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    Ludger Rémy, Telemannisches Collegium Michaelstein - Gottfried Stölzel: Cantatas for Pentecost 1737 (2004)

    Posted By: ArlegZ
    Ludger Rémy, Telemannisches Collegium Michaelstein - Gottfried Stölzel: Cantatas for Pentecost 1737 (2004)

    Ludger Rémy, Telemannisches Collegium Michaelstein - Gottfried Stölzel: Cantatas for Pentecost 1737 (2004)
    EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 68:11 | Scans included
    Classical | Label: CPO | # 999 876-2 | Recorded: 2002

    Gottfried Stölzel was a highly skilled, sometimes exceptionally inventive composer among whose gifts was the ability to devise extremely economical yet musically involving, textually illustrative, structurally refined, motivically fluent cantatas. It’s nowhere near great music, but much of it is quite good, clearly written for singers of some accomplishment, with leanly-scored yet often imaginatively colored orchestral accompaniments. Here are six cantatas from cycles written in 1735/36 and 1736/37, first performed together in pairs for Pentecost services in 1737. Added to the end of the program is another, earlier work that shows a marked stylistic contrast to the later pieces. Most of these cantatas begin with a short chorus, sometimes containing what sounds like a full-fledged fugue that dissolves as quickly as it begins, and then proceed through a couple of arias and recitatives, ending with a chorale.

    La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

    Posted By: Designol
    La Nuova Musica; David Bates, Lucy Crowe, Tim Mead - Pergolesi: Stabat Mater; J.S. Bach: Cantatas BWV 54 & 170 (2017)

    Giovanni Pergolesi: Stabat Mater; Johann Sebastian Bach: Cantatas BWV 54 & 170 (2017)
    Lucy Crowe, soprano; Tim Mead, countertenor; La Nuova Musica; David Bates, conductor

    EAC | FLAC | Image (Cue&Log) ~ 278 Mb | Mp3 (CBR320) ~ 151 Mb | Artwork included
    Classical, Sacred, Vocal | Label: Harmonia Mundi | # HMM907589 | Time: 01:04:14

    Two of Bach’s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi’s 'Stabat mater', an acknowledged masterpiece by one of the 18th century’s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own ‘parody’ of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms.

    Sigvards Kļava, Latvian Radio Choir - Felix Mendelssohn: Sacred Choral Works (2025)

    Posted By: ArlegZ
    Sigvards Kļava, Latvian Radio Choir - Felix Mendelssohn: Sacred Choral Works (2025)

    Sigvards Kļava, Latvian Radio Choir - Felix Mendelssohn: Sacred Choral Works (2025)
    EAC | FLAC | Image (Cue & Log) ~ 255 Mb | Total time: 54:37 | Scans included
    Classical | Label: Ondine | # ODE 1459-2 | Recorded: 2024

    This new album by the award-winning Latvian Radio Choir conducted by Sigvards Kļava – recently hailed by the New York Times as ‘astonishing’, ‘superlative’ by the BBC Music Magazine, and ‘perhaps the finest chorus singing today’ by NPR – is focused on the sacred choral works by one of the greatest composers of the Romantic era, Felix Mendelssohn (1809–1847).

    Peter Phillips, The Tallis Scholars - John Tavener: Ikon of Light; Funeral Ikos; The Lamb (2001)

    Posted By: ArlegZ
    Peter Phillips, The Tallis Scholars - John Tavener: Ikon of Light; Funeral Ikos; The Lamb (2001)

    Peter Phillips, The Tallis Scholars - John Tavener: Ikon of Light; Funeral Ikos; The Lamb (2001)
    EAC | FLAC | Image (Cue & Log) ~ 187 Mb | Total time: 55:25 | Scans included
    Classical | Label: Gimell | # CDGIM005 | Recorded: 1984

    Written for The Tallis Scholars, Ikon of Light is scored for double choir and string trio, heard from a distance. The sonorous choral textures have a strongly mystical spirit which radiantly expresses the Greek concept of light.

