The Artistry of Emma Kirkby [4CDs] (2009)
The Artistry of Emma Kirkby [4CDs] (2009)
EAC | FLAC | Image (Cue & Log) ~ 1.25 Gb | Total time: 04:52:32 | Scans included
Classical | Label: BIS | # BISCD1734/35 | Recorded: 1999-2008
EAC | FLAC | Image (Cue & Log) ~ 1.25 Gb | Total time: 04:52:32 | Scans included
Classical | Label: BIS | # BISCD1734/35 | Recorded: 1999-2008
With her almost supernaturally clear and agile soprano, Emma Kirkby has enchanted audiences ever since she first appeared on the Early Music scene in the 1970s. And as the art of historically informed performance has become more and more widely appreciated, so has her style of singing, to the extent that she in 2007 was included in a listing of ‘the 20 greatest sopranos ever’ made by the BBC Music Magazine. Throughout her career, Emma Kirkby has made a large number of recordings of a wide range of music. Released on the occasion of her 60th birthday, the present collection celebrates her collaboration with BIS, which has resulted in ten discs to date. It includes highly acclaimed performances of some of Emma Kirkby’s signature repertoire – such as Handel solo cantatas (with London Baroque) and Dowland songs (with Anthony Rooley and Jakob Lindberg) – as well as pieces by less familiar composers, such as Attilio Ariosti and Cataldo Amodei, Michel de Lalande and Georg Schimmelpfennig. Ranging from sacred works, such as the joyous Christmas cantata of Alessandro Scarlatti and Couperin’s lamenting Leçon de Ténèbres, to decidedly worldly pieces (for instance the brief Que Philis a l’esprit léger by Jean-Baptiste Boësset, a homage to the beautiful but fickle Phyllis), this collection provides an opportunity to sample the artistry of an exceptional singer in all its variety. The ample booklet includes a personal appreciation of the performer by music critic Brian Robins, as well as the texts – in the original languages with English translations where applicable – of all the works included.
Performer:
Emma Kirkby, soprano
CD1:
George Frideric Handel (1685-1759)
Gloria
01. Gloria in excelsis Deo
02. Et in terra pax…
03. Laudamus te…
04. Gratias agimus tibi…
05. Domine Deus…
06. Qui tollis…
07. Quoniam to solus sanctus…
08. Cum Sancto Spiritu…
Salve Regina
09. Salve Regina
10. Eja ergo advocata nostra
11. O clemens, o pia
O qualis de coelo sonus
12. Sonata
13. Recitativo: O qualis de coelo sonus
14. Ad plausus ad jubila
15. Recitativo: Eja ergo, mortalis
16. Gaude, tellus benigna
17. Alleluja
Coelestis dum spirat aura
18. Sonata
19. Recitativo: Coelestis dum spirat aura
20. Felix dies, præclara, serena
21. Recitativo: Vestro, religiosi principes
22. Tam patrono singulari
23. Alleluja
Laudate pueri (Psalm 112)
24. Laudate pueri Dominum
25. Sit nomen Domini benedictum
26. A solis ortu usque ad occasum
27. Excelsus super omnes gentes Dominus
28. Quis sicut Dominus
29. Ut collocet eum cum principibus
30. Qui habitare facit
31. Gloria Patri et Filio et Spiritui Sancto
London Baroque
Charles Medlam, conductor
CD2:
Philipp Friedrich Böddecker (1607-1683)
01. Natus est Jesus
Johann Sebastian Bach (1685-1750)
from the cantata ‘Nun komm, der Heiden Heiland’, BWV 61
02. 'Öffne dich mein ganzes Herze'
from the cantata ‘Herz und Mund und Tat und Leben’, BWV 147a
03. 'Bereite dir, Jesu, noch itzo die Bahn'
London Baroque
Charles Medlam, conductor
Christoph Graupner (1683-1760)
Cantata ‘Ach Gott und Herr’
