Recorded in New York with Tommy Tucker, Lowdown Back Porch Blues is Louisiana Red's first album and, in many ways, it's his best. Supported by a bare-bones rhythm section, Red plays a number or traditional tunes and originals. His guitar is nearly as powerful and overwhelming as his vocals, making this a truly compelling listen.

Doom legends Paradise Lost continue to churn out albums of high quality and The Plague Within delivers the goods. They meld their signature Doom Metal with their more angry, Death Metal stylings. They open the album with the very melodic "No Hope In Sight" and follow it up with a much more aggressive cut "Terminal". The album definitely gets more and more old school as it goes along integrating guttural vocals to the aggression. Other highlights include "Punishment Through Time", the blistering "Flesh From Bone" and "Cry Out". Another solid album from the prolific Paradise Lost.

Eddie Condon's second LP for Columbia (and his first not to be shared with another band) is a side of Columbia's jazz output that's appreciated too little today - the label may not always have recorded enough, or enough of its artists the right way doing the right repertory, but with Condon they got it right. The goal here was to capture Condon and his band jamming as they might at his club, with various friends joining in, working in the optimized setting of Columbia's 30th Street Studio in Manhattan. Peanuts Hucko (clarinet), Lou McGarity (trombone), Bud Freeman (tenor sax), Dick Cary (alto horn), and Billy Butterfield (trumpet) were the guests on the two sets of sessions held one week apart. Of the five resulting numbers, the 13-minute "How Come You Do Me Like You Do" is the highlight, with a killer horn solo by Cary and beautiful solos by Cutty Cutshall, McGarity, and Freeman as well…

Riding on the success of their hit single "Hocus Pocus" from the revolutionary Moving Waves album, Focus got to work on this, their third LP in four years. While the debut album featured a style not too dissimilar to the Bonzo Dog Doo Dah Band, Focus' second LP, Moving Waves, was purely instrumental and wholly serious-minded. Focus III kept this same sound, but approached it with a jollier, more accessible tone. As with its predecessor, Focus III featured only one tune that would have a chance of being a hit single. The enjoyable rhythm of "Sylvia," partnered with Jan Akkerman's victorious guitar solo, some of Van Leer's finest organ work, Bert Ruiter's tight basslines, and Pierre Van Der Linden's mellow drumming, assured the track classic status…

We are all connected, not just to each other as human beings and as a society, but to nature and our beautiful planet too. During challenging times, as we are currently going though, music can help. With the capability to inspire, to ignite a divine spark, music can heal our inner wounds and put our minds at ease, back in tune with the elements and natural pulse of things. How music sounds, when it is made with love, can be experienced throughout the journey of the brand new Lemongrass album release called “Trust in love”. A delicate fusion of Downtempo and Lounge textures with organic sounds and instrumentation such as the exquisite tender saxophone on “Lighthouse” or the catchy piano lead on “To be free”…

Baron Toots Thielemans was born in Brussels on April 29, 1922 and would turn 100 this year. A complete overview of one of the greatest Belgian musicians ever on LP and CD. With his most famous own songs, collaborations with great artists such as Billy Joel, his soundtracks, Brazilian trips and never before released live material.