Some albums announce themselves slowly, like clouds taking shape before your eyes. Skyways is one of them, a record that drifts in gently, unfolds at its own pace, and leaves behind the quiet wonder of hearing something beautiful form and fade in real time.

Distance has an uncanny ability to clarify feelings. It can offer an invigorating reset, reaffirming your capacity for love and renewing your sense of self. But if you surrender to its wisdom, you may not always like what it reveals. For Joyer, the east coast indie rock duo of brothers Nick and Shane Sullivan, distance has been a strange throughline as of late—distance from home, distance from each other, distance from a stable routine. Their latest LP, On the Other End of the Line…, ruminates on how stints in far-reaching places have affected them, uncovering anxieties and a burning desire for connection. But ultimately, it’s a hopeful reflection of two distinct perspectives on fluctuating backdrops and the pressures of creativity, filtered through hook-y earnestness and crunchy six-string bluster.

When we launched Spring Revisited in March, an incredible collaboration between Acid Jazz, Ace Records and Cosmos Music, we could only dream of the reaction it would receive. We started off with Dmitri From Paris’ mix of Millie Jackson’s ‘We Got To Hit It Off’, gaining universal acclaim from DJs, a Number 1 in the UK 12” singles chart, and the ‘Record of 2025’ at ‘We Out There’ festival: a veritable summer anthem. It sold out on both 12” and 7” vinyl, so it is only right that it opens up the Spring Revisited album. But the series is so much more than that. The mixes that followed from the likes of Kenny Dope, Dave Lee, Colleen ‘Cosmo’ Murphy, Joaquin ‘Joe’ Claussell, DJ Spinna, Opolopo, show how much the music of Spring means to such this dancefloor royalty. Claussell’s reworking of The Fatback Band’s ‘Snake’ gave us another 12” Number 1, and all in the week that the group played a triumphant show at London’s KOKO.

Frank Zappa’s Spooktacular Annual Holiday Tradition Lives On With ‘Halloween 78’ Box Set, Now Unmasked In A Devilishly Cool New Super Deluxe Edition.Zappa’s Forever Favorite Holiday Tradition In The Big Apple Gets Comprehensive Full-Bite Treatment It Has Long Deserved Expanded Super Deluxe Costume Box Set Edition Contains 62 Tracks On Five CDs With Pop-Out Mask Of Zappa As The Devil, Pitchfork With UV Light That Reveals Ornate Artwork, And Grimoire Book With Rare Photos And Memorabilia Includes Complete Show From 10-31-78 Newly Mixed And Mastered From The Original 24-Track Masters, Plus A Bonus Performance From The Opening 10-27-78 Show Of The Run

Oslo Kammerakademi returns with a compelling new recording, Symphonies for Harmoniemusik – Mozart · Haydn · Beethoven, offering a fresh perspective on three iconic symphonic works through the lens of historical wind ensemble arrangements. This album explores the rich tradition of Harmoniemusik, where orchestral masterpieces were transcribed for wind octet, contrabass, and timpani, making them accessible to smaller ensembles and intimate settings.

The Klezmatics are delighted to announce the re-issue of their seminal 1991 album, “Rhythm + Jews: Revisited” on Eco-Friendly limited-edition. Originally released in the pre-digital era, the Klezmatics’ groundbreaking album, “Rhythm and Jews” has been out of print for years and never made its way to modern platforms—until now. The record has been cleaned up, remastered and sounds better than ever.

Canadian-born Rick Hughes is the lead singer of the legendary heavy-metal band Sword (formed in 1981, "Metallized" 1986, "Sweet Dreams" 1988, "The Best of Sword" 2006, "Live Hammersmith" 2016, "III" 2022) and of the hard-rock band Saints & Sinners (Saints & Sinners 1992), during his career he has played hundreds of headline shows and has opened for Metallica, Motorhead, Metal Church, Alice Cooper, Bon Jovi, Warlock, Anthrax, Black Label Society, Rob Zombie, Marilyn Manson, WASP, Helix, Styx, and Lee Aaron.

