Deutsche Grammophon's reissue of its 1963 recording of La Traviata should be an essential part of the library of anyone who loves the opera because Renata Scotto's Violetta is so beautifully sung and dramatically realized. Scotto was at the beginning of her career, not yet 30, when she made this recording, three years before her acclaimed Madama Butterfly with John Barbirolli. Her voice is wonderfully fresh, with a youthful bloom that makes Violetta's plight especially poignant. She is in complete control; her tone is pure, full, and sweet; and her coloratura is agile, but it's her exceptional ability to act with her voice that makes her Violetta so memorable. This was the role in which she had made her debut when she was 18, and she inhabits it fully. She's entirely believable and inexorably draws the listener into the tragedy that Violetta's life becomes. It's a portrayal so vivid that not all of the rest of the cast can avoid being dwarfed by it.

In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini's masterpiece at Milan's Teatro alla Scala. Filmed in that legendary opera house in 1965, with Zeffirelli himself directing for the cameras, this "Bohème" has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her career-making performance.