Kitaro is one of the most popular and influential new age artists of all time, having sold millions of records and toured across the world numerous times, in addition to winning Grammy and Golden Globe awards. His style fuses contemplative, highly melodic synthesizer work with acoustic instrumentation, drawing from Eastern musical traditions as well as folk, classical, and rock influences.

Kevin Tyrone Eubanks is an American jazz and fusion guitarist and composer. He was the leader of The Tonight Show Band with host Jay Leno from 1995 to 2010. He also led the Primetime Band on the short-lived The Jay Leno Show.

Standing on the Edge is the eighth studio album by the American rock group Cheap Trick, released in 1985. Jack Douglas, the producer of Cheap Trick's debut album Cheap Trick, made a return for this release. When released, Standing on the Edge peaked at number 35 on the Billboard 200 and was on the charts for 19 weeks. After a few albums of more pop-oriented material, Standing on the Edge saw Cheap Trick return to their standard hard-rocking sound. The album was produced by Jack Douglas, who produced the band's eponymous debut album as well as the Found All The Parts EP. Originally, Cheap Trick planned on returning to the rough sound of their first album. However, Douglas backed out of the mixing process due to legal issues he was having with Yoko Ono. Mixer Tony Platt was called in, and as a result, keyboards and electronic drums were featured more prominently than the band and Douglas had intended.

Anita O'Day celebrated her 50th year as a professional singer at Carnegie Hall on Friday evening with a program that reviewed her big-band years with Gene Krupa and Stan Kenton and her work with small groups over the past 30 years.
Miss O'Day was relaxed and casually high-spirited, cutting through the formality that a performance in Carnegie Hall suggests.
And when she and Roy Eldridge remembered what they once did with ''Let Me Off Uptown'' with Gene Krupa's band, they both showed that the spirit that created that performance was still there, even though Mr. Eldridge now only sings his part and no longer blows the crackling trumpet he once did since a heart attack five years ago forced him to give it up…

Alcatrazz was originally formed as a vehicle for vocalist Graham Bonnet, but became famous for introducing budding guitar heroes instead, namely Swedish phenom Yngwie J. Malmsteen and ex-Frank Zappa associate Steve Vai. After toiling away unsuccessfully for most of the '70s with the Marble and as a solo artist, vocalist Graham Bonnet got his lucky break when he was tapped to replace Ronnie James Dio in Ritchie Blackmore's Rainbow in 1979. But after recording the much maligned Down to Earth album and a single live performance headlining the first Castle Donington Monsters of Rock Festival in the summer of 1980, Bonnet was unceremoniously sacked by the temperamental Blackmore. Down but not out, Bonnet set about forming Alcatrazz, drafting veteran musicians in keyboardist Jimmy Waldo, bassist Gary Shea, and drummer Jan Uvena, and looking to reproduce the basic Rainbow sonic formula.

The Early Tapes of The Beatles is the first digital repackaging of The Beatles' First, the 1964 German compilation album of Tony Sheridan and The Beatles recordings. The songs were recorded in Hamburg between 1961 and 1963. Most of the tracks feature vocals by Sheridan. Only tracks 1-5, 7, 10, and 11 actually feature the Beatles, with John Lennon singing lead on "Ain't She Sweet" and featuring "Cry for a Shadow", an instrumental written and performed by the British group alone. The other songs are performed by Sheridan and other musicians, identified as "The Beat Brothers". This CD, which was released in 1984, includes two additional tracks and an extended version of "Ya Ya" and was reissued in 2004 with a different design on Universal Music's Spectrum label. The song "Take Out Some Insurance on Me, Baby" was originally mistitled "If You Love Me, Baby" on all versions until 1970 when in the US, it's proper title was used.

I can claim possibly some very small influence on this record. Some years ago Jessye Norman broke the last and very difficult phrase of Ganymed with a breath. I then pointed out in a review that Gerald Moore (in Singer and Accompanist London: 1953) had urged singers to phrase it in one as Norman has done in recitals, and now on record, ever since. Cause and effect? I don't know. This is, in any case, one of the most rewarding performances on the record, sung with conviction and, throughout, with long-breathed phrasing.

The set of Inventions being reviewed here doesn’t suffer from any of these flaws – they are refined and musical and sound like Schiff is enjoying himself while playing them. The 2nd of the Three-Part Inventions is a sad, reflective piece in C minor and Schiff executes it with sensitivity and finesse, with a careful ear for the balance of the voices , with the upward and downward scale that Bach includes inserted into the texture with elegance. The next Invention, in D major, is completely different in feeling and Schiff makes it dance.

It is obviously not the sentimental aspect of Rachmaninov's music that has attracted Zoltan Kocsis to record all of the piano concertos for Philips. His view of the composer is more involved with making an impact through spine-tingling virtuosity, balanced by moments of poetic insight.