José Menese was considered one of the most important singers of the late 20th century and early 21st century, obtaining many prizes and distinctions along his professional career. José Menese Scott was born in La Puebla de Cazalla (Sevilla), but was in Madrid where José Menese made his first contact with the flamenco world and after passing through some difficulties, he debuts at tablao Zambra, the most prestigious in Madrid. There he sang every night during more than three years, and had the opportunity to know artists such as Perico el del Lunar, Rafael Romero, Pericón de Cádiz, Juan Varea, Rosa Durán, among others, all of them great professionals. His first record was released in 1963, in collaboration with the incomparable guitarist Melchor de Marchena.

The guitar has established itself as a national instrument in Latin American countries. Its sonorities can be considered a miniature orchestra, but two guitars can generate an even greater range of possibilities. Each composer in this widely contrasting programme explores these qualities to the full, with elements such as the South American rhythms in Marlos Nobre’s Três Danças Brasileiras, and Guido Santórsola’s blending of Baroque form with a Romantic aesthetic in his Suite all’antica. The works by Ohlsen, Coloma Casaula and Novoa were all specially composed for the Orlandini & Luco Duo.

As a resourceful sound alchemist and idiosyncratic sound architect with multi-layered and often floating guitar sounds that can pile up into a wall of sound, Swiss guitarist Dave Gisler enlivens contemporary jazz. Since 2017, he has been working continuously with his congenial trio partners Raffaele Bossard and Lionel Friedli.

Tiziano Ferro returns to music with an album that's been the fruit of over two years of work, a period during which challenges gave way to great changes and a vision for the future. A new Ferro, inspired, profound, and ready to challenge himself with what has always driven him: his love of music. Tiziano once again speaks about himself, but also about all of us, giving voice to the thoughts and emotions of those who listen to him.

Gal Costa: “As Várias Pontas de uma Estrela (Ao Vivo no Coala)” Gravada no dia 17 de setembro de 2022, durante o Coala Festival, no Memorial da América Latina, a última apresentação ao vivo de Gal Costa (1945 – 2022) chega a todas as plataformas de streaming. Com o título de As Várias Pontas de uma Estrela (2025), o trabalho que chega Biscoito Fino ainda conta com as participações de Tim Bernardes, em Vapor Barato, e Rubel, na faixa Como 2 e 2. “Esse show teria acontecido dois anos antes, em 2020, mas foi adiado um par de vezes por causa da pandemia“, revelou o produtor Marcus Preto. “Essa volta para a vida, para a rua, deixou Gal com um gás danado, e a apresentação no Coala estava coroando tudo isso, de alguma maneira. Ela saiu do palco empolgadíssima”, detalhou Preto, também diretor do espetáculo.

A record born of insurmountable joy and simultaneous profound loss; World Maker marks a time of great change for Psychonaut, both personally and musically, as the band burn away the philosophical narrative complexities of previous offerings with a searing, panoramic clarity that implores us to savour the beauty of the now as a means of leaving a legacy for the future.

For Wolfgang Amadeus, composing violin sonatas was a welcome respite from his tiresome commissions. With great clarity of expression and the right combination of lightness, playfulness and depth that make these pieces so special, Tibor Gyenge and Michael Schoch present a selection of their favourites.

DGM & Panegyric proudly present… One of the highlights of the King Crimson 50th anniversary CD/Blu-Ray editions to date has been King Crimson producer David Singleton’s series of Elemental Mixes as he utilises the full spectrum of available studio sessions for each album to produce very different takes on the familiar songs and pieces. This is especially true of Lizard where the ambition of the material, the much-expanded line-up of musicians - the background of many of them in the jazz rather than the rock world - and the number of takes recorded, resulted in a large amount of material to be considered for this album. There was enough material for David to be able to mix and produce alternate takes for every piece from the original album. As well as giving great insight into the recordings, the nature of Elemental Mixes allows for different takes from individual musicians to be included – sometimes alongside one another - in a way that would never be considered in the formulation of the original album.