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Assi Karttunen - Beyond the River God: Harpsichord Works by Graham Lynch & Francois Couperin (2015)

Posted By: Designol
Date: 31 Mar 2024 20:03:50
Assi Karttunen - Beyond the River God: Harpsichord Works by Graham Lynch & Francois Couperin (2015)

Assi Karttunen - Beyond the River God:
Harpsichord Works by Graham Lynch & François Couperin (2015)
EAC | FLAC | Image (Cue&Log) ~ 453 Mb | Mp3 (CBR320) ~ 187 Mb | Artwork included
Genre: Classical | Label: Divine Art | # dda 25120 | Time: 01:18:25

A selection of works by the greatest harpsichord composer of all — François Couperin, and from contemporary British composer Graham Lynch, who is a very worthy successor with music that is expressive, descriptive, deep and exceptionally rich, showing that the harpsichord is capable of real expression. The Lynch pieces are receiving their first recordings. Established virtuoso Assi Karttunen is from Finland and this is her first album for Divine Art, and a showcase for her amazing talent at the keyboard.
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Rody van Gemert, Jose Casallas - Light Darkness: Guitar music by Graham Lynch (2023)

Posted By: ArlegZ
Date: 29 Jun 2023 20:40:20
Rody van Gemert, Jose Casallas - Light Darkness: Guitar music by Graham Lynch (2023)

Rody van Gemert, Jose Casallas - Light Darkness: Guitar music by Graham Lynch (2023)
EAC | FLAC | Image (Cue & Log) ~ 158 Mb | Total time: 51:23 | Scans included
Classical | Label: Pilfink | # JJVCD-252 | Recorded: 2021

The idea behind this programme is to let the guitarists explore the intermingling of dream, darkness and light. Graham Lynch, influenced by several composers and artists of the past, created music subject to rapid mood changes, great fluidity of time and considerable variety. The album majors on time, characters and places, and on wide-ranging emotions. All the works have a strong sense of chiaroscuro that can be a central characteristic of the guitar. It may help to be aware of Lynch’s highly eclectic style, which ranges from tango and neo-baroque, by way of serialism to post-modern Romanticism.
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