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Have you ever wondered what Marilyn Monroe, Pamela Anderson, Dolly Parton, Farrah Fawcett, and Cindy Crawford all have in common? It's not just their legendary status in the entertainment industry - they've all graced the pages of Playboy Magazine at some point in their illustrious careers. Experience the timeless allure of these global icons and many more in the complete Playboy Archive!

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VA - So Blue, So Funky (Heroes Of The Hammond) (1991)

Posted By: Designol
VA - So Blue, So Funky (Heroes Of The Hammond) (1991)

VA - So Blue, So Funky (Heroes Of The Hammond) (1991)
EAC | FLAC | Tracks (Cue&Log) ~ 475 Mb | Mp3 (CBR320) ~ 199 Mb | Scans included | 01:13:12
Soul-Jazz, Jazz-Funk, Hard Bop | Label: Blue Note | # CDP 7965632, BNZ 267

Blue Note's So Blue, So Funky, Vol. 1 is a 12-track compilation that highlights the funkiest soul-jazz organists that recorded for the label, whether it was a leader or as a sideman. Although there's a handful of cuts from the early '60s, such as "Face to Face" by the terrific, underrated Baby Face Willette, the compilation leans toward the funky fusions of the late '60s, such as Big John Patton's "Fat Judy," Lou Donaldson's "Everything I Do Is Gon' Be Funky (From Now On)," Jack McDuff's "Butter for Yo' Popcorn" and Grant Green's "Ain't It Funky Now." The best thing about this comp is that even though it has familiar names, not all of the material is readily available on CD, which makes it of interest to casual groove fans and serious collectors alike.

Fred Jackson - Hootin' 'n Tootin' (1962) [Reissue 1998]

Posted By: gribovar
Fred Jackson - Hootin' 'n Tootin' (1962) [Reissue 1998]

Fred Jackson - Hootin' 'n Tootin' (1962) [Reissue 1998]
EAC Rip | FLAC (tracks+.cue+log) - 476 MB | MP3 CBR 320 kbps (LAME 3.93) - 174 MB | Covers - 5 MB
Genre: Jazz, Soul Jazz, Hard Bop | RAR 3% Rec. | Label: Blue Note (CDP 7243 8 21819 2 7)

Unjustly ignored at the time of its release, Fred Jackson's lone album, Hootin' 'N Tootin', is a thoroughly enjoyable set of funky soul-jazz with hard bop overtones. It is true that Jackson doesn't try anything new on the set, but he proves to be a capable leader, coaxing hot, infectious performances out of guitarist Willie Jones, organist Earl Vandyke and drummer Wilbert Hogan, all of whom were collegues of Jackson in the Lloyd Price band. All of the songs on the album are Jackson originals, and while there are no substantial, memorable melodies, they provide an excellent foundation for the group's smoking interplay. Both the uptempo R&B numbers and the slower blues give the musicians plenty of opportunity to flaunt their chops while working the groove, and the result is a modest but highly entertaining set of earthy, bluesy soul-jazz that should have been heard by a wider audience…