Originally released in 2011, Grace For Drowning is the second solo album from Steven Wilson.

Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and "Confusion." Though Discovery charted well, it was becoming obvious that ELO were starting to run themselves out of useful Beatles hooks with which to fuel their hit-making machine.

"LIVE IN BRIGHTON 1975" is the second album of a curated series of CAN live concerts. Available in full for the first time on triple vinyl, double CD and digitally. Originally recorded on tape, this carefully restored live album comprises the entirety of the show in the format of a story with a beginning, middle and end, bringing CAN’s performance to life.

“Quattro Racconti” is a new version of the debut solo album from Wobbler’s Lars Fredrik Frøislie - This time in Italian, with Stefano “Lupo” Galifi from the legendary Museo Rosenbach on vocals! “Fire Fortellinger” became a great success when released in 2023, and when the opportunity for Lars to do one of the songs in Italian with Galifi, he did - and the 10” release of “Un Posto Sotto il Cielo” came out. And later, when Wobbler played a festival in Italy in 2024, Frøislie went to visit Galifi and to record vocals for the rest of the album. The result is stunning!

After a hiatus spanning the better part of a decade, A Liquid Landscape are back with new music. Their third full length album is titled Rogue Planet and is set to be released on Glassville Records in 2026. Musically it is a continuation of the art rock mix the band is known for, however, Rogue Planet leans heavier into the alternative rock sound of the late nineties and early zeroes. The astronomical term Rogue Planet refers to a free-floating planet that is not gravitationally bound to any star. In the case of the album it serves as a social commentary on the current state of civilization. The world is at our literal fingertips, yet there is a global sense of disconnect. This album is a warning, a flirt with doom and a glimmer of hope for the disillusioned.

"Explosion of Bad Music” captures Simon Steensland at his most gloriously unhinged. Built around two expansive pieces of roughly 27 minutes each, the album dives headfirst into his signature avant-prog chaos (dense, theatrical, and wildly inventive), unfolding like a delirious, self-contained masterpiece. Every passage mutates with intent, transforming unease into narrative drive. Wild, intricate, and unexpectedly playful, it feels like a parallel universe where avant-garde rigor collides with dark humour. A bold, fearless statement and a striking addition to Margen/áMARXE’s growing catalogue. Don’t miss."

In recent times Canterbury flavoured prog has almost been reborn and flourished under the wave of young musicians playing homage to the likes of Egg, Hadfield and the North, Camel and Caravan, but bringing a fresh up to date element to the music, one such artists is Tom Penaguin who is now firmly established as a master craftsman in field of Canterbury styled instrumental music. Thumbs up folks - enjoy!

French based multi-instrumentalist and composer Tom Penaguin presents his spectacular self-titled debut album. The album showcases some of the most impressive Canterbury Scene progressive rock sounds since the genre’s inception in the 1970s. Tom (guitarist of Djiin and former keyboardist of Orgöne), began playing guitar at the age of 6 and later learnt how to play drums, piano and organ to a professional standard by the age of 15.

The Moth is Devin Townsend’s most ambitious work to date, a project that has existed in his mind as his life’s work – an immersive orchestral, choral, and theatrical project over a decade in the making. What began as a distant vision became reality when Townsend was invited to collaborate with the North Netherlands’ Orchestra and Choir.

Headphone Dust is pleased to present a new edition of Hawkwind's landmark 1975 album Warrior on the Edge of Time, featuring new 2026 Steven Wilson mixes created from the original multi-track master tapes. This release includes new 2026 stereo, 5.1 surround and Dolby Atmos mixes, alongside an exclusive binaural Headphone Dust mix optimised for headphone listening. Please note that Spiral Galaxy 28948 (track 7) and Kings of Speed (track 10) exist without complete multitrack recordings; the 5.1 and Atmos presentations of these tracks are upmixes rather than discrete mixes from original source material. Also included are a selection of 2026 remasters of some of the bonus tracks originally presented on the Atomhenge expanded edition.

In November 2015, I decided to get back into writing music, after a 12 year break, to make this demo. It took 8 months of full-time work, between December 2015 and July 2016, to compose & record. Then a 7- month break, during which I was the musical director for a project with Theatre Basel.

Six CD set. First fully authorized release comprising Colosseum tracks recorded live at the BBC 1969-1971. Over 60 tracks, many recordings new to CD - over six hours playing time. Painstakingly researched by Colin Harper, Nigel Lees and Ashley Wood. Restored and remastered by Eroc for optimum sound quality throughout.

Shut Up 'n Play Yer Guitar, a project consisting of Shut Up 'n Play Yer Guitar, Shut Up 'n Play Yer Guitar Some More and Return of the Son of Shut Up 'n Play Yer Guitar, is a series of albums by Frank Zappa.

In September 2025, Tilburg in the Netherlands was once again transformed into Ayreon City, as six spectacular shows took over the 013 venue— or what is fast becoming known as “Home” by Ayreonauts around the world.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.