After their multi-award-winning album Aus der Ferne, the Signum Quartett continues their Schubert journey for PENTATONE with Ins stille Land, another recording that explores the fascinating connections between his string quartets and songs, the latter arranged for string quartet by Xandi van Dijk, the ensemble’s violist.

Some smoking uptempo tunes, wailing ballads, and even interesting pop and novelty material.

Rammstein's iconic 1997 studio album featuring
"Du hast" and "Engel", is back on June 9, 2023 as the remastered "Sehnsucht Anniversary Edition"!

Patricia Kraus is an Italian-born Spanish singer. She is the daughter of well-known tenor Alfredo Kraus and studied classical voice as a child before switching to a more contemporary style.

On the occasion of Charlie Parker's 100th birthday in 2020, “Bird Lives” opens, produces and records a new, orchestral view of his music.

In 1955, Louis Armstrong, along with vocalist Velma Middleton, got into the studio to pay tribute to the late Fats Waller.

With his Christmas album It's Christmas! Jonas Kaufmann 2020 succeeded an atmospheric and extremely successful holiday album.

From the opening track, "Runaway," which rode to glory on E Street Band-mate Roy Bittan's distinctive keyboard riff, to the sweaty arena rock of "Get Ready," which closed the album, Bon Jovi's debut is an often-overlooked minor gem from the early days of hair metal.

The Witch Doctor is an album by American jazz drummer and bandleader Art Blakey and his group The Jazz Messengers recorded on March 14, 1961 and released on the Blue Note label. It features performances by Blakey with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt.

The group’s final studio album, 2300 Jackson Street, released May 30, 1989.

Interpretations by the Stan Getz Quintet is an album by saxophonist Stan Getz recorded in 1953. It was the first 12-inch LP released on the Norgran label in 1954.

Emma Rawicz’s ACT debut features a prominent quintet with pianist Ivo Neame, bassist Connor Chaplin, guitarist Ant Law and drummer Asaf Sirkis - all of whom are established figures on the UK scene. "Chroma," Greek for "color," shows the full spectrum of an artist who has long outgrown newcomer status. As Jazzwise Magazine stated: "Emma Rawicz is already the real deal!"

Pianist Jan Lundgren from Ystad in Sweden and guitarist Yamandu Costa, from Brazil’s southernmost province Rio Grande del Sur might seem an unlikely pairing, and the combination of guitar and piano is well known to be fraught with difficulty. But the collaborative affinity of this duo, the chemistry which they have found through playing together, first in a handful of concerts, and now on this fine album, are something truly exceptional.

Bloom, the ACT debut of pianist and composer Bill Laurance as leader, marks the transition from the smallest possible form of musical interaction to a large-scale, broadband format: Following the internationally acclaimed ACT release Where You Wish You Were in duo with multi-instrumentalist and Snarky Puppy bandmate Michael League, Laurance now teams up with Manchester-based 18-piece string orchestra The Untold Orchestra and creates a work of convincingly epic pro-portions. Combining Bill Laurance’s classical sensibilities with jazz, pop grooves, and powerful orchestral synchronicity, Bloom runs the gamut of emotions and moods.

Moondog's second Prestige album solidified his standing as a rare breed: a musician whose work was both highly experimental and approachable by listeners without a taste for the avant-garde. That's what enabled him to make a living as a street musician in Manhattan, after all. On this album he produced a variety of wonderful shaking percussion sounds and rhythms with an oo (a triangular stringed instrument struck with a clave) and even "Ostrich Feathers Played on Drum" (as the title on one track reads). The percussion is sometimes backed by sparse, Asian-sounding melodies, and there are also unpredictable interludes of solo piano, street sounds, and an eight-minute "Moondog Monologue." One of the round-like vocal numbers, the minute-long and inexpressibly sad "All Is Loneliness," found an unexpected second life in the 1960s when it was covered by Big Brother & the Holding Company.