Usually, the first comeback album is a pretext for a comeback tour; the second comeback album is the real test. And Van Der Graaf Generator passed that test, although fans may argue about that for years. Vintage VDGG this is not (and if you're still hoping for that, well, it won't happen). And, of course, Trisector sounds closer to a Peter Hammill solo album than any VDGG LP from the '70s. After all, drummer Guy Evans has released very few albums (let alone under his own name) during the interim, and organist Hugh Banton has released only one, while Hammill chugged out three dozens or so. Consequently, yes, Hammill's songwriting dominates and follows the style of songwriting found on his 2000s albums.

BPM, the exciting new Contemporary Jazz Supergroup is: Brian Bromberg: "… his chops are burnin'… Bromberg's technical and creative virtuosity as one of the premier jazz bassists of his generation. " -ALLMUSIC Paul Brown: "… a top-to-bottom smooth jazz stunner brimming with bright melodies and enough hits to fill a Christmas stocking. " - All About Jazz Michael Paulo: "Paulo's warm and welcoming alto sax ushers the listener along an ebullient path fragrant with verdant melody. " -The Urban Music Scene Together, these 3 greats combine to create inspiring BPM Contemporary Jazz Magic!!! Jazz Review. Com calls Paul Brown "The greatest producer in the history of Smooth Jazz. " Michael Paulo is world renowned for his brilliant work with such megastars as Miles Davis, Al Jarreau and Peter White. And Brian Bromberg's in- credible career encompasses performance with such giants as Bill Evans, Sting, and many more. Together, these 3 greats combine to create inspiring Contemporary Jazz Magic!!!

The Erroll Garner Paris Impressions LP record is a rare gem from the jazz artist's discography, released in 1958.

The versatility and synergy of “Transcendence” pairs a dynamic trio with a repertoire that is rooted in jazz while rising beyond genre. In its collective interplay and expansive approach, the trio seeks to capture the emotional depth and storytelling inherent in Pat Metheny's compositions - from lyricism and fragility to playfulness and explosiveness - while considering new possibilities and directions. What super charges the performance is each musician’s ability to listen, respond, and truly make music together.

Released in 1971 by a Danish band, this is a highly collectable chunk of quality progressive Canterbury style rock and close to Traffic's style od jazz rock that has some great sax playing and fine extended instrumentals. Their one and only LP was released in 1971 and holds the sad record of being the most bootlegged LP in Denmark. Until now it can be found as CD editions on three illegal labels and as an illegal LP reprint. The now first legal CD is accompanied by a 32-page booklet, containing a detailed band history in German, English and Danish language, a comprehensive discography including side and solo projects, cover and label reproductions, and much more. It is the very first release of Garden of Delights' sublabel Thors Hammer.

Cool Down is the first album the acoustic blues duo Cephas & Wiggins recorded for Alligator Records, and it ranks among their best. The spirit of the session is laid-back and eclectic, as the pair draws on everyone from Blind Lemon Jefferson and Blind Boy Fuller to Fats Domino and Merle Travis. There are also a half-dozen originals that might not be as captivating as the covers, but they certainly elicit engaging performances from the pair. Throughout Cool Down, John Cephas dominates the music but Phil Wiggins' harmonica steals the show whenever he pops through the cracks. Cool Down is the kind of album that demonstrates how some blues musicians simply get better with age.

London Baroque offers another installment in its ongoing European Trio Sonata series, this time devoted to 18th-century Italy; as with the ensemble’s previous efforts the program features generally excellent performances of lesser-known repertoire. Ten years ago I reviewed a similar 18th-century Italian program by this same group titled “Stravaganze Napoletane”, also on BIS, and was generally impressed with the performances–except for one piece: Domenico Gallo’s Sonata No. 1 in G major.

ICONOCLASTS is Anna's first album in five years. Centered around her incomparable voice and expressive organ playing, the album features Iggy Pop and Ethel Cain among others. Together with producer Filip Leyman, she has crafted a true epic of experimental rock music, full of bombast and emotion. ICONOCLASTS is the work of a singular artist at the absolute height of her powers.

Ryuichi Sakamoto has announced a new studio album, async, out April 28 via Milan. It’s the Japanese composer’s first studio album since 2012’s Three, with Jaques Morelenbaum and Judy Kang, and his first solo album in 8 years. Sakamoto recorded and conceived of the album in New York, taking inspiration from “everyday objects, sculpture, and nature,” according to a press release. Find the tracklist and artwork below. A world premiere listening event for the album (in 5.1 surround sound) will take place at Big Ears Festival in Knoxville, Tennessee, which runs from March 23-26. Sakamoto’s also set to perform on April 25 and 26 at Park Avenue Armory Veterans Room in New York. The new album follows his 2015 score for Alejandro González Iñárritu's film The Revenant (where he was assisted by the National's Bryce Dessner and German musician Alva Noto). It’s also his first studio album since his recovery from cancer in 2015.

Riding in on an eviscerating vocal alarm call and originally released in 1988 as the final installment of her Masque of the Red Death trilogy, Diamanda Galás' You Must Be Certain of the Devil is as unflinching now as it was on release in 1988. It remains a swaggering, furious fuck-you to those who might cast aside the sick and dying in the name of faith and scripture.

Visionary musician, poet, and activist Serj Tankian returns with a stunning new project, Covers, Collaborations & Collages, a genre-spanning collection that celebrates artistic unity, reinvention, and storytelling. With the release of the first song, “Electric Dreams”, a unique ten-week release schedule will continue with a new track dropping each week, with the compilation album releasing in full October 24, 2025.