04. Choral: Ach Gott und Herr
05. Recitativo: O Gott, o Gott, was hab ich doch getan?
06. Aria: Seufzt und weint, ihr matten Augen / Recitativo: Ich fühle Pein
07. Recitativo: Doch Seele, geh zurücke
08. Aria: Stelle dich zufrieden
Theatre of Early Music
Christopher Jackson, organ
François Couperin (1668-1733)
09. Première Leçon de Ténèbres pour le Mercredy Saint
10. Troisième Leçon de Ténèbres pour le Mercredy Saint
Agnès Mellon, soprano
Charles Medlam, bass viol
Terence Charlston, organ
Michel-Richard De Lalande (1657-1726)
11. Troisième Leçon de Ténèbres du Mercredy Saint
Charles Medlam, bass viol
Terence Charlston, organ
CD3:
Alessandro Scarlatti (1660-1725)
Non sò qual più m’ingombra
01. I. Recitativo: Non sò qual più m’ingombra…
02. II. Aria: Che sarà? chi’a me lo dice?…
03. III. Recitativo: È nato, al fin mi dice…
04. IV. Aria Pastorale: Nacque, col Gran Messia…
O di Betlemme, altera poverta venturosa
05. I. [Recitativo]: O di Betlemme, altera povertà venturosa…
06. II. [Aria]: Dal bel Segno d’una Stella…
07. III. [Recitativo]: Presa d’uomo la forma…
08. IV. [Aria]: L’autor d’ogni mio bene…
09. V. [Recitativo]: Fortunati Pastori!…
10. VI. [Pastorale]: Tocco la prima sorte a voi, pastori…
London Baroque
Charles Medlam, conductor
Attilio Malachia Ariosti (1666-1729)
Pur alfin gentil viola
11. Aria: Pur alfin gentil viola…
12. [Recitativo]: Non fu saggio il consiglio…
13. Aria: Beltà che col rigor…
Tomas Georgi, viola d'amore
Lucas Harris, archlute
Mime Yamahiro Brinkmann, cello
Cataldo Amodei (1649-1693)
14. Su l’ore che l’aurora
15. Va’, ché l’hai fatto a me
16. Lieve al piè, grave al passo
Jakob Lindberg, theorbo, archlute
Lars Ulrik Mortensen, harpsichord
CD4:
John Dowland (1563-1626)
01. O sweet woods
02. I saw my lady weepe
03. Daphne was not so chaste
04. Farewell too faire
05. Time’s eldest sonne
Anthony Rooley, lute
John Dowland
06. Shall I strive with words to move?
John Danyel (1564-c1626)
07. Dost thou withdraw thy grace?
Robert Johnson (c1583-1633)
08. Full fathom five thy father lies
Sigismondo d'India (c1582-c1629)
09. Da l’onde del mio pianto
Georg Schimmelpfennig (1582-1637)
10. Dolce tempo passato
Heinrich Schütz (1585-1672)
11. Eile mich, Gott, zu erretten
Étienne Moulinié (c1600-after 1669)
12. Paisible et ténébreuse nuit
Jean-Baptiste Boësset (1614-1685)
13. Que Philis a l’esprit léger
Jakob Lindberg, lute
Henry Lawes (1596-1662)
14. Anacreon’s Ode, call’d The Lute (original Greek)
15. Anacreon’s Ode, call’d The Lute
16. At dead low ebb of night (‘A tale out of Anacreon’)
John Blow (1649-1708)
17. Sappho to the Goddess of Love
John Wilson (1595-1674)
18. Diffugere nives (Horace, Odes IV, 7)
Alfonso Ferrabosco II (c157-1628)
19. So beautie on the waters stood
Henry Lawes
20. Orpheus’ Hymn to God
Maurice Greene (1696-1755)
21. Orpheus with his lute
John Weldon (1676-1736)
22. Stop, O ye waves
Anthony Rooley, theorbo & lute
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Exact Audio Copy V1.3 from 2. September 2016
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Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 17. February 2020, 19:39
Emma Kirkby / The Artistry of Emma Kirkby CD4
Used drive : HL-DT-STBD-RE WH16NS40 Adapter: 1 ID: 0
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Null samples used in CRC calculations : Yes
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1 | 0:00.00 | 6:31.25 | 0 | 29349
