30 classic tracks on 2 CDs from the likes of Dizzy Gillespie, Roy Ayers, Gretchen Parlato, Flora Purim, Bobby Womack and Sabrina Malheiros.

Complete your journey to the heart of smooth jazz. Following on from Pacific Cost Highway and Ocean Drive comes the final instalment in the jazzfm records Road trilogy. Featuring more smooth jazz favourites as featured in many of jazzfm’s daytime shows, including Fourplay, Brenda Russell, Kirk whalum, Al Jarreau, Paul Hardcastle and the very sought after and previously unreleased track Theme from Love Is Not Enough (Live Version) by David Sanborn.

jazz fm records returns with an all-new peak-time musical experience entitled… Dreamin'. Escape… with the very best of smooth jazz as heard on jazz fm featuring Luther Vandross, Boz Scaggs, Richard Elliot, Hil St. Soul, Special EFX, Sheila E, Acoustic Alchemy, Marc Antoine, Joyce Cooling and many more… Dreamin' is a double CD, 32-track including many brand new jazz fm tracks and the most recent playlist additions from many of the most popular jazz fm artists and emerging talents hotly tipped for the very top! Dreamin' follows the evocative, 'escape' themed Driftin' and Breezin' trilogy but this time takes a slightly more uptempo approach compared to the previous albums. As always though, the album includes the very best in contemporary jazz, and the smoothest, laid-back grooves ever popular with the jazz fm audience.

Fragile is a track lifted from the 1995 album Branded from Isaac Hayes. This 2 track Promo features the rare 13 minute version of the track (Fragile (The Complete Moses Experience)). Branded is the twentieth and final studio album by the American soul musician Isaac Hayes. It was released on May 23, 1995 by Pointblank/Virgin/EMI Records.

As the lead singer of the Animals, Eric Burdon was one of the British Invasion's most distinctive vocalists, with a searingly powerful blues-rock voice. When the first lineup of the group fell apart in 1966, Burdon kept the Animals' name going with various players for a few years. Usually billed as Eric Burdon & the Animals, the group was essentially Burdon's vehicle, which he used to purvey a far more psychedelic and less R&B-oriented vision. Occasionally he came up with a good second-division psychedelic hit, like "Sky Pilot"; more often, the music was indulgent, dating it almost immediately. Burdon's real triumphs as a solo artist came at the beginning of the '70s, when he hooked up with a bunch of L.A. journeyman soul/funksters who became his backing band, War. Recording three albums' worth of material in the year or two that they were together, the Burdon/War records could ramble on interminably, and would have benefited from a lot of editing. But they contained some spacy funkadelia of real quality, especially their number three hit single "Spill the Wine," which was almost recorded as an afterthought in the midst of sessions dominated by exploratory jams.

Ultimate Rarities Vol. 2 is a compilation album of songs by Eric Burdon released in 2008. It features a few unreleased tracks such as "Let it Be".

[The spirits of "Eric Bardon" series (jewel case)] this is the first studio album in Japan.With lyrics bilingual.1st of ultimate rarity's, a collection of rare tracks only!! In addition to studio recordings such as the slow tempo version of"Wicked Wicked Man"recorded in the early 70s, such as live recordings in Europe in the early 80's, such as live recordings in LA of the 70s, such as such as anomalies & Erick Baird collectors such as the emergence of such a precious record of the panel!! The secret to Eric's charm is here!!

Even though they were a global chart-topping, hit-making machine less than ten years prior, David Coverdale came up empty when he tried to find a U.S.-based record company to issue the group's 1997 release, Restless Heart (available Stateside only as an import). To Coverdale's credit, he did not attempt to give Whitesnake a modern-day makeover (which so many pop- metal bands of the late '80s did post-Nirvana, and failed miserably), as he follows in the same melodic rock mold of Whitesnake's previous two releases, 1987's Whitesnake and 1989's Slip of the Tongue. Unlike the late-'80s edition of Whitesnake (which included Steve Vai, Tommy Aldridge, etc.), the 1998 version is not a showcase for rock's most renowned hired guns. In addition to Coverdale, the only holdover from the group's previous album is guitarist Adrian Vandenberg, who FINALLY gets the chance to appear on a full-length Whitesnake recording (after several close calls on the aforementioned releases). Instead of walloping listeners over the skull with an album opening rocker, Coverdale kicks things off on a mellow note, with the bluesy ballad "Don't Fade Away," but harder-edged material soon follows, including the riff-rocking title track, and "Crying," which shows the singer's Zeppelin fixation remains. The times may have changed, but David Coverdale is content with his old sound – and longtime Whitesnake fans will be pleased.

Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. Ronnie Foster cut plenty of sweet fusion sides for Columbia Records at the start of the 80s – but this set's from the second half of the decade, and was initially an album that was only issued for the Japanese market! Foster arranged the whole record himself, and works with a nice lean lineup that includes Phil Upchurch on guitar, Harvey Mason and Ndugu on drums, and Paulinho Da Costa on additional percussion – all in a groove that's kind of a mid 80s update of Foster's earlier mode, still delivered with just the right sense of space and soul! Titles include "Ipanema Walk", "Festival Do Brasil", "Squirt", "Night Life", "Europe", and "The Racer".

DEACON STREET PROJECT is the baby of Tommy Denander (g/b/keys, e.g. RADIOACTIVE) from Sweden. Originally released in 2004 and 2006 and heavily sought after, the two records can point with one bonus cut each, new and beautiful artwork and booklet and come as a double-decker. AOR with a great portion of Westcoast recorded perfectly by musical extra class like e.g. Geir Rönning (v), Stan Bush (v), Peter Sundell (v), Bruce Gaitsch (g), Lars Chriss (g) or Marcel Jacob (b) to mention just a few.

On The Road Home, Heart re-records some of their biggest hits acoustically live in concert. It's interesting to hear these arena rock and AOR standards – including "Barracuda," "Crazy on You," "Dreamboat Annie," and "All I Wanna Do Is Make Love to You" – recast as intimate numbers; Heart manages to find new layers in all of these warhorses, partially due to the sublime production of John Paul Jones. The result is Heart's best album in years – the old material sounds more alive than anything they have written in a decade.

Some classic rock reunions are driven by marketing, some driven by a desperate need to reconnect to the past, some exist merely for the music. Red Velvet Car, Heart’s first album since 2004’s Jupiter’s Darling, belongs to the latter camp: it’s music with no seeming commercial aspirations, music that is connected to the past but doesn’t strive to replicate it. Heart eschews their teased, corseted ‘80s bombast and sticks to the Zep worship of the ‘70s, an obsession that’s proved quite fertile. The Wilson sisters are clearly older than they were when they belted out “Barracuda” – the tempos are generally slower, Ann’s voice doesn’t reach the same heights – but they embrace their age, a move that gives their excursions into folk including a revival “Sand” from their 1990 Lovemongers sideproject, a record that pointed the way toward the textured movie here. Red Velvet Car has something of a meditative mood – the punchy Townshend power chords are used as color, not fuel – triggered somewhat by a preponderance of textured, acoustic-laden arrangements and miniature epics, all elements that hearken back to Heart’s golden age yet wind up feeling right in line with their vibe in 2010.

South African model and singer, native English speaker, originally from South Africa, Nicole Magolie is best known in Italy through her presence on the main television networks. She has taken part in many TV programs on the RAI networks (most recently in the cast of the RAI 2 program “Voice Anatomy” conducted by Pino Insegno). She appears in numerous national commercials as a protagonist, including that of the last European Football Championships and is currently testimonial of Matera European Capital of Culture.

Luther Ronzoni Vandross Jr. (April 20, 1951 – July 1, 2005) was an American soul and R&B singer, songwriter, and record producer. Over his career, he achieved eleven consecutive RIAA-certified platinum albums and sold over 40 million records worldwide. Vandross was recognized by Rolling Stone as one of the 200 greatest singers of all time (2023) and was named one of the greatest R&B artists by Billboard. NPR also included him among its 50 Great Voices. He won eight Grammy Awards, including Song of the Year in 2004 for "Dance with My Father". He has been inducted into both the National Rhythm & Blues Hall of Fame and the Grammy Hall of Fame.

Recorded in 1973-1974, Mirage was one of the finest albums of the 1970s by Animals front man Eric Burdon. The soundtrack for a proposed United Artists film with the Vietnam War as its subject matter, the music recorded by Burdon such as Dragon Lady, River of Blood, Mind Arc and Driftin / Geronimos Last Stand was some of the finest of his career. Exploring the genres of rock, psychedelia and African beats, the sessions also saw Burdon record the song Mirage, written by Jimi Hendrix on the night he died. Sadly, first the film and latterly a proposed double album release by Atlantic Records were shelved and the Mirage album and sessions were consigned to the archives.