O álbum Esso Ultron Music Collection – Clássicos (1997) é uma coletânea lançada pela Warner Music Brasil, parte da série promocional da Esso. Destinada a promover a venda de combustíveis, a série incluiu diversos volumes temáticos, sendo este focado em peças clássicas da música ocidental e jazz. O tracklist apresenta interpretações renomadas de artistas como Dinah Washington, The Righteous Brothers, Ella Fitzgerald, Shirley Horn e Louis Armstrong, além de obras de compositores clássicos como Schubert, Chopin, Tchaikovsky e Bach. A coletânea é valorizada por colecionadores e apreciadores de música clássica e jazz.

The Esso Ultron Music Collection – Axé-Pagode (1998) is a Brazilian compilation album featuring a selection of tracks from the popular genres of axé and pagode. Released by WEA (Warner Music) as part of the Esso Ultron Music Collection series, the album showcases the vibrant rhythms and melodies that characterize these styles. While specific track listings are not widely available, the compilation captures the energetic and festive spirit of Brazilian music during the late 1990s. It is considered a collector’s item for fans of Brazilian popular music.

*Nara* by Nara Leão, originally released in 1964 and possibly reissued in 1995, is a landmark album in Brazilian music. Blending bossa nova, samba, and MPB, it showcases Nara’s soft, intimate voice and socially aware song choices. The album features tracks like “Diz Que Fui Por Aí” and “Berimbau,” highlighting her connection to both traditional and modern Brazilian sounds. Nara became known as the “Muse of Bossa Nova,” and this album played a key role in that legacy. Whether experienced through its original release or a later reissue, *Nara* remains a timeless example of Brazil’s rich musical heritage.

*Forever* (1988) is the third studio album by R&B group Chapter 8, known for their smooth, soulful sound rooted in the Detroit music scene. This album features lead vocals by Valerie Pinkston and Gerald Lyles, blending romantic ballads and mid-tempo grooves. Notable tracks include “Give Me a Chance,” “So in Love,” and “Forever.” While it didn’t gain major commercial success, it’s appreciated by fans of late '80s urban contemporary and quiet storm genres for its polished production and heartfelt performances.

Unia (2007) is the fifth studio album by Finnish metal band Sonata Arctica. Marking a shift from their earlier power metal style, the album explores a darker, more progressive sound with complex song structures and introspective lyrics. Themes include dreams, inner struggles, and emotional turmoil. Notable tracks include “Paid in Full” and “Caleb.” While it received mixed reactions due to its stylistic change, Unia is seen as a bold and mature step in the band’s evolution.

The Twins - The Impossible Dream (2011) is a South Korean documentary that follows twin brothers Shin Dong-hyuk and Shin Dong-jin. Both were born with physical disabilities but defy odds through their shared passion for music and determination. The film captures their inspiring journey of overcoming challenges, pursuing dreams, and the strong bond they share. It highlights themes of resilience, hope, and the power of family support in the face of adversity.

*14 Special Hits* (1994) is a compilation album by Tony Bennett featuring a selection of his most popular songs. The album includes timeless classics like “I Left My Heart in San Francisco,” “Smile,” and “The Shadow of Your Smile.” It highlights Bennett’s smooth vocal style and his mastery of jazz and traditional pop standards, capturing the essence of his long and celebrated career. This collection offers a great introduction to Bennett’s music for new listeners and a nostalgic set for longtime fans.

*Forró do Brasil* (2003) is a posthumous album by Brazilian soul legend Tim Maia. It features a fusion of his signature soul sound with traditional forró and Northeastern Brazilian rhythms. Produced by Cláudio Mazza and released with the approval of Maia’s son, the album includes 12 tracks—some previously unreleased and others reworked. It showcases Maia’s versatility and pays tribute to Brazil’s rich musical diversity, offering a unique blend of genres rarely heard in his earlier works.

Ursus Minor – *Zugzwang* (2005) is the debut album by the French-American jazz-rock collective Ursus Minor. Fusing jazz, rock, funk, and politically charged hip-hop, it features guest vocals from M1 (Dead Prez), Boots Riley, and Umi. The album’s title refers to a chess term meaning a forced, disadvantageous move, reflecting its socially conscious themes. Released on the French label NATO, *Zugzwang* stands out for its bold fusion of genres and activism through music.

"Music for Nitrous Oxide" is the debut studio album by the American ambient duo Stars of the Lid, released in 1995 on Sedimental Records. The album features minimal, droning compositions created using a Yamaha MT120 4-track cassette recorder, capturing a lo-fi, home-recorded aesthetic. It was produced by Neal Weinberg and is considered a foundational work in the ambient and drone genres .​

„Ohne Schminke“ ist das vierzehnte Studioalbum der deutschen Rockband Puhdys, das ursprünglich 1985 in der DDR veröffentlicht wurde. Es wurde später 1999 im Rahmen der „Die Puhdys Collection“ auf CD remastert und neu aufgelegt.​

„Gravitational Pull vs. The Desire for an Aquatic Life“ ist das zweite Studioalbum des US-amerikanischen Ambient-Duos Stars of the Lid, bestehend aus Brian McBride und Adam Wiltzie. Es wurde ursprünglich 1996 auf dem Label Sedimental veröffentlicht und später 1997 auf Kranky neu aufgelegt. Die CD-Version enthält zusätzlich den Track „Jan. 69“ und hat eine Gesamtlänge von 51:08 Minuten, während die Vinyl-Version 41:44 Minuten umfasst .​

The album "Alien Worlds" by Swedish synth-pop band S.P.O.C.K was released on February 28, 1995, through Energy Rekords. This marks their second full-length studio album, following their 1993 debut, Five Year Mission. "Alien Worlds" continues the band's signature blend of electronic music with themes inspired by science fiction and space exploration.​

Scarface – The Untouchable ist das vierte Studioalbum des US-amerikanischen Rappers Scarface, veröffentlicht am 11. März 1997 über Rap-A-Lot Records und Noo Trybe Records. Es markiert einen Höhepunkt in Scarfaces Karriere und wird oft als eines seiner besten Werke angesehen.​

Das Album „Neue Helden“ der deutschen Rockband Puhdys wurde ursprünglich 1989 veröffentlicht und ist das fünfzehnte Studioalbum der Band. Es wurde sowohl vom DDR-Plattenlabel AMIGA als auch vom westdeutschen Label Koch veröffentlicht. Die CD-Version von 1999 enthält zusätzlich den Bonustrack „Die Boote der Jugend“ .​