2 | 6:31.25 | 5:40.70 | 29350 | 54919
3 | 12:12.20 | 2:12.60 | 54920 | 64879
4 | 14:25.05 | 3:20.06 | 64880 | 79885
5 | 17:45.11 | 3:48.57 | 79886 | 97042
6 | 21:33.68 | 3:06.69 | 97043 | 111061
7 | 24:40.62 | 1:35.70 | 111062 | 118256
8 | 26:16.57 | 1:54.37 | 118257 | 126843
9 | 28:11.19 | 3:24.12 | 126844 | 142155
10 | 31:35.31 | 5:05.65 | 142156 | 165095
11 | 36:41.21 | 3:07.59 | 165096 | 179179
12 | 39:49.05 | 2:56.58 | 179180 | 192437
13 | 42:45.63 | 1:41.60 | 192438 | 200072
14 | 44:27.48 | 2:12.13 | 200073 | 209985
15 | 46:39.61 | 1:48.67 | 209986 | 218152
16 | 48:28.53 | 3:11.51 | 218153 | 232528
17 | 51:40.29 | 6:15.03 | 232529 | 260656
18 | 57:55.32 | 3:37.36 | 260657 | 276967
19 | 61:32.68 | 1:34.47 | 276968 | 284064
20 | 63:07.40 | 2:27.29 | 284065 | 295118
21 | 65:34.69 | 3:36.45 | 295119 | 311363
22 | 69:11.39 | 2:55.70 | 311364 | 324558
Range status and errors
Selected range
Filename C:\Users\Grant\Desktop\Emma Kirkby - The Artistry of Emma Kirkby CD4.wav
Peak level 99.8 %
Extraction speed 8.8 X
Range quality 100.0 %
Test CRC 221B8C5B
Copy CRC 221B8C5B
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [8DABAC81] (AR v2)
Track 2 accurately ripped (confidence 6) [0E720928] (AR v2)
Track 3 accurately ripped (confidence 6) [12BABC81] (AR v2)
Track 4 accurately ripped (confidence 6) [CDD94C51] (AR v2)
Track 5 accurately ripped (confidence 6) [EAC9D770] (AR v2)
Track 6 accurately ripped (confidence 6) [66106F67] (AR v2)
Track 7 accurately ripped (confidence 6) [16C6164E] (AR v2)
Track 8 accurately ripped (confidence 6) [90EBF2DC] (AR v2)
Track 9 accurately ripped (confidence 6) [3B05A1B6] (AR v2)
Track 10 accurately ripped (confidence 6) [A6EC8F04] (AR v2)
Track 11 accurately ripped (confidence 6) [29F15FB1] (AR v2)
Track 12 accurately ripped (confidence 6) [1CA084CC] (AR v2)
Track 13 accurately ripped (confidence 6) [B51A8163] (AR v2)
Track 14 accurately ripped (confidence 6) [AC971F46] (AR v2)
Track 15 accurately ripped (confidence 6) [FF090F83] (AR v2)
Track 16 accurately ripped (confidence 6) [0D863FCA] (AR v2)
Track 17 accurately ripped (confidence 6) [55A90492] (AR v2)
Track 18 accurately ripped (confidence 6) [705AC57D] (AR v2)
Track 19 accurately ripped (confidence 6) [40DB6D54] (AR v2)
Track 20 accurately ripped (confidence 6) [82BEC472] (AR v2)
Track 21 accurately ripped (confidence 6) [7F64B5A3] (AR v2)
Track 22 accurately ripped (confidence 6) [77F0E74E] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: USHH9j.q1Glspt9Cv86oF2IdBlE-] found
Submit result: USHH9j.q1Glspt9Cv86oF2IdBlE- has been confirmed
Track | CTDB Status
1 | (8/8) Accurately ripped
2 | (8/8) Accurately ripped
3 | (8/8) Accurately ripped
4 | (8/8) Accurately ripped
5 | (8/8) Accurately ripped
6 | (8/8) Accurately ripped
7 | (8/8) Accurately ripped
8 | (8/8) Accurately ripped
9 | (8/8) Accurately ripped
10 | (8/8) Accurately ripped
11 | (8/8) Accurately ripped
12 | (8/8) Accurately ripped
13 | (8/8) Accurately ripped
14 | (8/8) Accurately ripped
15 | (8/8) Accurately ripped
16 | (8/8) Accurately ripped
17 | (8/8) Accurately ripped
18 | (8/8) Accurately ripped
19 | (8/8) Accurately ripped
20 | (8/8) Accurately ripped
21 | (8/8) Accurately ripped
22 | (8/8) Accurately ripped
==== Log checksum 02D0D7F6AFC78389C1479271C7FF8109FF2D3AA066019FA08B9E259679E619F1 ====
The Artistry of Emma Kirkby [4CDs] (2009)
Thanks to the original releaser