Master and pupil? A youthful venture on the part of the composer of Scheherazade while naval officer, this symphony of Rimsky-Korsakov deploys fine rhetoric worthy of Haydn’s ‘military’ model incorporating contemporary material. His ‘cadet’ applies himself studiously - Stravinsky’s approach is more casual although the da capo appear in their entirety. A mere ad libitum experiment, his Scherzo fantastique is disappointingly lacking in metronomic rigour but not in inventivity. These two pieces appear together for the first time in over a century and are showcased with consummate skill.

A logical, albeit rare, association of symphonies by Balakirev, the composer of Islamey and Tamara He was the cornerstone of the Russian Mighty Five: César Cui, Aleksandr Borodin, Modest Mussorgsky, Nikolay Rimsky-Korsakov and Mily Balakirev, who in the 1860s banded together in an attempt to create a truly national school of Russian music; free of the stifling influence of Italian opera, German lieder, and other western European forms. In this album two prestigious conductors do them justice. Symphony No.1 in C major is a romantic and well constructed work, performed by the early Karajan/Walter Legge team and the Philharmonia was certainly a crack ensemble at the time. The 2nd Symphony, which has with some justice been described as a paler copy of the 1st, brings an opening movement which under Rozhdestvensky s baton moves forward strongly, generating much Slavic energy. Digitally remastered.