeat tracks by artists who celebrate the diverse and rich music of Latin America.

Explore the world of acoustic Latin American music with Putumayo's "Latin Café." The album features ten singer-songwriters from Argentina, Colombia, Uruguay, Mexico and beyond, all influenced by the rich musical traditions of the region.

Catán wrote Florencia en el Amazonas, the first Spanish-language opera commissioned by a major American company, in collaboration with Colombian author Gabriel García Márquez and his protégée, Marcela Fuentes-Berain. Loosely based on García Marquez’s Love in the Time of Cholera, Florencia taps deeply into the novelist’s world of magical realism. Since its premiere at Houston Grand Opera in 1996, it has been performed by major companies including LA Opera, Seattle Opera, Lyric Opera of Chicago, Washington National Opera, and the Metropolitan Opera, where it was presented in a new production in 2024. “I set out to write beautiful music for a story of the journey to transcendent love; it concerns all of us who have lived love with all its intricacies, subtleties, wretchedness, and glorious happiness.”

Once in a great while, a truly iconic artist emerges — not a commercial fabrication, not a product of marketing, but a rare, genuine voice of deep artistry and technical brilliance. Patricia Moreno is one of those artists.

With its driving energy and spirited flair, the son has held the essence of mariachi music for more than 150 years. Even today, the modern mariachi dips into the son repertoire to punctuate its performances, evoking boisterous yells and percussive zapateados from its listeners. In 'Sones de Mariachi', multi-Grammy-winning Mariachi Los Camperos makes its mark on the son legacy, powered by the group's lauded signature sound and leader Jesus "Chuy" Guzman's uplifting arrangements. This meticulously curated mix of popular and lesser-known sones rooted in the western Mexican heartland of mariachi tradition is played with the typical virtuosity, superb vocals, and rhythmic precision of one of the world's greatest mariachis.

"Tangos Aumentados" is a groundbreaking cinematic journey that pushes the limits of tango nuevo. Under the direction of Andrea Marsili, the all-female orchestra Fleurs Noires explores a sonic world where the traditional soul of the bandoneon is "augmented" by complex polyrhythms, dissonant harmonies, and a symphonic depth. This project is not just a dance record; it is a profound artistic statement about the evolution of urban music in the 21st century.

Above the fantasy character and the hyperbolic fiction that is created around myths and legends, a truth like a fist: Parquesvr are in absolute state of grace and are one of the fittest projects of the current state alternative circuit.

The trio featured in this project pays tribute to some of the great composers/interpreters of South American culture and what it has done for the universe by weaving the thin thread that binds the past to the present. In other words, Paolo Fresu wrote some texts in Sardinian on the music of Linx. Linx adapted some English texts for Pablo Milanés and Famke Sinninghe Damsté as well as writing some texts in Dutch for Milton Nascimento. Beytelmann composed from the world of Piazzolla and embellished Linx's and Fresu's poetry with his touch. Trama Latina is in short, a tribute to the energy that swings between continents and cultures.

“De un siglo anterior” is Bunbury’s new album, and it is undoubtedly a celebration of the passage of time, looking to the future with enthusiasm and a sense of wonder. Recorded in the Desierto de los Leones (Mexico), it was produced by Bunbury himself along with Ramón Gacías. They entered the studio in February 2025 with the intention of exploring the possibilities of combining Latin music with other genres, opening themselves up to the harmonic and rhythmic possibilities of its patterns and lyrics. In August of the same year, they returned to the studio to finalize the mixing, and then in Los Angeles, California, Tom Baker handled the mastering.

This album highlights the remarkable talents of Markolino, who wrote and arranged every selection. His expressive keyboard work serves as the driving force behind the orchestra, guiding dynamic arrangements that flow effortlessly and invite the listener into the music. This album delivers energy, groove, and artistry in every note.

Craft Latino releases the post-50th anniversary reissue of Ray Barretto’s classic salsa album, Que Viva La Música. A landmark title in the influential bandleader and conguero’s prolific catalog, Que Viva La Música features such favorites as “Cocinando,” “La Pelota,” and the title track – all performed by Barretto’s legendary original band (including Adalberto Santiago and Orestes Vilató).

In the wake of the success of their album MUJERES (Aparté 2023) Diana Baroni and Ronald Martín Alonso with the Vedado Ensemble, invite you to discover MADRE SELVA, a new adventure with extraordinary musicians, spokespersons of Latin traditions, the middle East and African griots.

Montreal’s JazzLab Orchestra returns with a powerful new project: ‘Slip of Time (Glissement du Temps),’ an ambitious recording that blends polyrhythmic, polytonal, and impressionistic musical textures into a striking contemporary large-ensemble sound.

'El patio' is considered one of the cornerstones of Andalusian rock, one of the most influential albums in the history of Spanish music and contains great classics such as 'Abre la puerta', 'Todo es de color', 'En el lago' or 'Sé de un lugar'.

Triana began their career in 1974, and now celebrate their 50th anniversary, with a legacy that remains alive, their songs transcending generations and serving as a meeting point for music fans of all ages.