The Brighton Port Authority is yet one more way that Norman Cook (aka Fatboy Slim, aka Beats International) has found to gather world-class musical weirdos around him and collaborate with them on the creation of funky, hooky, wave-your-hands-in-the-air dance pop. Unlike his other projects, though, this one apparently stretches way back into the 1970s, when many of the rough tracks on this collection were originally recorded. Over the years, Cook and his collaborator Simon Thornton worked with such disparate singers and songwriters as Iggy Pop, Martha Wainwright, David Byrne and Pete York, and though a good amount of this material was clearly added in much more recently (Dizzee Rascal's contribution to "Toe Jam," for example, is clearly not of 1970s vintage, nor does Iggy Pop sound like the young man he would have been back then), there's a sense of anarchic fun to the proceedings that is very much reminiscent of the best music of the '70s and '80s.

Innamoramento is the fifth studio album by Mylène Farmer, released on April 7, 1999. Very poetic, all texts were written by Mylène Farmer who also composed the music for five songs. The album deals with the singer's anxieties, such as pain, unhappy love, sexuality and the passage of the time. But as the album's title suggests, love is the central theme of the latter. The album is slower and with less rock sonorities than Anamorphosée. The sound is more techno-pop and intimate. In 2000, Innamoramento won a NRJ Music Awards in the category 'Francophone album of the year'.

Sandra Ann Lauer, commonly known under her stage name Sandra, is a German pop singer who enjoyed a mainstream popularity in the 1980s and early 1990s with a string of European hit singles, produced by her then-husband and musical partner, Michael Cretu, most notably "(I'll Never Be) Maria Magdalena" (1985), "In the Heat of the Night" (1985), "Everlasting Love" (1987), "Secret Land" (1988), "Hiroshima" (1990) and "Don't Be Aggressive" (1992). Her albums Into a Secret Land (1988) and Close to Seven (1992) have won Sandra high critical acclaim…

Hyperion’s Record of the Month for June sees the thirty-fifth release in our award-winning Romantic Piano Concerto series, and three première recordings of concertos by Henri Herz.

Handel and Scarlatti together? Long ago, in Rome (for a musical joust before the most eminent cardinals), in Venice (at a masked ball where Scarlatti recognised the faceless harpsichordist: “It could be no one but the famous Saxon, or the devil”), in London (where an opera by Scarlatti was staged). Together again under the pen of Charles Burney, who celebrated them as the two supreme masters of the harpsichord, the ‘heavenly twins’. And together once more in the little church in Haarlem to which Pierre Hantaï returns like a pilgrim.

The material on this album originally was intended to be part of a four-record set called Läther, prepared for release in 1977. Then Frank Zappa got into a disagreement with his record company, Warner Bros., and Läther was split up into several different releases as part of a contractual agreement. The results were dumped on the market during 1978 and 1979, while Zappa moved on to his own record label…

After the mildly disappointing Alternative 4, Anathema strikes back with Judgement. Upon first listen, the music and message seem a bit mellow for these doomy metal moguls. Second listen is like a magical rediscovery of a lost art form, the art of creating simple, depressing hard rock that is so emotionally expressive that it bends one's own constitution. Quiet and introspective on songs like "One Last Goodbye" and "Anyone, Anywhere," Anathema has the ability to spew forth raw, volcanic pain on cuts like "Judgement" and "Pitiless" - the last of which contains the most heart-wrenching solo the Cavanagh brothers have ever penned. Drummer John Douglas also surprises, making an amazing contribution to the album, by writing two of the most memorable songs, "Don't Look Too Far" and "Wings of God." The first is a gorgeous Porcupine Tree-like tune with somewhat upbeat female vocals and melodies…

Although Autobahn was a left-field masterpiece, Trans-Europe Express is often cited as perhaps the archetypal (and most accessible) Kraftwerk album. Melodic themes are repeated often and occasionally interwoven over deliberate, chugging beats, sometimes with manipulated vocals; the effect is mechanical yet hypnotic…

ABBA are a Swedish pop supergroup formed in Stockholm in 1972 by Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. The group's name is an acronym of the first letters of their first names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition. Estimates of ABBA's total record sales are over 380 million, making them one of the best-selling music artists of all time.