The Pretenders Greatest Hits is a selection of 20 songs and their variously successful videos. Chrissie Hynde arrived in the UK in 1973, and after a period as the "Loud Yank" NME journalist, she realised her dream of putting a band together. "Stop Your Sobbing" was a terrific first single for The Pretenders, debuting a voice that defied comparison or description. Naturally it's included here. Chrissie hated the early videos for her songs, especially "Brass in Pocket", which was one of the very first shown on MTV. She relays this sort of information to camera in the terrific documentary, "No Turn Left Unstoned", featured on this DVD. Comments come in from Rosanna Arquette, ex-managers, Elvis Costello, Bono, and her oldest friend.

Eric Clapton was already an acknowledged master of the electric guitar in January 1992 when he traded his signature Stratocaster for an acoustic Martin to record Unplugged. The live album captured the legendary guitarist, backed by a small band, performing acoustic versions of his own songs and several blues standards. Released later that same year, the album was an unqualified blockbuster, selling more than 19 million copies worldwide and earning six Grammy Awards, sweeping the top honors, including Record of the Year, Album of the Year and Song of the Year. Reprise Records celebrates Clapton's electrifying acoustic performances with a new 2-CD/DVD collection that includes a remastered version of the original album along with six unreleased outtakes on two CDs. The DVD features a newly restored version of the concert, as well as more than an hour of previously unseen footage from the rehearsal.

40th anniversary deluxe reissue. The massive 5CD+3DVD ‘Monster Edition’ includes a new Steven Wilson stereo mix of the album, plus a host of associated recordings, also newly mixed by Wilson (CDs 1 & 2). The third disc offers demos, master mixes, rough mixes and more, while CDs 4 & 5 deliver a live set from Germany performed in 1982. The three DVDs included with this Monster Edition offer audio only content, with the first devoted to 5.1 and hi-res stereo mixes of the album associated recordings. The second DVD delivers even more associated recordings in the same audio formats, while DVD 3 is the Live in Germany 1982 concert in hi-res stereo and 4.1 surround sound.

Der Freischütz was first performed at the Königliches Schauspielhaus Berlin, on 18 June 1821, and enjoyed a tremendous success, heralding the breakthrough for German Romantic opera and its victory over the Italian bel canto. Richard Wagner was to continue the new musical-dramatic concept of Der Freischütz in his works. The opera soon became popular and was widely admired, including by Ludwig van Beethoven, Richard Wagner, Heinrich Heine and Hector Berlioz, who composed a recitative piece for a Paris performance in 1841. This recording is of Peter Konwitschny’s highly respected new production at the Hamburg Staatsoper in 1999, which benefited from the musical direction of Ingo Metzmacher.

Like music lovers the world over, John Nelson believes Johann Sebastian Bach’s Mass in B Minor is a pinnacle of Western music. For years, he has cherished the dream of performing this masterwork in the Cathedral of Notre-Dame in Paris with the Ensemble Orchestral de Paris whose renown has grown constantly since he began conducting with them eight years ago. In addition to John Nelson and his Ensemble Orchestral de Paris, the Mass in B minor brings together the Maîtrise de Notre-Dame choir conducted by Nicole Corti as well as internationally recognized soloists Ruth Ziesak (soprano), Joyce DiDonato (mezzo), Daniel Taylor (alto), Paul Agnew (tenor) and Dietrich Henschel (baritone).

A classic work of its genre and historical period, Artaserse was premièred in Venice in 1730 by the most famous singers of the day: Farinelli in the role of Arbace, Cuzzoni as Mandane and the castrato Nicolino as Artabano. Following its initial success, Hasse produced two different versions of the work, the first in 1740 and the second in 1760. This world première recording is based on the original Venice version. The exceptional cast features countertenor Franco Fagioli in the role originally taken by Farinelli, his stunning technique making light of the 3-octave range with uniform timbre, remarkable power and striking resonance. Equally memorable is the aria “Pallido sole” sung by Sonia Prina.

There never was a supergroup more super than the Traveling Wilburys. They had Jeff Lynne, the leader of ELO; they had Roy Orbison, the best pop singer of the '60s; they had Tom Petty, the best roots rocker this side of Bruce Springsteen; they had a Beatle and Bob Dylan, for crying out loud! It's impossible to picture a supergroup with a stronger pedigree than that (all that's missing is a Rolling Stone), but in another sense it's hard to call the Wilburys a true supergroup, since they arrived nearly two decades after the all-star craze of the '70s peaked, and they never had the self-important air of nearly all the other supergroups. That, of course, was the key to their charm: they were a group of friends that fell together easily, almost effortlessly, to record a B-side for a single for George Harrison, then had such a good time they stuck around to record a full album, which became a hit upon its 1988 release.

“La forza del destino” (The Force of Fate), premiered in St. Petersburg 1862, is one of Verdi’s most important opera compositions. Its plot is complicated and combines a sequence of interlaced unfortunate strokes of fate. Donna Leonora is the centre of events, together with her brother Don Carlo di Vargas and her lover Don Alvaro. The story was originally set in 18th century Spain, however the French director Nicolas Joël established the action in a slightly later period, in the time of the Empire, the early 19th century.

A grand opera that dominated the stages of Europe for most of the 19th century, Robert le diable is a masterpiece. Director Laurent Pelly breathes new life into Giacomo Meyerbeer’s great spectacle and audaciously entertaining moral fable, in this colourful new staging for The Royal Opera. The wonderful score includes brilliant arias, dramatic ensembles, rousing choruses and a ballet of ghostly nuns, and with the wavering hero of the title sung by Bryan Hymel, acclaimed for his role as Énée in Les Troyens for The Royal Opera and the Metropolitan Opera, this is an unmissable experience.