Frank Zappa Composer, guitarist, singer, and bandleader Frank Zappa was a singular musical figure during a performing and recording career that lasted from the 1960s to the '90s. His disparate influences included doo wop music and avant-garde classical music; although he led groups that could be called rock & roll bands for much of his career, he used them to create a hybrid style that bordered on jazz and complicated, modern serious music, sometimes inducing orchestras to play along.

Floating through the void never felt so good. Adjust your helmet as you jet set through the cosmos with our newest compilation: Space Jazz. Featuring 29 artists across 18 tracks, this 50 minute project is sure to help you soar. Equal parts jazz cafe and sci-fi journey, smoked-out lounge and space station, this deep space voyage is guaranteed to bring some zero gravity chill. Trumpets and saxes dance through a haze of synths as distant planets come into view. If the Mos Eisley Cantina in Star Wars was more inspired by laid-back beats, or if the Blade Runner 2049 soundtrack had more brass. With familiar Chillhop names like The BREED, Birocratic, Psalm Trees, No Spirit, Ian Ewing, Aviino, and dozens of others, this compilation is packed with a beautiful kind of solitude, one that makes the world feel small and precious. Like an astronaut seeing our planet out of their window for the first time or someone on Earth in need of sitting still for a moment to relax and unwind. Press play as you moon cruise, as you apartment search on Mars, taking a smooth detour to avoid an asteroid storm. Sit back and maintain your chill, because after all, this is the coolest part of the galaxy.

With their 27th studio album, the GRAMMY® Award-winning, jazz-pioneering Yellowjackets return to redefine jazz fusion once again. Known for their genre-blending sound and impeccable musicianship, Russell Ferrante, Bob Mintzer, Dane Alderson, and Will Kennedy deliver a fresh yet timeless listening experience that’s as adventurous as ever. Fasten Up bursts with the Yellowjackets’ signature energy, featuring 11 tracks, including 10 originals and a lively cover of Ben Tucker's "Comin' Home Baby," with the standout original "The Lion" showcasing the talents of Raul Midón.

Here you have three absolutely breathtaking jazz performers locked into a studio for a day or so. From this combination of guitar, standup bass, and acoustic drum kit, you've got nine tracks of sheer jazz joy – three guys just blowing for the hell of it, recorded on the fly. There's a strong sense here that engineer Rob Eaton probably tried to get everybody properly set up and balanced before the session started and just gave up when everybody started playing. It's a delight to hear, because everything has gone into the performance, which is spontaneous and graceful – no going back for the next take here. Pat Metheny's playing is definitely modernistic, highly fluid, almost liquid lightning – no effects boxes here, though (he does play Synclavier on the last track, "Three Flights Up," but it's great anyway). Roy Haynes, likewise, should be heard by anybody wanting to get behind the traps: this man has a sense of humor, and he's a blur of motion. Dave Holland, on bass, is no slouch either, keeping pace with Metheny's guitar lines, and balancing up against Haynes' drums. Together, these guys are incredible.

*Always There* (2017) by Indro Hardjodikoro is a vibrant jazz fusion album showcasing the Indonesian bassist’s technical prowess and musical versatility. Blending elements of funk, smooth jazz, and traditional Indonesian influences, the album features energetic grooves, melodic bass lines, and polished arrangements. Indro leads with expressive bass playing, supported by a tight ensemble of talented musicians. The compositions are dynamic yet accessible, balancing intricate musicianship with catchy themes. *Always There* reflects Indro’s signature style—rhythmic, melodic, and rooted in both global jazz traditions and local flavor—making it a standout release in contemporary Southeast Asian jazz.

*My Only Passion* (1999) by Marcos Ariel is a smooth and melodic blend of Brazilian jazz, bossa nova, and contemporary instrumental music. The Brazilian pianist and composer infuses the album with warm harmonies, gentle rhythms, and lyrical piano lines, creating a relaxing and romantic atmosphere. Ariel’s compositions reflect his deep roots in Brazilian music, while also incorporating elements of smooth jazz and new age. With its soothing melodies and polished production, *My Only Passion* is ideal for quiet moments, offering a graceful fusion of Latin charm and jazz sophistication. It’s a standout in his discography for its heartfelt mood.

