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Noriko Ogawa, Musikkollegium Winterthur - Richard Dubugnon: Klavieriana, Op. 70 & Chamber Symphonies Nos. 1 & 2 (2021)

Posted By: delpotro
Date: 7 Apr 2021 15:34:33
Noriko Ogawa, Musikkollegium Winterthur - Richard Dubugnon: Klavieriana, Op. 70 & Chamber Symphonies Nos. 1 & 2 (2021)

Noriko Ogawa, Musikkollegium Winterthur & Thomas Zehetmair - Richard Dubugnon: Klavieriana, Op. 70 & Chamber Symphonies Nos. 1 & 2 (2021)
WEB FLAC (tracks) - 251 Mb | MP3 CBR 320 kbps - 148 Mb | Digital booklet | 01:04:05
Classical | Label: BIS

Born in 1968, the Swiss composer Richard Dubugnon writes music that has been described as 'driven by a playful modern sensibility' (New York Times). His work list includes all genres, from solo pieces to large orchestral works, such as the Helvetia Symphony, scored for the same forces as Stravinsky's Rite of Spring. He has also written for smaller orchestra, however, and this disc is bookended by his two chamber symphonies. Chamber Symphony No. 1 was composed in 2013, and in his liner notes the composer admits to influences from Arnold Schoenberg and Franz Schreker, as well as Olivier Messiaen: 'if passionate gestures evoke the decadent Vienna of the turn of the 20th century, the overall harmonic color remains quite “French”… Switzerland is, after all, half way between Vienna and Paris. '

In contrast, the initial inspiration for Chamber Symphony No. 2 (2017) was a visual one - a stained-glass panel from 1658 commemorating the first members of Musikkollegium Winterthur, for which the work was written. Dubugnon creates a chaconne based on the colors of the stained glass, but also includes a Bach fragment in allusion to a reference on the panel to Psalm 150. These elements are used in various ways throughout the piece, which ends in a big accelerando. Framed by the symphonies is the concerto Klaveriana for piano, orchestra and obbligato celesta. Featuring a wide range of piano techniques, the concerto is unusual in that it incorporates an important part for the celesta which functions as a mysterious reflection of the piano. The disc is a first on BIS from Musikkollegium Winterthur under its conductor Thomas Zehetmair.
Tracklist:
1. Musikkollegium Winterthur & Thomas Zehetmair – Chamber Symphony No. 1, Op. 63 (15:59)
2. Noriko Ogawa, Rafael Rutti, Musikkollegium Winterthur & Thomas Zehetmair – Klavieriana, Op. 70: I. Allegro febbroso (09:07)
3. Noriko Ogawa, Rafael Rutti, Musikkollegium Winterthur & Thomas Zehetmair – Klavieriana, Op. 70: II. Sicilienne (08:34)
4. Noriko Ogawa – Klavieriana, Op. 70: Cadenza (02:49)
5. Noriko Ogawa, Rafael Rutti, Musikkollegium Winterthur & Thomas Zehetmair – Klavieriana, Op. 70: III. Allegro volatile (05:53)
6. Musikkollegium Winterthur & Thomas Zehetmair – Chamber Symphony No. 2, Op. 77: I. Chaconne. Larghissimo (10:10)
7. Musikkollegium Winterthur & Thomas Zehetmair – Chamber Symphony No. 2, Op. 77: II. Fugue. Presto (03:45)
8. Musikkollegium Winterthur & Thomas Zehetmair – Chamber Symphony No. 2, Op. 77: III. Chaconne. Largo e liberamente (04:38)
9. Musikkollegium Winterthur & Thomas Zehetmair – Chamber Symphony No. 2, Op. 77: IV. Finale. Presto giocoso (03:06)

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