The 3CD Soundtracks And Singles 1963-1966 compiles the original soundtrack albums for Zulu and Four In The Morning, both composed and conducted by John Barry, together with other recordings he made for the Ember label. Barry (1933-2011) was one of the best known composers of film music in the world. His early career found him working as in-house arranger for EMI, leader of hit instrumental combo the John Barry Seven, and composer, arranger and conductor on the first UK soundtrack album (the Adam Faith vehicle Beat Girl). After Barry's involvement as arranger on the first James Bond film Dr No in 1962, he was appointed as primary composer for the film franchise.

2007 three CD collection of soundtracks from classic movies of our time. With a generous playing time of over three hours, this stunning set offers something for everyone: from Elmer Bernstein's The Magnificent Seven and Max Steiner's Gone With the Wind to the more recent, represented by Hans Zimmer's Gladiator and Klaus Badelt's Pirates of the Caribbean via Dances with Wolves, The Mission, Lord of the Rings and Batman, to name but a few! Enjoy unforgettable movie themes from a wide range of famous composers from John Williams and Danny Elfman to Rachel Portman and Ennio Morricone.

'Ultimate… Movies' four-disc set, celebrating some of the biggest movie hits of all time. Features 72 classics, from Elvis Presley, Aretha Franklin, Judy Garland, Simon & Garfunkel, Celine Dion, Sarah McLachlan, Van Morrison, Johnny Cash, Survivor, Kenny Loggins, Dolly Parton, Carly Simon, Billy Ocean, Herbie Hancock, Bob Dylan, Henry Mancini, John Barry, and many more!

Brian Bennett, drummer of the Shadows; Brian Bennett: triple Ivor Novello Award winning film and TV score composer; Brian Bennett, member of the SODS (Society Of Distinguished Songwriters, and former “King Sod”) - writer of hits such as “Summer Holiday”, Brian Bennett whose barn burned down recently destroying his studio and irreplaceable collection of antique drum kits. He’s a busy man, Brian Bennett, and he’s had a long and interesting life so far. Once the young resident drummer at the famous “Two 1’s” coffee bar in Old Compton Street, his stellar career has now brought him to the point when his new instrumental album – a tribute to his friend and idol, John Barry – is being released on Dramatico Records. This is a powerful and impressive album, superbly produced and orchestrated – with the assistance of his son Warren Bennett.

Joel McNeely & the Royal Scottish National Orchestra's version of John Barry's Academy Award-winning score for Out of Africa mixes the film's musical pieces with Celtic, classical, and pop favorites. Pieces such as Mozart's "Mozart: Clarinet Concerto in A major, K622 (adagio)," "Dear Old Ireland," and "The Ghost of Molly McGuire" blend well with Barry's lush, sweeping compositions, but purists may want to seek out a more straightforward version of the score for an unadulterated Out of Africa experience.

In the 25 years since 1978, Varese Sarabande Records has released well over 1000 albums. Of those, nearly 900 are film scores. Averaging over fifty new soundtrack releases a year, Varese Sarabande's catalog features virtually every great name in film music: Jerry Goldsmith, John Williams, Elmer Bernstein, John Barry, Thomas Newman, Alan Silvestri, Howard Shore, Randy Newman, Hans Zimmer, Danny Elfman, James Newton Howard, Mark Isham, Graeme Revell, Trevor Rabin, Georges Delerue, Henry Mancini, Patrick Doyle, James Horner, Carter Burwell, Rachel Portman, Randy Edelman and Marc Shaiman along with countless others and all the legendary composers of Hollywood's Golden Age. This four CD set features a total of five hours of music and becomes the biggest compilation we've ever assembled.

In the 25 years since 1978, Varese Sarabande Records has released well over 1000 albums. Of those, nearly 900 are film scores. Averaging over fifty new soundtrack releases a year, Varese Sarabande's catalog features virtually every great name in film music: Jerry Goldsmith, John Williams, Elmer Bernstein, John Barry, Thomas Newman, Alan Silvestri, Howard Shore, Randy Newman, Hans Zimmer, Danny Elfman, James Newton Howard, Mark Isham, Graeme Revell, Trevor Rabin, Georges Delerue, Henry Mancini, Patrick Doyle, James Horner, Carter Burwell, Rachel Portman, Randy Edelman and Marc Shaiman along with countless others and all the legendary composers of Hollywood's Golden Age. There are far too many titles to assemble any compilation even remotely comprehensive, but we did want to pause in our release schedule to take a moment to remember just a few of our favorites. This four CD set features a total of five hours of music and becomes the biggest compilation we've ever assembled.

La-La Land Records presents, in association with Paramount Pictures and Capitol Records, the premiere release of both John Barry’s unused score and Michel Colombier’s score to the 1986 Paramount Pictures action/adventure motion picture THE GOLDEN CHILD, starring Eddie Murphy, Charlotte Lewis, Charles Dance and directed by Michael Ritchie. Mr. Barry’s (FROM RUSSIA WITH LOVE, BODY HEAT, A VIEW TO A KILL, DANCES WITH WOLVES) unused orchestral score is simply put, wondrous – a powerful, majestic work brimming with action, suspense and romance that strongly recalls the recently departed composer’s 80s Bond period while still retaining its own robust identity. Composer Michel Colombier’s (RUTHLESS PEOPLE, THE MONEY PIT, AGAINST ALL ODDS) score, only a portion of which has been previously released, is finally given its proper due here as well, showcasing the composer’s knack for traditional action scoring blended with the era’s contemporary, synth-based pop sound.