    Lajos Rovátkay, Capella Agostino Steffani - Caldara: Missa Sanctorum Cosmae et Damiani; Tůma: 2 Sonate da Chiesa (1999)

    Posted By: ArlegZ
    Lajos Rovátkay, Capella Agostino Steffani - Caldara: Missa Sanctorum Cosmae et Damiani; Tůma: 2 Sonate da Chiesa (1999)

    Lajos Rovátkay, Capella Agostino Steffani - Caldara: Missa Sanctorum Cosmae et Damiani; Tůma: 2 Sonate da Chiesa (1999)
    EAC | FLAC | Image (Cue & Log) ~ 255 Mb | Total time: 60:06 | Scans included
    Classical | Label: Virgin Veritas | # 7243 5 45387 2 8 | Recorded: 1990

    Viennese church music of the generations before Haydn and Mozart is regrettably unfamiliar, and this attractive CD fills in something of the background and helps tell us where Haydn and Mozart were coming from. Antonio Caldara, Venetian by birth, spent several years in Rome, moved to Vienna in 1716 (he was in his mid-forties) as vice-Kapellmeister to Fux and (with regular trips to Salzburg to write operas) stayed 20 years, until his death. He wrote a large quantity of church music, including some 30 festal masses from his Viennese years, of which the main work here seems to me an excellent example. Caldara's rich textures and often very expressive and chromatic harmony, his fluent Italian melodic writing and his resourceful counterpoint, suffuse a work with many striking qualities.

    Sarah Traubel, Roman Lyulkin, Orchestre Royal de Chambre de Wallonie & Vahan Mardirossian - Shostakovich: Symphony No. 14 (2025

    Posted By: Fizzpop
    Sarah Traubel, Roman Lyulkin, Orchestre Royal de Chambre de Wallonie & Vahan Mardirossian - Shostakovich: Symphony No. 14 (2025

    Sarah Traubel, Roman Lyulkin, Orchestre Royal de Chambre de Wallonie & Vahan Mardirossian - Shostakovich: Symphony No. 14 (2025)
    WEB FLAC (Tracks +Booklet) 196 MB | Cover | 51:17 | MP3 CBR 320 kbps | 118 MB
    Classical, Sacred, Vocal | Label: Aparté

    This album features Shostakovitch’s Fourteenth Symphony, dedicated to Benjamin Britten. With eleven movements for voice, string orchestra, and percussion, it explores death through poems in multiple languages, offering a raw and direct reflection on the theme.

    Gerd Guglhör, Neue Hofkapelle München, Orpheus Chor München - Vogler: Requiem; Haydn: Te Deum (2009)

    Posted By: ArlegZ
    Gerd Guglhör, Neue Hofkapelle München, Orpheus Chor München - Vogler: Requiem; Haydn: Te Deum (2009)

    Gerd Guglhör, Neue Hofkapelle München, Orpheus Chor München - Vogler: Requiem; Haydn: Te Deum (2009)
    EAC | FLAC | Image (Cue & Log) ~ 285 Mb | Total time: 66:36 | Scans included
    Classical | Label: OehmsClassics | OC 922 | Recorded: 2008

    Georg Joseph Vogler, called Abbé Vogler, was born in Würzburg in 1749. He became famous as an expert in music theory, conductor and composer. In 1772, he accepted a position at the court of Prince Elector Karl Theodor in Mannheim and later followed his employer to Munich. From 1786 onwards, he worked at the court of the kings of Sweden as a conductor.

