Recorded around the same time as her groundbreaking work with Louis Armstrong, this album is representative of Fitzgerald's best vocal work. Recorded over a two-day period in October, 1957, Fitzgerald sings familiar ballads on this release accompanied by lush orchestral arrangements courtesy of Frank DeVol, with tenor sax legend Stan Getz contributing to four songs.

Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. Bossa nova means ‘new wave' or ‘new trend', and this album rode that wave, making No. 13 on the Billboard album chart in 1963 in the wake of the success of Jazz Samba (1962) and prior to the release of Getz/Gilberto (1964). Sandwiched as it is between the two classic albums of the era, it sometimes gets unfairly overlooked…

Concord Records is proud to present this collection of highlights from its premiere releases in the breath-taking Hybrid SACD format. From intimate acoustic jazz, to swinging vocals, to percussive Latin jazz, to roaring big band, the SACD sound reveals all of the details and nuances in these landmark Concord recordings with stunning clarity and realism. Each track in this Hybrid SACD sampler can be heard in SACD multichannel surround sound or SACD Stereo. Hear these classic Concord recordings again for the first time, on SACD.

This Audiophile promo sampler contains selected 10 tunes from genre of Rock/Soul/Jazz & Classical Music. Released in Japan as the start of High Fidelity SHM-SACD series.

Japanese ESOTERIC Company proudly introduces a new series of Re-mastered Jazz Masterpiece Collection. The reissue of historical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using SACD technology to improve sound quality. This Box Set of "Six Queens Of Jazz Vocal" features iconic releases of Ella Fitzgerald, Anita O'Day, Carmen McRae, Helen Merrill, Monica Zetterlund, and Peggy Lee. Experience the legendary performance in this new format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the "soul" hidden within the notes, but never before found in previously released recordings in any format.

When Stan Getz and Luiz Bonfa surprised the Americans with their first samba recording they did not imagine that this was to be their biggest success together. With such titles such as "Desafinado" and "One Note Samba", Brazilian pop music stormed the borders. So popular was the music that voices cried for more - and the VERVE producers satisfied the fans with "Jazz Samba Encore".

"Jazz Samba" was the first major bossa-nova album on the American jazz scene. It was the beginning of bossa-nova excitement in America, which climxed in the mid-1960s. The album was very strongly inspired and designed by the guitarist Charlie Byrd. It was inducted into the Grammy Hall of Fame in 2010.

"Getz Meets Mulligan" (also released as "Gerry Mulligan Meets Stan Getz" and "Getz Meets Mulligan in Hi-Fi") is an album by American jazz saxophonists Gerry Mulligan and Stan Getz featuring performances recorded in 1957 and released on the Verve label.

Recorded in 1981 and produced by Concord founder Carl Jefferson, this is another jewel of an album from the Concord Jazz catalog. A classic live recording from the Keystone Korner jazz club in San Francisco and with great sound, this is vintage late Getz and includes some of his best performances of standards like "Easy Living," "Sweet Lorraine," "Old Devil Moon," "I'm Old Fashioned" and the title track. Now out of print on regualar CD, this SACD reissue will only enhance what is already an excellent Getz title.

Another one of Stan Getz's early 60s forays into the world of Brazilian music, recorded only days after his legendary sessions with João Gilberto. His special guest on this 1963 recording is virtuoso guitarist Laurindo Almeida who was famous for fusing jazz and classical guitar with traditional Brazilian genres. Almeida had done countless session gigs and was well-known to jazz fans for his work with Stan Kenton's big band in the late 1940s. The rhythm section on this album is a swinging blend of American sidemen, including Steve Kuhn on piano and George Duvivier on bass, and Brazilian percussionists.

One of the biggest-selling jazz albums of all time, not to mention bossa nova's finest moment, Getz/Gilberto trumped Jazz Samba by bringing two of bossa nova's greatest innovators – guitarist/singer Joao Gilberto and composer/pianist Antonio Carlos Jobim – to New York to record with Stan Getz. The results were magic. Ever since Jazz Samba, the jazz marketplace had been flooded with bossa nova albums, and the overexposure was beginning to make the music seem like a fad. Getz/Gilberto made bossa nova a permanent part of the jazz landscape not just with its unassailable beauty, but with one of the biggest smash hit singles in jazz history – 'The Girl from Ipanema,' a Jobim classic sung by Joao's wife, Astrud Gilberto, who had never performed outside of her own home prior to the recording session.

One of the all-time great tenor saxophonists, Stan Getz was known as "The Sound" because he had one of the most beautiful tones ever heard. Getz, whose main early influence was Lester Young, grew to be a major influence himself and to his credit he never stopped evolving.

Stan Getz and Astrud Gilberto had a worldwide smash hit in 1964 with The Girl From Ipanema so it made sense to take the show on the road while the song, and bossa nova, were both still hot. Getz and Gilberto embarked on a six-month US tour and recorded two New York shows for this album. One show was at Carnegie Hall, but the show that inspired the album's title was at Greenwich Village's Café Au Go Go. Getz recorded this material with his new quartet, featuring a young Gary Burton on vibraphone, who also contributed two orginal songs. Gilberto earned a multi-album recording contract with Verve as a result of her touring with Getz.

A companion release to Getz/Gilberto '76, Moments in Time features newly discovered music by the Stan Getz Quartet featuring pianist Joanne Brackeen, bassist Clint Houston, and drummer Billy Hart, recorded live in 1976 at the famed San Francisco jazz club Keystone Korner. Captured during a week of performances with the legendary bossa nova innovator João Gilberto, these instrumental recordings document the only time this uniquely adventurous configuration of the Stan Getz Quartet recorded together.

"Conception" is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. Miles Davis is but one of the featured performers on this compilation album consisting of various tracks released on 10-inch vinyl and 78s, recorded in New York City between 1949 and 1951. In addition to Davis, other key figures on the album include Sonny Rollins, Stan Getz, Gerry Mulligan, Lee Konitz and Zoot Sims. The tracks had all been previously released by Prestige in discontinued formats, either on 10 inch LPs, or as 78rpm singles.