Kritzerland is proud to present a limited edition soundtrack release – two great scores on one great CD. The Whisperers was originally issued on a United Artists LP and had a prior CD release on Ryko. That release, as was the case with several Ryko issues, had dialogue tracks added between the score tracks, which, for most people, completely interrupted the wonderful flow of Barry's original LP sequence. For this release, we have removed the added dialogue tracks and remastered the sound. The original United Artists LP of Equus, along with its prior CD release (also on Ryko - now long out of print), interspersed five of Burton's monologues (and a scene with Firth) among the score cues. Some of the monologues retained their own track and had no underscore, and some were bookended with musical cues. The result was a very nice listen for the first couple of times - after that, one wished that the score could simply be listened to as a score, on its own. So, for this release, we've done exactly that for the first time.

Treat for John Barry fans! World premiere release of complete original soundtrack Barry scored with co-composer Dana Kaproff for Frank Zuniga adventure about family living in Aleutian islands, starring Steve Railsback, Michael Beck. Barry supplied several impressive cues, Kaproff worked with those themes plus created several ideas of his own. Results are coherent, beautiful, exciting music! Main theme is warm, other ideas range from pastorale to dramatic. Barry's "The Frolic" is outstanding sequence melding both warm theme for strings with dynamic, regal splendor for brass. Intrada newly masters entire CD from actual 1/2" 3-track stereo session masters vaulted at MGM in mint condition, includes all original LP contents plus several previously unreleased cues. Amongst new highlights is Barry's lengthy, dramatic "Broken Promise". CD also has original End Title song "Letting Go" by John Barry & Don Black, sung by Glen Campbell plus both LP version of Main Title (with water & bird effects), premiere of newly remixed version without effects. Complete breakdown of each composer's work plus informative notes by Jeff Bond complete generous package. John Barry supervises, Dana Kaproff conducts. Intrada Special Collection release limited to 2000 copies!

A significant part of the 1993 Paramount film Indecent Proposal's seductive charm is John Barry's sad, sensual music. In one of this most heartfelt themes of the '90s, the main theme captures the story's essential feelings and honors its highest aspirations. An elegant piano melody floats across a warm string bed, and the sensation is one of romance tinged with sadness and loss. Throughout the score, strings are like beds of silk and champagne, and the piano—melodic and arpeggiated—is liberally sprinkled over them like rose petals. Everything is warm and luscious, even when the mood is sad or uncertain. Heartbreak is woven into the sensuality. Straightforwardly tonal, the score's mood ranges from nostalgically beautiful to dark and dangerous to sad and sexy. At the time of the film's release, the soundtrack album to Indecent Proposal emphasized the songs heard in the film, including the original song to which John Barry contributed, "In All the Right Places," and a single track medley running around 25 minutes.

The release of re-mastered editions of the James Bond scores offered up some great albums that expanded the original soundtracks with extra cues ("Thunderball" and "On Her Majesty's Secret Service" are particularly superb). However, "Moonraker," one of the best scores of the series and one of the most lyrical and unusual (especially when you consider what a silly slapstick film it accompanies) arrived on CD in a bare-bones 30-minute edition that replicates the original LP version with no extra tracks.

World premiere release of complete John Barry score for top-drawer 1966 Bryan Forbes black comedy with incomparable cast: John Mills, Ralph Richardson, Michael Caine, Peter Cook, Dudley Moore, Peter Sellers. Written during fertile period that includes THUNDERBALL, IPCRESS FILE, BORN FREE, QUILLER MEMORANDUM, Barry creates warm, lilting major-key waltz theme for Victorian England setting, then surrounds with variety of flavorful ideas both fun, dramatic. In latter portion of score, Barry introduces dizzying orchestral romp for wild hearse sequences. At time of release, Mainstream label issues 29-minute soundtrack album. In later years, stereo LP becomes arguably Barry's rarest, most-sought collector's item. Actual LP masters have long since vanished so this portion of Intrada CD is mastered from mint condition stereo copy of album. Fortunately, Sony vaults contained complete 1/4" session tapes in mono, allowing us to offer world premiere suites with some 20-minutes of never-before-released cues. Extra bonus from Mainstream vaults: one reel of original unedited 1/2" 3-track stereo session masters actually survives, allowing us to include two newly remixed cues.

BUYSOUNDTRAX Records present HIGH ROAD TO CHINA, featuring music composed and conducted by John Barry for the 1983 action adventure film directed by Brian G. Hutton (SOL MADRID, WHERE EAGLES DARE, KELLY’S HEROES), based on a book by Jon Cleary, starring Tom Selleck, Bess Armstrong, Jack Weston, Wilford Brimley, Robert Morley, Cassandra Gava and the great Brian Blessed as the Suleman Khan.

Music Composed and Conducted by John Barry. King Kong is one of Hollywood's most legendary creations, from the groundbreaking 1933 original to the highly anticipated Peter Jackson remake. In 1976 producer Dino De Laurentiis struck box-office gold with his own incarnation of the story, starring Jeff Bridges, Jessica Lange, and a colossal forty-foot model of Kong. The film was a massive production with ambitious special effects. Scoring the remake of one of the most famous films in Hollywood history was one of the few composers with the clout and talent to forge ahead with his own style: John Barry. The original's Max Steiner had practically invented the film score genre with the project, yet Barry was known for a completely different approach – eschewing "Mickey Mousing" in favor of melody, mood and large-scale symphonic structures.