2015 release, the 10th studio album by French singer, songwriter and pop culture icon Mylène Farmer. Interstellaires was produced by The Avener and Martin Kierszenbaum. Includes the single 'Stolen Car', a duet with British rock veteran Sting. This version of the much-loved Sting track has been completely reimagined by producer, The Avener. In the span of her 30-year career, French superstar, Mylène Farmer has sold over 11 million albums worldwide, released nine studio albums and six live albums, all of which reached diamond status in France. Mylène is the first female artist in history to sell out the 80,000 capacity "Stade de France" two nights in a row. On her last arena tour, Mylène's tickets were sold out a full year in advance. She has cultivated her fervently loyal fan base through consummate songwriting, classic melodies and ground-breaking videos.

UB40 was faced with following up the surprisingly successful covers album Labour Of Love (which had topped the U.K. chart, and become their U.S. chart debut) with this album of original material. Their own songs were good, but no match for what then seemed a one-of-a-kind collection. "If It Happens Again," which went to Number Nine in Britain, sounded like a song by The English Beat, while the second single, "Riddle Me" (at Number 59), was a deeper reggae groove tune. It was a good set, but without a classic like "Red, Red Wine," it suffered from a certain anonymity, especially in the U.S.

Blinded By The Light: The Very Best Of Manfred Mann's Earth Band is a compilation album released in 1992 by Manfred Mann's Earth Band. Manfred Mann's Earth Band are an English rock band formed by South African musician Manfred Mann. The band's hits include covers of Bruce Springsteen's "For You","Blinded by the Light" and "Spirit In The Night". After forming in 1971 and despite a short hiatus in the late 1980s/early 1990s, the Earth Band has continued to perform and tour through the present.

Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (1974) trilogy. Plus, the Lizard sessions were difficult and the core group lineup acrimoniously collapsed immediately afterward, as bandleader/guitarist Robert Fripp, with lyricist Peter Sinfield, continued brave efforts to save King Crimson from disintegrating as the group's lengthy history was just getting underway.

This interesting compilation offers an introduction to the 1970s pop superstars from Sweden. Best 1000 collects a smattering of the quartet's hits, including "Waterloo" and "S.O.S.," along with unearthing forgotten tracks like "When I Kissed The Teacher." ABBA is a Swedish pop supergroup formed in Stockholm in 1972 by Agnetha Faltskog, Bjorn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad. The group's name is an acronym of the first letters of their first names. They became one of the most commercially successful acts in the history of popular music, topping the charts worldwide from 1974 to 1982. ABBA won the Eurovision Song Contest 1974, giving Sweden its first triumph in the contest. They are the most successful group to have taken part in the competition. The group was inducted into the Rock and Roll Hall of Fame in 2010.

Leonard Cohen's Popular Problems is an uncharacteristically quick follow-up to 2012's Old Ideas. That record, cut in the aftermath of a multi-year tour, revitalized him as a recording artist. Producer Patrick Leonard (Madonna, Bryan Ferry) serves as co-writer on all but one tune on Popular Problems. While Cohen's sound has revolved around keyboards since 1988's I'm Your Man, Leonard gets that the real power in the songwriter's lyrics are best relayed through his own own simple melodies. Everything here – keys, female backing chorus, acoustic instrumentation, etc. – is in their service. As always, Cohen's songs – delivered in his deepest earth rasp – offer protagonists who are ambivalent spiritual seekers, lusty, commitment-phobic lovers, and jaded, untrusting/untrustworthy world citizens.

Live at Pompeii is a 1972 concert by the English rock group Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy.