Recorded in 1976 and released the next year, Body Love, Vol. 2 was intended as a soundtrack for a pornographic film. Nothing wrong with this in and of itself, but it is hard to imagine that Schulze's trance-inducing electronic improvisations would be considered an appropriate soundtrack for sex. "Nowhere - Now Here" has a basic beat and spacy synths, but after 18 minutes, when the harpsichord solo starts, the simple prog rock absurdity of it shows that Schulze isn't taking his assignment too seriously. The dubbed-out introduction to "Stardancer II" shows a different side of Schulze's muse, but as it gets interesting, the regular synths start up and things return to normal. "Moogetique" is an atmospheric closer, 12 minutes of slowly undulating synths and ambient echoes…

Over fifteen years ago the DJ duo from Cologne (Blank & Jones) decided to strike quieter, more relaxed tones. From the passion for Ambient, Chill Out, Downbeat, Lounge Music, Beach House, Bar Grooves and Co. was created the idea of ​​Milchbar Seaside Season - a summer soundtrack for the cult Norderneyer Location milk bar. On the first compilation followed in recent years regularly further new Chillout compilation.

2350 Broadway (1993) is the first in a series recorded by Namlook and Tetsu Inoue. The first half is rather too short on tones and melody but the second disc, consisting of the 70-minute epic "Hands Of Light" is a masterful exercise in deep spacemusic. It's glacial pace varies only marginally between beatless and gently pulsed and its mix of electronic drones, wind effects and melodies is deceptively simple.
2350 Broadway 2 (1994) is a seminal, almost fabled release spanning two CDs and recorded by Namlook and Tetsu Inoue in real time (no pre- or post-production and no overdubs). Remarkably engaging for its simplicity, the set was subsequently reissued by popular demand and spawned a pair (and counting) of follow-ups in the series…

CD reissue of this title from the innovative German Electronica outfit, one of the most influential instrumental outfits of the 20th century. Tangerine Dream has never produced anything calculated to make the masses jump off their chairs and start screaming Top 40 tunes, but they have managed to have an immense impact in the world of Electronic and soundtrack music. Their studio, live and soundtrack releases have their own driving hypnotic pieces that might differ from release to release, but they are all uniquely Tangerine Dream. Personnel: Edgar Froese, Jerome Froese (guitar, keyboards); Zlatko Perica (guitar); Linda Spa (saxophone, keyboards). Recording information: Scottsdale Mall Amphitheater (1992).

The Ric Ocasek-produced Why Be Blue?, originally released on Break Out in 1992, is notable for its upbeat temperament (the title isn't ironic) and its display of Alan Vega and Martin Rev at a point in their career when they were neither ahead of nor with the times. Despite "Mujo"'s resemblance to Peaches & Herb's "Shake Your Groove Thing" (a disco reference, very out-of-place for 1992 music that wasn't house or shiny dance-pop) and the mid-'80s sophisti-pop melodic structure of "Flashy Love" (it could almost be an ABC cover), they weren't exactly behind the times. They were somewhere else entirely, if vaguely in line with the groups that continued to look to Suicide's past work for guidance.

In Blue is a double CD from the great Klaus Schulze. This set has almost 160 minutes of pure "Klaustrophobia." That means that these three long-form compositions are full of sequences, dense atmospheres, and drawn-out synth washes. Schulze invited Manuel Göttsching, his former Ash Ra Tempel partner, to play guitar on one of the compositions, "Return of the Tempel." Each of the compositions has several movements, each relating to blue - the color or the mood. Schulze is in rare form on this set. It has textures and timbres of minimalism. The sequences are gentle and subtle. It had been four years since Schulze had done a regular studio album and this - after a Wahnfried disc, a classical CD, an opera, and a live release - is refreshing. He shows that he is just as adept at ambient as he is at the Berlin school.

In Square Circle is a 1985 studio album released by American singer-songwriter Stevie Wonder (his twentieth overall). The album features the hits "Part-Time Lover", "Go Home" and "Overjoyed" (which was left off Wonder's 1979 album Journey through the Secret Life of Plants and re-recorded for this album). The album won Wonder the Grammy Award for Best Male R&B Vocal Performance at the 28th Grammy Awards (his fourth award in the category, and his 13th Grammy overall). In Square Circle broke into the Top 5 on the Pop Albums chart and spent 12 weeks at #1 on the Top R&B Albums chart.

Symphonia is a live album of the music project Schiller, created by the German electronic musician Christopher von Deylen. The album was released on October 17, 2014. The album is a live recording of the "Schiller meets Classic" open air concert with the Berlin Symphonic Pop Orchestra at the Classic Open Air 2014 event on the Gendarmenmarkt in Berlin. The orchestra consisted of 60 musicians. On this album Schiller has collaborated with the singers Midge Ure, Jaël Malli, Eva Mali and Der Graf from Unheilig. The album reached in its first week number 4 of the German albums chart.

The legendary musical project Era come back with album "The 7th Sword". Through this opus of original compositions, its creator Eric Levi proves once again that he is free from all musical dictates and still creates surprise. His music carries the listener into another dimension, with an imaginary language and a timeless sound that has already fascinated more than 10 million people around the world. This 7th album also features a new remix of the famous song "Ameno" to mark its 20th anniversary.