On his second album for the Concord Jazz label, guitarist Robben Ford stays pretty much to the formula of Blue Moon from 2001. He concentrates on playing, singing, and covering great songs (and even writes a few) with interesting arrangements, inspired solos, and crisp, clean production that lets the song shine through the players. Much has been made of Ford's eclecticism and that is reflected in his choice of material here, though he never strays from the blues or R&B into jazz or fusion. Ford's selection of session players reflects his divergent interests as well: Edgar Winter appears on saxophone, while John Mayall and Ivan Neville guest along with horn bosses Bob Malach and Dan Fornero and Ford's road band. Opening the set with the title track, written by soul man Jackie Edwards, Ford lays out his formula immediately: a tight horn chart for tenor and baritone saxes, as well as trumpet; a crystal clear, expressive vocal delivery; and Ford's signature stinging guitar in the solo break lifts proceedings off on the up tip.

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.

Edgar Winter delves into a newfound fascination with sci-fi, and the resulting two albums are the end product. A confusing mixed bag of lyrics, this sounds unlike anything Winter has produced before. Considering his immense body of excellent work, from White Trash to the Edgar Winter Group, Standing On Rock comes across as something of a disappointment. That is, until Mission Earth came along in 1986. While there are a few good moments on Standing On Rock, its successor doesn't fare nearly as well. Thankfully, Edgar got back on track later in his career, and the "sci-fi" years became nothing more than a bad memory.

The live follow-up to 1971's Edgar Winter's White Trash finds the group running through a handful of the tunes from their debut album, as well as rocking things up a bit with "Still Alive and Well" (a track later recorded by Edgar's brother Johnny) and "Back in the U.S.A." One of the most immortal lines for any live rock album has to be "People keep askin' me - where's your brother?" The introduction of guest artist Johnny Winter by his brother Edgar sets the stage for a rousing rendition of Rick Derringer's "Rock & Roll, Hoochie Koo." The extended version of blues classic "Tobacco Road" is one of the finest moments on this album, which is itself a classic.

This set of Edgar Winter's jazzy remakes of older tunes and some new ones is all over the place. With a cast that includes guitarists Robben Ford and Hiram Bullock, Steve Lukather, and Michael Hakes, and bassists like Will Lee, Mark Meadows, and Tom Lilly, as well as trumpeter Lee Thornburg, one gets exactly what one expects: a slick, groove-infested ride through Winter's past and present.

Much more than the usual greatest-hits package, Collection is a well-thought-out compilation of the very best tracks of Edgar Winter's career. Obviously, his radio hits are here. "Frankenstein," "Free Ride," and "Hangin' Around" were all staples of mid-'70s AM radio. But Rhino Records doesn't kick this set off with any of the "hits," choosing to rock things up with a track from Edgar Winter's White Trash, "Give It Everything You've Got," before moving into the mellow blues of "Easy Street," highlighted by Winter's jazzy saxophone work. Also included are the excellent antiwar ballad "Dying to Live" and the melodic and catchy "Diamond Eyes" and "Round and Around." All in all, this is a definitive buffet of Winter, but don't let that stop you from sampling the original platters.

Legendary Tower of Power founding member, Stephen 'Doc' Kupka presents a smoking collection of East Bay Soul music featuring Edgar Winter, Huey Lewis, Lydia Pense (Cold Blood), John Lee Sanders, Fred Ross, and Frank Biner on lead vocals.

Gone is the obsession with outer space themes, and back is the rock & roll/rhythm & blues that Edgar Winter does so well. Not a Kid Anymore reunites Winter with his old White Trash bandmate Jerry LaCroix, and the resulting mix of musicianship and vocal prowess make for an excellent album. Choice cuts include "Way Down South," "Big City Woman," and the remake of his solid-gold 1973 classic "Frankenstein."

Entrance (1970). Edgar Winter came out of the chute kicking with this remarkable record filled with jazz, blues, and a little old-fashioned rock & roll. The record follows an established theme throughout its first side, stringing the songs together without breaks, highlighted by dreamy keyboard and sax work, plus Winter's smooth vocalizations. But jazz isn't the only thing Winter brings to the party. His first recorded version of the old J.D. Loudermilk tune "Tobacco Road" throws a few nice punches (although the live version with White Trash a few years later would prove the definitive one). "Jimmy's Gospel" plays on his early church influences, while "Jump Right Out" is the predecessor of half-a-dozen "jump up and dance" numbers Winter would pepper his records with in the years to come…

Recorded live in concert on July 14, 2000, during the 'Odd Couple Tour' at the North Sea Jazz Festival in The Hague, Netherlands.Steve Lukather started as a studio musician before becoming a founding member of 'Toto'. His guitar style and influence can be heard on numerous albums such as Michael Jackson, Eric Clapton and Paul McCartney. Edgar Winter is the younger brother of Johnny Winter.