The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series shines fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapters in his studio catalog. Bob Dylan - Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan's classic albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.

Following TSOP's first Omnibus box set subtitled "The Early Years" from 2018, this new set contains the albums On We Sail (2017), Archiviarum (2018), Toki No Kaze (2019) and Beyond the Wardrobe (2020) with five bonus tracks.
A must for the festive period when one can spoil one-self, beautiful presentation mini LP style card box sleeve package with extensive booklet as ever by Ed Unitsky. 4 disc with bonus tracks, symphonic prog of the highest quality. Limited issue so don't miss out.

During the sixteenth century in Italy, the motto ‘i galli cantano’ (the Gauls are singing) circulated, acknowledging the supremacy of the Franco-Flemish ‘transalpine’ musicians who were summoned to the peninsula to serve princes and prelates in the techniques of composing and performing vocal polyphony. Josquin Desprez, ‘Giosquino’ to the Italians, was the emblematic figure: in addition to France, he was in the service of Cardinal Ascanio Sforza in both Milan and Rome (1484, 1498) and of the papal (1489-95) and Este chapels (1503-4). On the fifth centenary of the composer’s death (1521), the Odhecaton ensemble proposes to retrace Josquin’s Italian itinerary with the Missa Hercules dux Ferrariæ, composed for the Duke of Ferrara Ercole I d’Este, and a selection of motets commissioned by Italian patrons.

Sleep Token continues right where they left off with Sundowning, showing overall improvement as a band. Much like the previous record, this album's sound is pulled in combatting directions, resulting in a band that has still failed to define their sound. Because of this, few songs stand out. The whole is greater than the sum of its parts though, as This Place Will Become Your Tomb offers enough aural goodness to be enjoyable start-to-finish.
Enigmatic British band Sleep Token combine post-rock, post-classical, and post-metal tropes with soulful indie pop vocals into a blend that sounds like nothing else. They released their innovative debut album, Sundowning, in 2019 and found mainstream success two years later with the U.K.-charting This Place Will Become Your Tomb. The anonymous, masked collective unveiled their third full-length effort, Take Me Back to Eden, in 2023…

Their blatantly deranged name conceals Yes and Genesis-like progressive rock artistry and British progressive neo-classicism from the intellectual leftfield choice. Extended complex tracks, keyboard and guitar interplay and unusual lyrics. Taken from a live recording made during the final Dutch tour 26th March 1975.

Pierrot lunaire, premiered in Berlin in 1912, is a series of twenty-one short melodramas for voice and five instruments on German translations of poems by Albert Giraud. Here the composer first introduces Sprechgesang (speech-song), a technique that revolutionised declamation. Schoenberg wanted the piece to be ironic, at once tender and grotesque, in the manner of cabaret songs. Patricia Kopatchinskaja, the violinist who is also an occasional actress, had long dreamt of playing and reciting this unique work. It was a pain in her arm preventing her from playing the violin that one day propelled her into the role of narrator: ‘All my life I have felt that I was Pierrot.