European Music Archaeology Project Vol.5 - Apollo & Dionysus: Sounds from classical antiquity
European Music Archaeology Project Vol.5 - Apollo & Dionysus: Sounds from classical antiquity (2018)
EAC | FLAC | Image (Cue & Log) ~ 275 Mb | Total time: 56:04 | Scans included
Classical, Folk, World & Country | Label: Delphian | DCD34188 | Recorded: 2015, 2017
EAC | FLAC | Image (Cue & Log) ~ 275 Mb | Total time: 56:04 | Scans included
Classical, Folk, World & Country | Label: Delphian | DCD34188 | Recorded: 2015, 2017
The Greek and Roman cultures of classical antiquity have left an indelible mark on European society. The Greek 'muse' is the origin of our concept of 'music', and ancient Greek culture included concert performances with a listening audience, hundreds of years before the rest of the continent.
This fifth and final volume in Delphian's landmark collaboration with the European Music Archaeology Project includes pieces based on fragments of musical notation, found by archaeologists carved into stone or written on papyrus and dated to between 300 BC and 300 AD, as well as new music created to give a contemporary voice to the instruments of the period. Reconstructed by experts drawing on the latest archaeological research, these include the aulos – a double-reed instrument played in pairs and often depicted as belonging to the retinue of the god Dionysus – and the hydraulis, or Roman water organ.
Performer:
Stef Conner (voice, lyre)
Barnaby Brown (aulos)
Callum Armstrong (aulos, plagiaulos)
Olga Sutkowska (aulos)
Justus Willberg (hydraulis, aulos)
John Kenny (lituus)
Rupert Till (bell, hydraulis (drone), cymbals)
Tracklist:
01. Invocation of the Muse [Mesomedes of Crete; musical notation ed. by Martin L. West, arr. by Stef Conner]
02. From Berlin manuscript 6870 (20–22)
03. Plagiaulos variations (after Bellermann §101), part 1
04. Low and Sweet
05. 12th Pythian Ode [Pindar; ed. and arr. Stef Conner, Barnaby Brown & Armand D’Angour]
06. From Bellermann §98, dōdekásēmos
07. Tiaso: introduction
08. Study on Bellermann §100, tetrásēmos
09. Study on Bellermann §101, oktōkaidekásēmos
10. Gallops and Fanfares
11. Delphic Paean [Athenaios; ed. and arr. Armand D’Angour & Barnaby Brown]
12. Study on Bellermann §99, allos dōdekásēmos
13. Plagiaulos variations (after Bellermann §101), part 2
14. Study on Bellermann §98, dōdekásēmos (Phrygian)
15. Study on Bellermann §98, dōdekásēmos (Lydian)
16. Tiaso: first episode
17. From Bellermann §104, kōlon hexásēmon
18. Quodlibet on Bellermann §§100 & 80
19. From Michigan manuscript inv. 1250
20. Tiaso: second episode
21. aulo_dia
22. Aulos variations (after Bellermann §98), part 1
23. From Berlin manuscript 6870 (13–15)
24. On an Armenian folk tune
25. Aulos variations (after Bellermann §98), part 2
26. On an Armenian folk tune (2)
Exact Audio Copy V1.3 from 2. September 2016
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Justus Willberg et al / Apollo & Dionysus - Sounds from Classical Antiquity
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==== Log checksum CB97369A59C07F14E64ABD8487DBD1D9B75657E7D804DD96A39BC1C8CB4D4E2F ====
European Music Archaeology Project Vol.5 - Apollo & Dionysus: Sounds from classical antiquity
Thanks to the original releaser