Formed 1968 in New Jersey as Dr. Hook & The Medicine Show, disbanded in 1985. Their name was shortened in 1975 to Dr. Hook.

Originally released around the turn of the millennium, Musick to Play in the Dark featured a restarted Coil at bay, with original members John (later Jhonn) Balance (R.I.P.) and Peter Christopherson joined by synthesist/bassist Thighpaulsandra, and Drew McDowall (replaced by Rose McDowall on the second volume). These are long-form works, collections of mood pieces in several modes, and what’s interesting (and somewhat predictable) is that the patience displayed while shifting in between these modes creates a tension and space that feels… almost removed from music by a step, as if the performance decided to slowly back away from Coil at a respectful, totality-fearing distance (or maybe it was the psychic force of their music that pushed it all back)…

Wow - they don't make 'em like this anymore. A semi-legitimate compilation at best and mastered from vinyl, Hippie Goddesses is a collection of psych-pop tunes from the late '60s and early '70s, all fronted by women. The women's liberation movement and the sexual revolution were in full swing, and this collection is sort of a distillation of those newfound attitudes. Of course, attitudes toward women have undergone many changes since that time, and most of these tunes are dated to the point that they would probably horrify any self-respecting riot grrrl at the end of the 20th century. That's a big part of the reason why this is such a great collection.

In 1997, Joe Lynn Turner released Under Cover, a collection of his favorite hard-rock classics. It was such a success that he followed it two years later with the appropriately-titled Under Cover 2. Turner has surrounded himself with first-rate musicians – Vernon Reid, Al Pitrelli, Jeff Golub, Greg Smith – and has expanded his musical outreach, taking on such numbers as "Wishing Well" and "The Race is On," along with such album-rock favorites as "Helter Skelter," "Waiting for a Girl Like You," "The Boys Are Back in Town," "Born to Be Wild," "Fool for Your Lovin" and "Mississippi Queen."

George Benson Simply one of the greatest guitarists in jazz history, George Benson is an amazingly versatile musician whose adept skills find him crossing easily between straight-ahead jazz, smooth jazz, and contemporary R&B. Blessed with supreme taste, a beautiful, rounded guitar tone, terrific speed, a marvelous sense of logic in building solos, and, as always, an unquenchable urge to swing, Benson's inspirations may have been Charlie Christian and Wes Montgomery, but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format; skills he first garnered attention for as a member of Brother Jack McDuff's band in the early '60s. Benson can also sing in a lush, soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway. In a sense, he is the guitar-playing equivalent of Nat King Cole, a fantastic instrumentalist whose smooth way with a pop vocal helped solidify his prowess in the marketplace. It is this combination of singing and guitar playing that has garnered him numerous accolades and chart success, including most notably his 1976 breakthrough Breezin', which topped the pop, R&B, and jazz charts and took home Grammy Awards for Best Pop Instrumental Performance and Record of the Year.

British rock band from Birmingham formed in 1965 and disbanded in 1972. They formed into ELO (Electric Light Orchestra) after several line-up changes and primary songwriter Roy Woods's desire to form a new band that would play orchestral as well as hard rock. The Move are perhaps best known for their string of top 5 UK chart hits, including their debut "Night of Fear" (#2), "I Can Hear the Grass Grow (#5), Flowers in the Rain (#2), Fire Brigade (#3), and Blackberry Way (#1) all between 1966 and 1968. Despite releasing 4 albums, only their 1968 debut "Move" charted, reaching #15 in the UK.

Originally released in 1999 as a follow up to the acclaimed 'Trailer Park' and received a Mercury Music Prize nomination, helping Beth earn a BRIT Award in 2000 for Best British Female. The album also features in the book, '1001 Albums You Must Hear Before You Die'. The album features the hit singles 'Stolen Car' and 'Central Reservation' and is now re-issued with a second disc of material compiled by Beth. It features key b-sides, including the Spiritual Life Ibadon remix of title track 'Central Reservation' plus unreleased live recordings and demos. The expanded packaging features brand new sleevenotes including a new interview with Beth. "A space cowgirl with a stolen car heart, Beth remembers: listening back to the record now, I enjoy hearing the melodies and how I played with them and the words. The making of records is often a period of redemption for me and the recording of Central Reservation was the actualizing of all my most positive thoughts".

