Cookin’ On 3 Burners return with 100% certified heat. Cookin’ The Books is the long-awaited album from Australia’s undisputed kings of Hammond soul. It’s their first studio LP in six years - and it’s all fire: deep funk grooves, sweet soul, cinematic vibes, and stacked with heavyweight guest features. From the break-heavy title track to the bounce of “No Bread For You” and the introspective soul of “Phoenix,” this record covers serious ground without losing the groove. Featuring powerhouse vocalist Stella Angelico, alt-soul luminary Natalie Slade, wordsmith Mantra alongside heartfelt singer Jane Tyrrell, rising voice Wilson Blackley, and a lush string arrangement from Tamil Rogeon, the album strikes a perfect balance between grit and grace. Captured live to tape with vintage gear at Soul Messin’ Studios, Cookin’ The Books oozes warmth and analog soul — the real deal. Whether you’re crate-digging, needle-dropping, or just vibing out, this is modern funk with old-school heat.

"Johnny Come Home" is a song by British band Fine Young Cannibals, released as the first single from their debut album, Fine Young Cannibals (1985). It is similar to the style of many other of the band's hits, a mixture of rock and ska with Roland Gift's distinctive vocals, as well as a jazz-type trumpet solo. It was released in May 1985 by London Records and was one of the group's most popular hits. The song tells the gritty realistic story of a runaway youth, and alternates from the first-person narrative, explaining how his arrival in the big city has not turned out as he expected, to the view of the parents in the chorus, expressing their wish that he would come home.

Total of 72 tracks, approximately 6 hours and 22 minutes. Includes Mendelssohn: On Wings of Song (Gautier Capuçon/cello, Jérôme Duclos/piano), Chopin: Prelude Op.24-4 (Julian Lloyd Webber/cello, John Lenehan/piano), Saint-Saëns: The Carnival of the Animals - The Swan (Jacqueline du Pré/cello, Ossian Ellis/piano), and more.

Fred Frith, the living legend at the crossroads of rock and jazz, improvisation and composition, meets Brazilian drummer, singer, and composer Mariá Portugal. Mariá Portugal has been active in the Brazilian music scene for over 20 years, now lives in Berlin, and has strong connections to European improvised music. Her deep roots in the Brazilian singing/songwriting tradition, coupled with a keen interest in electronic music, improvisation, and its use in song composition, make her an artist who moves in diverse musical contexts. This duo is a stroke of luck, because if contemporary European music has produced a truly legendary and globally significant figure in that exciting area where all stylistic boundaries are called into question, it is probably the guitarist Fred Frith. Mariá Portugal and Fred Frith come from two different continents, generations, and musical worlds, yet they have a lot in common: this fascinating debut album proves that impressively.

Some of the most revered Guided by Voices albums are the ones where songwriter Robert Pollard is able to balance his proclivities for strangeness with his gifts for melody and hooks. The reconfiguration of GbV that's been responsible for record after record (usually at least two a year) in the 2010s and 2020s has often leaned more toward the strange side of things, with a high number of the many tunes they churn out exploring prog rock or experimental song structures. Thick Rich and Delicious, the band's second full-length of 2025, is the album GbV fans who miss the band's more tuneful, pop-friendly days have been waiting for. These 15 songs are primarily energetic power pop, rich with catchy melodies, high-spirited vocal harmonies, and the type of sticky choruses Pollard has used sparingly on the albums directly preceding this. Songs like "A Tribute to Beatle Bob" or "Lucy's World" are almost too straightforwardly melodic, with huge, happy major-key chord progressions and hummable tunes. The band rocks out on riffy selections like the instrumental "Ozark Ivanho" and the garage punk of "Replay," and there's some woozy Who-like experimentalism on "Mother John," but by and large, Thick Rich and Delicious is all about pop. It's powerful power pop, too, with the band tracking the entire album live, with cranked amps direct to analog tape. The nostalgic effect of a Guided by Voices record this melodic seems not to be lost on the band

Where to begin with OutKast's boundlessly funky, futuristic magnum opus? Sure, plenty of heads prefer its downhome predecessor Aquemini, but that's the good kid, m.A.A.d city to Stankonia's To Pimp a Butterfly. That is, one might let its freak flag completely loose, but the greatness of either isn't mutually exclusive. OutKast were already showing a willingness to get weird on ATLiens' remarkably sparse, nearly trip-hop hit "Elevators (Me & You)," and by 1998's even bigger "Rosa Parks," they were experimenting with harmonica and acoustic guitar. And those regal horns on "SpottieOttieDopalicious?" Beyoncé sampled them not once (the "Flawless" remix) but twice (Lemonade's climactic "All Night"). Those advances were nearly conventional compared to the whole libraries of genre and sound that Stankonia exploded into utopian widescreen; "B.O.B." alone set André 3000 and Big Boi's twistiest double-speed flows against drum 'n' bass, swampy guitar soloing and massed choirs chanting slogans like "power music, electric revival."

