The drama of 'Gemma di Vergy', like that of 'Anna Bolena', 'Maria Stuarda' and 'Roberto Devereux', unfolds at court, where reason of State interwines with sentiments of passion and love. Gemma is repudiated by her husband, the Count of Vergy, baritone, while the "antagonist" is Tamas (tenor), the Arab slave, locked in unrequited love. The vocal composition for the role of Gemma moves with sudden jumps between the central and the high regusters. "It is as difficult as three Normas put together", maintained Montserrat Caballé.

As comparably short operas Cavalleria rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival Jonas Kaufmann did just that – to rapturous praise. Universally hailed as a coup for Kaufmann, plaudits were also showered on Philipp Stölzl for his innovative compartmentalized staging which included live video projections while referencing the era of black-and-white movies.

‘Jonas Kaufmann Sings an ‘Otello’ for the Ages’- New York Times. On a sweltering night at London’s Royal Opera House in June 2017, Jonas Kaufmann made his debut performance as Otello - one of the most coveted and challenging roles in the tenor operatic repertoire. The Guardian commented on his performance: “Kaufmann thrills in a dark, expres-sionistic staging”. This new production by director Keith Warner presents a simultaneously modern and abstract approach to one of Verdi’s greatest operas.

Charles-François Gounod’s Faust was once one of the most famous and most performed of all operas and is still cherished today. This is the first performance at the Salzburg Festival!
This stunning production was staged by Reinhard von der Thannen, the supreme cast is led by Piotr Beczała as Faust, Ildar Abdrazakov embodies a seductive and demonic Méphistophélès and Italian soprano Maria Agresta stars as Marguerite, who struggles to resist temptation and gain salvation. The Wiener Philharmoniker play under the baton of young Argentinian conductor Alejo Pérez.

On a sweltering night at London’s Royal Opera House in June 2017, Jonas Kaufmann made his debut performance in Verdi’s Otello - one of the most coveted and challenging roles in the tenor operatic repertoire. The Guardian commented on his performance: “Kaufmann thrills in a dark, expressionistic staging” and The Daily Mail concurred: “He is undoubtedly the most vocally and physically charismatic exponent of this role here since Domingo.” This new production by director Keith Warner presents a simultaneously modern and abstract approach to one of Verdi’s greatest operas.