my bloody valentine, the quartet of Bilinda Butcher, Kevin Shields, Deb Googe and Colm Ó Cíosóig, are widely revered as one of the most ground-breaking and influential groups of the past forty years. During an era in which guitar bands denoted, at best, a retro-classicism, not only did my bloody valentine sound unlike any of their contemporaries, the band achieved the rare feat of sounding like the future.

A Due Liuti (Thierry Meunier and Jean-Marie Poirier) offer a selection of pieces from the Elizabethan period and beyond. A good number of theses duets are unpublished and recorded here for the first time.

About this ItemThe item format is a CDThis specific sale is a new release, shipped direct from the manufacturerThe Artist Name is BRYAN ADAMSThe Title is DOWN THE MARQUEECondition NewOther CommentsNew Store StockThe Media Condition is NewThis is new and unplayed The Sleeve Condition is NewNew unplayed We Use Stock ImagesBecause we have over 2 million items for sale we have to use stock images, this listing does not include the actual image of the item for sale.

Formed in 1974 in South London by David Sylvian (vocals, guitar, keyboards), Steve Jansen (drums) and Mick Karn (bass guitar), the trio were joined by Richard Barbieri (keyboards) and Rob Dean (lead guitar) the following year. Initially a glam rock-inspired band, Japan developed their sound and androgynous look to incorporate electronic music and world influences. The band achieved success in the late 1970s and early 1980s, releasing nine UK top 40 hits, including the 1982 top 5 single ‘Ghosts’. The band split in December 1982, just as they were beginning to experience commercial success in the UK and abroad. Japan’s final ‘Sons of Pioneers’ tour in late 1982 included dates in Europe, UK and the Far East. On this tour, guitarist and keyboardist Masami Tsuchiya performed with the band on stage. Japan’s final ever gigs were performed in Japan in December 1982, and among these dates their show at the famous Nippon Budokan in Tokyo on the 8th of the month was deemed the finest show of the entire tour. Recorded for live radio broadcast across the country, the concert has not previously been issued on vinyl. That changes with this new two-instalment set which features here the entire show for the first time.

Madonna’s Blond Ambition World Tour was the third concert tour the girl undertook. It supported her fourth studio album Like a Prayer (1989), and the soundtrack album to the 1990 film Dick Tracy, I’m Breathless. It began on April 13, 1990, in Chiba, Japan, and concluded on August 5, 1990, in Nice, France. The 57-show tour marked Madonna’s first concerts in Sweden and Spain.

Jonah Jones zoomed to popularity in the late 50s. He found a successful formula and used it to brighten the hit charts with a succession of bouncy albums on Capitol Records. His quartet was one of the three newcomers in the Top 10 wide variety of small groups listed in the favorite Instrumental Billboard lists in 1958.

CD1 opens with a superstar double and a trio of #1s: George Michael and Elton John’s live duet Don’t Let The Sun Go Down On Me. Chesney Hawkes defining debut ‘The One And Only’ and ‘The Shoop Shoop Song’ from Cher. CD2 showcases the amazing talent enjoying chart smashes in the early ‘90s… One of The KLF’s run of superb gems ‘3AM Eternal’ kicks things off, by Seal’s solo version of ‘Killer’. CD3 opens with truly timeless anthem The Waterboys’ ‘The Whole Of The Moon’ re-released six years after its’ original to become huge hit. Deacon Blue with Twist And Shout leads into The Railway Childrens biggest hit Every Beat Of The Heart. CD4 opens with a stellar run of pure pop gold: Pet Shop Boys open with their ingenious mash-up Where The Streets Have No Name making their second appearance on this Yearbook.

Wagram Music Presents Classical Essentials : The Greatest Hits of Classical Music album original hits and the original artists genre Classical.

The popularity of Mozart’s Eine kleine Nachtmusik is a testament to the work’s unique elegance and refinement, maintaining its status as one of the most popular pieces in the classical canon. The transformational skills that resulted in this masterpiece have their roots in Mozart’s adolescent travels where he assimilated various musical traditions. Also featured are the three delightfully original Divertimenti, K. 136–38, which are a celebration of Mozart’s experiences in Italy and a prelude to the musical treasures to follow.

The Orchestre symphonique de Montréal and its Music Director Rafael Payare explore Berlioz’s Symphonie fantastique and Le carnaval romain - two works that reveal the composer’s flair for drama, colour, and psychological intensity.

With their debut album, Cagoules et Décalcomanies offer a musical experience of striking immediacy. Breath, voice, friction, and percussion form the basis of an acoustic and stripped-down sound, both rebellious and playful. Born from long friendships and a shared sonic vision, the ensemble brings together the voices and instruments of Fanny Ménégoz (flutes), Nicolas Stephan (saxophones), Théo Girard (double bass), and Rafaël Koerner (drums) to create music that is both fragile and powerful, intimate and uncompromising.

Playing Jesus of Nazareth is more for us than performing a score: it is entering a sacred story, step by step, picture by picture. Each piece corresponds to an episode in the life of Christ - from the nativity to the resurrection - and translates that Gospel moment into a soundscape that asks us to listen, hear and participate.

Lavish 5CD box set encompassing 80s pop superstar Sheena Easton's first five studio albums - all remastered from the original master tapes - plus B-sides, live tracks and 25 previously unreleased recordings from the era. Featuring 98 tracks, this first-of-it's-kind box set spans all of Easton's early 80s international smashes including 'Morning Train (9 To 5)', 'For Your Eyes Only' and 'Telefone (Long Distance Love Affair)' alongside duets with Kenny Rogers, Al Jarreau, Luis Miguel and more. First-ever audio release of rare cover versions from her 1983 Emmy-winning TV special 'Act One' plus a wealth of previously unheard alternate mixes and vocal takes from her hit albums 'Take My Time', 'Best Kept Secret' and more. 48 page booklet includes rare photography, illuminating new interviews with songwriters and producers including Christopher Neil, Jay Graydon and Greg Mathieson as well as an introductory note written by Sheena herself.

On their first album of new material since 1991, The Well's on Fire is a return to form for Procol Harum. The band has shed most of the production gloss that dated The Prodigal Stranger and gets back to a beefier rock-based sound, resulting in their finest album in nearly 30 years. By the time you get to the chorus of "An Old English Dream" (the album's first track), you know you've locked onto the classic Procol arsenal - capable of packing plenty of keyboard, drums, and guitar punch. The band is comfortable and unashamed to be working within the classic rock idiom, and their unique blend of progressive and R&B influences is still evident. The playing is tight and lively. "Every Dog Will Have His Day" shows they haven't lost their sense of playful humor, while truly revelling in bouncy R&B rock. Some songs - like the regal "A Robe of Silk" and "The Emperor's New Clothes" - are more than respectable throwbacks to Shine on Brightly and Home-era material…

"Wandering Blues," the driving opener throughout which Hooker keeps time loudly with his foot, should give listeners a sense of what to expect from Sings Blues. These spare, raw recordings, originally made for the King label (the subtitle reads "19 selections - every one a pearl"!), are Hooker at his finest. Hooker's primitive gutbucket electric guitar is the main ingredient here, and it is his hard-edged boogie playing that fuels the fire.
Though somewhat less of a growl than on later recordings, Hooker's voice is no less soulful or urgent. It seethes with dark energy on such cuts as "Heart Trouble Blues" and the pulsing "Nightmare Blues." This work is vintage electric-blues, as cuts like "Thinking Blues" and "Blue Guitar Blues" will attest. Taken together, the tracks on Sings Blues are excellent examples of the gripping synthesis of folk blues and electric power that marks Hooker's early work.