*Invite* (2009) by Prism is a smooth jazz album blending melodic saxophone, laid-back grooves, and contemporary jazz elements. The group delivers polished, accessible compositions featuring warm tones and catchy melodies. With a focus on mood and atmosphere, *Invite* offers relaxing, easy-listening tracks perfect for unwinding or background music. The album showcases the band’s skillful interplay and modern jazz sensibilities, appealing to fans of smooth and adult contemporary jazz styles. Overall, *Invite* is a mellow, inviting collection that balances sophistication with approachability.

Jef Lee Johnson’s *News From The Jungle* (2001) is an innovative fusion album blending jazz, funk, rock, and world music influences. Known for his versatile guitar work, Johnson creates a rich sonic landscape filled with rhythmic complexity and melodic inventiveness. The album features a mix of instrumental and vocal tracks, highlighting his skills as a composer and performer. With grooves that range from laid-back to intense, *News From The Jungle* offers a fresh, eclectic listening experience that pushes genre boundaries. It stands out for its creativity and the seamless integration of diverse musical styles.

Ruby Rushton’s fifth studio album Legacy! written by band leader Tenderlonious and keys player Aidan Shepherd, marks a new chapter for the hugely influential UK jazz group. In the past the band - which also includes trumpeter Nick Walters and drummer Tim Carnegie - worked with a “one take” live approach; avoiding the use of overdubs. For Legacy! the four musicians decided to combine their virtuosic abilities with Tenderlonious’ studio production skills. Each of the compositions sees layers of horn and flute lines added to the melodies on top of the original live takes. The result is impressive; the listener is left with a wider sonic spectrum than previously heard on Ruby Rushton albums.

A jazz standard reimagined without nostalgia—bare, exposed, and emotionally raw. The first listen from Niia’s upcoming project on the relaunched heritage Jazz label Candid Records. On Angel Eyes, Niia reimagines the beloved 1946 jazz standard by Matt Dennis & Earl B. Brent—famously interpreted by many of the jazz greats, but most notably by Chet Baker, whose cool‑jazz rendition remains a defining touchstone of Niia’s musical center. Slow phrasing, minimal vibrato, and soft reharmonization deliver a farewell to tradition. Niia’s version, produced with Spencer Zahn, bridges vintage elegance with modern warmth. A bold, heartfelt nod to tradition—and a thrilling first glimpse of what’s to come. This is the sound of a modern day Jazz Singer.

Originally released in March 1976 when members of Yes all concentrated on solo projects, Ramshackled featured some of the finest session musicians in Britain including keyboard player Kenny Craddock, guitarist Pete Kirtley and bassist Colin Gibson (both of whom had played with Alan in the short-lived bands Happy Magazine and Griffin in the late 1960s). The album also featured guest appearances from Jon Anderson and Steve Howe on the track ‘Spring-Song of Innocence’. This edition of Ramshackled has been newly remastered from the original master tapes and features the single versions of ‘Ooh Baby (Goin’ to Pieces)’ and ‘One Way Rag’ as two bonus tracks (issued on CD for the first time). The release also features an illustrated booklet and new essay making this the definitive edition of this wonderful album.

When Joanna Loved Me (1974). A compelling little record from guitarist Dom Minasi - a player we only know from these few Blue Note albums cut right toward's the label's initial run - sweet albums that might have pushed Dom further, had they gotten better exposure! Minasi's a pretty talented guitarist - with a style that's somewhere between the quirkiness of Sonny Greenwich, and the smooth sound of Earl Klugh - and while the style here might show some of the elements of Klugh's initial work for Blue Note, the overall presentation is a lot more stripped down - never too smooth, and with plenty of focus on the jazz elements in Dom's music…

Box Set with 8 CDs of exciting and adventurous New Jazz recorded live at the Altena New Jazz Meetings from 1972 and 1973. More than 8 hours of music recorded live at the Altena Castle, West Germany. Two 28-page booklets with concert pictures, flyers and newspaper clippings (in German and English). Includes complete performances and improvisations by Chris McGregor’s Brotherhood Of Breath, Michal Urbaniak Group, Phil Woods, Wolfgang Dauner’s Et Cetera and many more!

Gino Vannelli's "The Ultimate Collection" is a compilation album featuring the best songs from various periods of the artist's career. Released by Universal in 2003, this album includes some of Vannelli's most popular tracks in the pop, rock, and jazz genres.

It all starts with the voice. At turns heavy and hulkingly powerful, yet agile and pointedly precise, Nusrat Fateh Ali Khan’s vocal not only embodies the tradition of the Sufi qawwali but it is the emotive essence of singing itself.