Paris certainly held great attraction for German composers of the late 18th century. One of them was Henri-Joseph Rigel, born as Riegel in Wertheim in Germany. Rigel was already active as a composer of orchestral music while still in Germany, where he studied with Niccolò Jommelli in Stuttgart. It is not exactly known when he went to Paris, but in 1768 he established his own residence in the French capital. In that same year he married, and in 1769 and 1772 his two sons were born.

La Catena d Adone was first performed in 1626 and marked the arrival of opera in Rome. With all the characteristics of the genre, a pastoral tale in one prologue and five acts, it chronicles the tumultuous love lives of Adonis, Apollo, Venus, and Falsirena. The frivolous and sensual even erotic tone is placed in sharp contrast with Christian morality in a perfectly mastered Recitarcantando style supported by a wealth of instruments. Besides being a world premiere recording, the opera inaugurates the arrival of a very young conductor to the Alpha catalog. Nicolas Achten is also a director, singer, and player of theorbo, harpsichord, and harp, and follows the path set by great musical pioneers such as Vincent Dumestre and Pablo Valetti.

In a new recording of music by Alessandro Scarlatti, Josetxu Obregóns La Ritirata parades its dazzling vocal and instrumental talents in presenting the four cantatas which involve recorders and violins, together with an additional standalone soprano aria, for a further Glossa Neapolitan-flavored release. Drawn from his well over 800 secular cantatas these works combine fully-integrated, imaginative recitatives, expressive and dramatic arias and colorful and exacting instrumental sinfonias and ritornelli into elegant and compact wholes, and featuring poetic texts which typically followed the aspirations of the Accademia degli Arcadi literary circle initiated in Rome around the turn of the eighteenth century.

"I decided to call this version of 'Going Back' 'The Essential Going Back,'" Phil explained. "In retrospect, I included too much music on the original version, and I believe that too much is not always a good thing. Hence this trimmed down selection of my favourite Motown songs." Originally released in 2010, "Going Back" was Phil Collins' first studio album since 2002 and saw him back at #1 on the charts. This album was a personal labour of love project that found him faithfully recreating the soul gems that played such an influential role in his musical life.

Maynard Ferguson had led many big bands before recording this Palo Alto LP. This was not one of his more significant units (few of the sidemen have been heard from much since) and the music, although more jazz-oriented than his earlier Columbia LPs (including versions of "Take the 'A' Train" and a vocal feature for MF on "As Time Goes By"), is not really that memorable. It's a lesser effort.

A melancholy singer-songwriter Michael Gately's nice 2nd album released in the same year of his debut in 1972. Michael released two albums in his recording career and soon after he disappeared from music scene. The two albums have never been reissued for over four decades but now finally released on CD.

The Who's second album is a less impressive outing than their debut, primarily because, at the urging of their managers, all four members penned original material (though Pete Townshend wrote more than anyone else). The pure adrenaline of My Generation also subsided somewhat as the band began to grapple with more complex melodic and lyrical themes, especially on the erratic mini-opera "A Quick One While He's Away." Still, there's some great madness on Keith Moon's instrumental "Cobwebs and Strange," and Townshend delivered some solid mod pop with "Run Run Run" and "So Sad About Us." John Entwistle was also revealed to be a writer of considerable talent (and a morbid bent) on "Whiskey Man" and "Boris the Spider." The CD reissue adds an acoustic version of "Happy Jack."

The digital remastering on this compilation is just as superior to any previous attempts to transcribe Patton's marginally recorded and preserved legacy as that of the Document discs. And as it is only slightly less thorough - the Document discs include extra takes on "Elder Green Blues," "Hammer Blues," and "Some of these Days I'll Be Gone" - this compilation seems the likely choice for anyone with an interest in pre-war Delta blues. Both affordable and handsomely packaged, the three-disc box includes extensive liner notes written by blues historians Keith Briggs and Alex Van Der Tuuk, with reminiscences by Patton crony Son House.

The Web are perhaps best known for their progressive rock classic I Spider (available on Esoteric Recordings), an album of innovation that continues to draw comparisons with the work of Van Der Graaf Generator at that time. The Web began life as a jazz and soul influenced outfit, fronted by singer John L. Watson, enjoying Top Ten hit singles throughout Europe. By the time of Theraphosa Blondi the band underwent a metamorphosis, with their music taking on more Jazz and Progressive influences, resulting in an excellent album that is rightly seen as a precursor to both the album I Spider and the band'sevolution into the group Samurai.

London's and TD's soundscapes are so unique like a score to a movie. The British influence in TD's music within their 40 years' development is bigger and more intensive than most people may have recognised. For those who couldn't join the concert or like to relive it again: here's the full cut of their beat show at the Forum in Kentishtown on Nov. 1st 2008. A kaleidoscope beginning with the new title Trauma and ending with the breathtaking live interpretation of the TD classic Cloudburst Flight.