La Fura del Baus, famous for their opening ceremony of the Olympic games in Barcelona and opera stagings in Salzburg, Ruhrtriennale, etc., use in their groundbreaking Ring 3D computer projections that evoke computer games, organic structures built of athletic performers that recall the "Cirque du soleil". “…excellent orchestral playing and decent sound to match…a striking and often absorbing experiment” (Gramophone).

La Fura dels Baus, famous for their opening ceremony of the Olympic games in Barcelona and opera stagings in Salzburg, Ruhrtriennale, etc., use in Rheingold 3D computer projections that evoke computer games, organic structures built of athletic performers that recall the "Cirque du soleil". “Uusitalo is a commanding, mellifluous Wotan and although Jennifer Wilson's Brünnhilde is relatively unnuanced dramatically, she sings strongly and sensitively…The youthful Orquestra de la Comunitat Valenciana obediently and expertly delivers the plushy textures and stagey rhetoric Mehta requires” (Gramophone).

La Fura dels Baus, famous for their opening ceremony of the Olympic games in Barcelona and opera stagings in Salzburg, Ruhrtriennale, etc., use in Rheingold 3D computer projections that evoke computer games, organic structures built of athletic performers that recall the "Cirque du soleil". From Palau de les Arts Reina Sofia, Valencia, 2007.
Incl. world-class Wagner singers such as Salminen, Kapellmann, Mayer and promising young talents that include John Daszak (Loge) and Juha Uusitalo (Wotan), whom the Frankfurter Allgemeine Zeitung hailed as a new "Number One among the opera gods."

Thunderous applause and loud cries of “bravo” greeted the première of Beethoven’s Fidelio at the inaugural performance of the first opera season in Valencia’s new Palau de les Arts. With this spectacular production directed by Pierluigi Pier’Alli, Valencia has put itself back on the map of the international opera world. Dominating the activity on stage are two of today’s most distinguished German singers, Waltraud Meier (Leonore) and Peter Seiffert (Florestan), who have left their mark above all on the Wagner interpretation of our time. And the great Finnish bass Matti Salminen stamped his forceful character on his role as the jailer Rocco.

Of the large crop of tenors reaching their prime years in the late 2010s, Malta's Joseph Calleja has shown strong signs of breaking out from the pack, and this Verdi recital can only help him. Calleja combines a rich, smooth middle range with a bright, edgy top in which he can convincingly explode in emotion. Album buyers have been primed for a new recital release from Calleja and would probably have been perfectly satisfied with an album covering Verdi's greatest hits.

In many ways it was Joaquín Rodrigo’s own work that eclipsed the vast majority of what he composed. The international success of Concierto de Aranjuez has meant that much of the rest of his work remains relatively unknown. With this in mind, it is interesting to note that Rodrigo is one of the twentieth century’s most prolific Spanish composers, with a huge opus of around 170 works awaiting rediscovery. He is, therefore, much more than just the composer of the Concierto de Aranjuez. This CD is a step along the path to bringing the composer’s other music to the public’s attention.