Short Music for Short People is a 1999 compilation album released on the Fat Wreck Chords record label. It features 101 bands playing songs averaging approximately 30 seconds in length.With a few exceptions, most of the album's tracks were written and recorded specifically for this release at the request of Fat Wreck Chords founder and NOFX bassist/vocalist Fat Mike. The compilation peaked at #191 on the Billboard 200.

In 1779 he was elected maestro di cappella at the cathedral of Milan, where he remained until 1784. Here he exercised his true vocation of composer, in addition to at least twenty of his most successful operas, a vast amount of sacred music for the cathedral, and educating a number of clever pupils, the most distinguished of whom was Cherubini.

The turbulence of the '60s hits home for one peripatetic family: the Herlihys of Chicago. Brian (Jerry O'Connell) ships out to Vietnam, sister Kate (Julia Stiles) runs off to San Francisco and brother Michael joins a freedom ride to Mississippi. Michael: Josh Hamilton. Mary Herlihy: Annie Corley. Bill Herlihy: Bill Smitrovich. Sarah Weinstock: Jordana Brewster. Emmet Taylor: Leonard Roberts. Kenny Klein: Jeremy Sisto.

Tom Waits grew steadily less prolific after redefining himself as a junkyard noise poet with Swordfishtrombones, but the five-year wait between The Black Rider and 1999's Mule Variations was the longest yet. Given the fact that Waits decided to abandon major labels for the California indie Epitaph, Mule Variations would seem like a golden opportunity to redefine himself and begin a new phase of his career. However, it plays like a revue of highlights from every album he's made since Swordfishtrombones. Of course, that's hardly a criticism; the album uses the ragged cacophony of Bone Machine as a starting point, and proceeds to bring in the songwriterly aspects of Rain Dogs, along with its affection for backstreet and backwoods blues, plus a hint of the beatnik qualities of Swordfish.

American guitarist Frank Vignola fronts this contemporized version of the classic Django Reinhardt-Stephane Grappelli combo, joined by 58-year-old Uruguayan violinist Federico Britos, second guitarist Eric Bogart and bassist Phil Flanagan. They swing through several of the original Hot Club's classics, American popular standards, and a couple of unexpected asides. Of the repertoire joined at the hip to Reinhardt and Grappelli, the well-swung "Djangology" shows Vignola as a mad hatter with triple time and twiddling phraseology, even at slower tempos. The gypsy anthem "Dark Eyes" has the two guitarists rumbling in flamenco style, Britos soloing all alone before Vignola wrests the swing away from him. Vignola is a furious demon of strummed chords, churning up a storm during the bookended selections "I Found a New Baby" and the hot, hot, hot "Stompin' at Decca"…

It Was the Best of Times is the third live album by the English rock band Supertramp, released in April 1999. The album was recorded in September 1997 at the Royal Albert Hall, London, England, UK during the "It's About Time" tour (set up in support of the Some Things Never Change studio album). The band includes vocalist/guitarist/keyboardist Mark Hart performing songs originally sung by Roger Hodgson. Supertramp are also augmented by additional players added for this album and tour which later would also take part in the recording of Slow Motion, the follow-up studio album released in 2002.

Since his late teens, Kenny Garrett has lived the kind of life most musicians only fantasize about. He's been a sideman for legends like Miles Davis, Art Blakey, Freddie Hubbard, Woody Shaw, and the Duke Ellington Orchestra. Emerging in the mid-'80s as one of contemporary jazz's most exciting and eclectic new solo artists, the saxophonist's albums have earned him worldwide recognition, four-star reviews, and top spots on reader polls and Rolling Stone's "hot list." Known for years primarily for his adventurous playing and sparkling improvisations, Garrett finally came into his own as a composer with his 1997 Grammy-nominated Warner Bros. release Songbook - his first album comprised entirely of his own compositions…

Rajaz is the thirteenth studio album by Camel, released in 1999. The album's songs have been composed on the camel's walking metre and is considered by many fans to be a return to the band's musical roots of the 1970s.