    Damien Poisblaud, Les Chantres du Thoronet - Les Grands Offertoires Gregoriens III (2022)

    Posted By: ArlegZ
    Damien Poisblaud, Les Chantres du Thoronet - Les Grands Offertoires Gregoriens III (2022)

    Damien Poisblaud, Les Chantres du Thoronet - Les Grands Offertoires Gregoriens III (2022)
    EAC | FLAC | Image (Cue & Log) ~ 397 Mb | Total time: 75:20 | Scans included
    Classical | Label: Psalmus | # PSAL 043 | Recorded: 2020

    A la suite des précédents albums consacrés aux Grands offertoires grégoriens I et II, Damien Poisblaud et Les Chantres du Thoronet nous emmenent cette fois dans le temps liturgique du Carême, préfiguration de la Passion du Christ. Ces grands offertoires grégoriens du Carême nous emportent au-delà des mots. Les mélodies nous prennent par la main et nous conduisent, comme à notre insu, en des contrées où l’humain devient poreux au divin. Ces chants nous mettent le Ciel à l’âme comme la vue d’un fruit nous met l’eau à la bouche.

    John Eliot Gardiner - Complete Beethoven Recordings on ARCHIV Produktion [15CDs] (2019)

    Posted By: ArlegZ
    John Eliot Gardiner - Complete Beethoven Recordings on ARCHIV Produktion [15CDs] (2019)

    John Eliot Gardiner - Complete Beethoven Recordings on ARCHIV Produktion [15CDs](2019)
    EAC | FLAC | Image (Cue & Log) ~ 3,77 Gb | Total time: 16:10:41 | Scans included
    Classical | Label: Archiv Produktion | # 483 7269 | Recorded: 1989-1997

    Sir John Eliot Gardiner’s Complete Beethoven Recordings made for Archiv Produktion have been brought together for the first time to mark Beethoven’s 250th birthday in 2020. This 15-CD set features the Orchestre Revolutionnaire et Romantique and the Monteverdi Choir under the leadership of John Eliot Gardiner with soloists Robert Levin and Viktoria Mullova in the Piano and Violin Concertos. The Complete Beethoven Recordings include a bonus disc, never before commercially released, featuring an interview with Gardiner discussing the symphonies, and new liner notes written by Thomas Otto.

    Stefano Demicheli, La Stagione Armonica, Dolce & Tempesta - Nicola Antonio Porpora: Notturni per i Defunti (2007)

    Posted By: ArlegZ
    Stefano Demicheli, La Stagione Armonica, Dolce & Tempesta - Nicola Antonio Porpora: Notturni per i Defunti (2007)

    Stefano Demicheli, La Stagione Armonica, Dolce & Tempesta - Nicola Antonio Porpora: Notturni per i Defunti (2007)
    EAC | FLAC | Image (Cue & Log) ~ 322 Mb | Total time: 69:21 | Scans included
    Classical | Label: Fuga Libera | FUG 526 | Recorded: 2006

    An outstanding Italian musican, Stefano Demicheli has been René Jacobs' closest assistant for many years and with him has performed on Europe's main opera stages. A distinguished harpsichordist, who studied with Ottavio Dantone, he is now the leader of the Dolce & Tempesta ensemble, consisting of the best soloists from the European period instrument ensembles.This new recording on Fuga Libera gives us the world première of the three Notturni composed c.1740 by Porpora, Handel's strongest rival in London, for the All Souls Day in Naples. Carried by one of the most powerfully expressive texts in the Christian canon, this is an opportunity to hear two stunning soloists: Monica Piccinini and Romina Basso and also the Stagione Armonica of Padova.

    Peter Phillips, The Tallis Scholars - John Taverner: Missa Gloria tibi Trinitas (2013)

    Posted By: ArlegZ
    Peter Phillips, The Tallis Scholars - John Taverner: Missa Gloria tibi Trinitas (2013)

    Peter Phillips, The Tallis Scholars - John Taverner: Missa Gloria tibi Trinitas (2013)
    EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 79:03 | Scans included
    Classical | Label: Gimell | # CDGIM045 | Recorded: 2013

    "I chose to celebrate our 40th anniversary with Taverner’s Missa Gloria tibi Trinitas because I believe it to be one of the greatest compositions ever to have been written in England—a perfect ambassador for the repertoire we have made our own. It is also spectacularly difficult to sing, requiring a very high degree of expertise from its performers. I felt there was no better piece to show-case what The Tallis Scholars have achieved in their 40 years of dedication to polyphony: a summation of Taverner’s art as well as our own." (Peter Phillips)