Power to the People is a box set by John Lennon and Yoko Ono released on 10 October 2025 through Mercury Records. The box showcase Lennon and Ono’s historic 1972 One to One concerts at Madison Square Garden, New York City The project received general favorable reviews, although it was criticized for the absence of the song "Woman Is the Nigger of the World",contained in the original live album Some Time in New York City. Commercially the box charted in severals internationals charts, including top-ten debut on German Album Chart.

Do Frank Zappa and John Cage really belong on the classical piano album? To anyone who might be harbouring doubts, the answer is an emphatic ‘yes’, especially when the pianist is Marc-André Hamelin, whose own Hexensabbat brings to a riotous conclusion a programme of music—and instruments, in the case of Cage’s prepared piano—which radically disrupts Western traditions.

In keeping with previous Lennon box sets, the ‘Evolution’ mixes of New York City track the development of each of its nine songs using demos, rehearsals, snatches of dialogue, and early takes. It’s a thrill to hear these songs take shape and to hear an unguarded and uncompromising Lennon lead the sessions. “I know we’re gonna end up with that clean, clean recorded sound which I hate,” he frets before tearing into a ferocious version of the title track. We hear ‘Sunday Bloody Sunday’ transform from an eerie home demo to a rollicking boogie, with some choice Lennon witticisms along the way – “Of course, anyone daft enough to decide to play saxophone deserves torturing” and, when attempting to chivy things on, “C’mon, I want to get on to that female lib song before McCartney gets on to that!”. Meanwhile, the studio sessions for ‘Luck Of The Irish’ show Lennon’s softer side as he coaches Ono through her vocal.

Ooh-La-La" by Chihiro Yamanaka, a leading Japanese jazz pianist based in New York and active internationally, is a long-awaited and completely new recording, his first in about a year since "Carry On" in 2024. While centered on Brazilian music, including bossa nova by Antonio Carlos Jobim and others, Yamanaka's arrangements of Stevie Wonder's classic "You Are the Sunshine of My Life" and even J-POP songs such as "Sneaker Blues" are all vividly fresh and varied, with a sound that is unique to Yamanaka. The arrangements are fresh and diverse. Yamanaka also took on the vocal challenge with his original song "Piyo The Little Bird. The album is a richly varied and rewarding listen that fully demonstrates Yamanaka's unique musicality that is not bound by genres or boundaries. (C)RS

In occasione del 30° anniversario dalla sua prima pubblicazione, torna uno degli album più importanti della discografia di Ornella Vanoni: “SHEHERAZADE”. Questa nuova ripubblicazione esce in versione rimasterizzata dai nastri originali in CD e, per la prima volta, anche in una curatissima edizione in doppio vinile colorato (rosso e blu trasparente). Registrato tra giugno e luglio 1995 presso Villa “La Quiete” di Forte dei Marmi, e pubblicato nell’autunno di quell’anno, è l’apice della collaborazione tra Ornella Vanoni e Mario Lavezzi: Ornella firma il concept artistico, Lavezzi la produzione artistica.

Multi-platinum, BRIT Award-winning and Grammy®-nominated artist KT Tunstall is set to celebrate the 20th anniversary of her iconic debut album, Eye To The Telescope, with special “Stargazer” edition reissues. Available on exclusive vinyl and CD formats, these editions include previously unreleased recordings, B-sides, and exclusive live sessions.

Michel Sardou fête ses 60 années de carrière ! 60 ans de partage avec un public fidèle. C'est l'occasion de retrouver les 60 titres des singles commercialisés par l'artiste français le plus populaire. 60 années, 60 singles, un parcours unique au sommet de la chanson française avec un succès et une popularité jamais démentis

For the first time on vinyl, enjoy all of Reba’s most beloved songs from her very first #1 hit “Can’t Even Get The Blues” to her most recent #1 hit “Back To God.” This collection spans Reba’s entire career and is the definitive compilation of her most well-known hits. And just like a Reba concert, no compilation would be complete with her iconic hit “Fancy!”

Harpsichordist Helene Diot takes us on a journey between Amsterdam and London, where Jan Pieterszoon Sweelinck (1562-1621), William Byrd (c. 1540-1623) and Orlando Gibbons (1583-1625) enter into a dialog with toccatas, fantasies and variations. Sweelinck, mentor to a generation of organists, is a key figure in the transition from the Renaissance to the Baroque. He reveals a refined and visionary art, a synthesis of English and Italian styles that even inspired Bach himself.