    Wolfgang Katschner, Lautten Compagney - Giacomo Carissimi: Jonas, Dixit Dominus, Magnificat, Judicium Extremum (2006)

    Posted By: ArlegZ
    Wolfgang Katschner, Lautten Compagney - Giacomo Carissimi: Jonas, Dixit Dominus, Magnificat, Judicium Extremum (2006)

    Wolfgang Katschner, Lautten Compagney - Giacomo Carissimi: Jonas, Dixit Dominus, Magnificat, Judicium Extremum (2006)
    EAC | FLAC | Image (Cue & Log) ~ 287 Mb | Total time: 62:18 | Scans included
    Classical | Label: Coviello Classics | # COV 20602 | Recorded: 2005

    Wolfgang Katschner and the Lute Compagney provide the oratorios 'Jonas' and 'Judicium extremum' with a Dixit Dominus and a Magnificat, which in their expressiveness are in no way inferior to the more popular oratorios.

    Manfred Cordes, Weser-Renaissance - The Spirit of the Renaissance (1995)

    Posted By: ArlegZ
    Manfred Cordes, Weser-Renaissance - The Spirit of the Renaissance (1995)

    Manfred Cordes, Weser-Renaissance - The Spirit of the Renaissance (1995)
    EAC | FLAC | Image (Cue & Log) ~ 305 Mb | Total time: 61:01 | Scans included
    Classical | Label: CPO | # 999 294-2 | Recorded: 1993

    Die sogenannte ,,Alte Musik-Szene" ist in einer noch vor ein paar Jahren für undenkbar gehaltenen Expansion begriffen. Fast jeden Tag werden neue Ensembles gegründet und neue ,,alte" Werke zum ersten Mal der stummen Vergangenheit entrissen. Wir leben - wie wohl nie zuvor - auf Du und Du mit unserer jahrhundertealten Musikgeschichte.

    Paul McCreesh, Gabrieli Consort & Players - A Venetian Coronation 1595 (1990)

    Posted By: ArlegZ
    Paul McCreesh, Gabrieli Consort & Players - A Venetian Coronation 1595 (1990)

    Paul McCreesh, Gabrieli Consort & Players - A Venetian Coronation 1595 (1990)
    EAC | FLAC | Image (Cue & Log) ~ 280 Mb | Total time: 71:17 | Scans included
    Classical | Label: Virgin Classics | VC 7 91110-2 | Recorded: 1989

    The fifth release in the Rediscoveries series from Virgin Classics is the celebrated 1990 recording A Venetian Coronation 1595 by Paul McCreesh and his Gabrieli Consort & Players. The album presents a musical reconstruction of the coronation mass for Venetian Doge Marino Grimani. Gramophone wrote of the recording: "Without doubt, this is one of the finest records of Italian Renaissance polyphony to appear for a long time; imaginative in conception, varied in content, and both exciting and thought-provoking in execution."

    Alessandro Quarta, Concerto Romano - Bernardo Pasquini: La sete di Christo (2015)

    Posted By: ArlegZ
    Alessandro Quarta, Concerto Romano - Bernardo Pasquini: La sete di Christo (2015)

    Alessandro Quarta, Concerto Romano - Bernardo Pasquini: La sete di Christo (2015)
    EAC | FLAC | Image (Cue & Log) ~ 315 Mb | Total time: 66:56 | Scans included
    Classical | Label: Christophorus | CRH77398 | Recorded: 2015

    The importance of the musician Bernardo Pasquini is well known to all those who dedicate themselves to the study of the harpsichord or organ. They frequently encounter his compositions, which are of such fundamental importance for the development of late-baroque Italian music for keyboard instruments. His vocal music, on the other hand, consisting primarily of cantatas, operas and oratorios, is far less known. But it includes true gems of vocal art from the late Roman Seicento.