'Exit All The Lights' is the new studio album by UK-based producer Dennis Huddleston, better known as 36.

From years when I wrote music from an infinite number of dreams. Dreams of new beginnings. Long before this year. The beginning of the end.

"Stunning & breathtaking… I always fail to produce the proper vocabulary to the emotions and vibrations that Brock conjures in his music. Letting it all soak into my own heart. Favorite track: Never Let You Love This World."

The third and final LP in 36's synth trilogy is now available. Reality Engine continues the melodic, melancholy machine sound started with Wave Variations and Symmetry Systems, exploring the blossoming dynamics of artificial intelligence and the ever-changing definition of reality.

"Red Rock, Seal Skin" began as a university project relating the ecological writings of Terry Tempest Williams, Robin Wall Kimmerer, and Mary Oliver to personal meditations on their own transition out of organized religion. The result is an eleven-track cinematic dream sequence through Celtic and Scandinavian folkloric archetypes, familial memories, fables, and concealed histories of a colonized Utah. Occasionally confrontational, Red Rock, Seal Skin is a post-Mormon’s earnest inquiry into the nature of rootedness after rupture. Camilla’s sound is suspended between lilting orchestral folk, jazz, and jagged, 70’s-inspired progressive rock, joining a chorus of eclectic songwriters like Weyes Blood, Mitski, Anaïs Mitchell, Joanna Newsom, Tori Amos, and Fiona Apple.

"Every song is built around this one chord progression—every track is like a variation on a theme," Mackenzie continues. "But I don’t know if we had the musical vocabulary yet to complete the idea at that time. We recorded some of it then, including the version of 'Exploding Suns' that’s on the finished album. But when the sessions were over, it just never felt done. It was like this idea that was in our heads, but we just couldn’t reach. We just didn’t know yet how to do what we wanted to do." The frontman adds: "It’s not necessarily our most complex record, but every little piece and each sound you hear has been thought about a lot." — Under the Radar Magazine, Sep 07, 2022.

The vocal group VIP presents a diverse concert program with sacred and secular vocal music from Great Britain. There is music of the Elizabethan age with works by Thomas Tallis, his pupil William Byrd and other masters of the English Renaissance.

Working this time as a trio, Unwind's fifth recording for Rattle offers a set of elegant, unabashedly lyrical new works that explore the open, contemplative landscapes they have coursed since their self-titled debut in 2017. The space-conscious compositions on EMBERS are serene meditations resonant with a plaintive universal awareness that is undeniably personal.

Kerala Dust’s new album, An Echo of Love, is a dynamic blend of art rock, electronica, and Americana, reflecting constant change and musical experimentation. The album’s fluidity is mirrored in both its shifting lineup - adding keyboardist Tim Gardner and drummer Pascal Karier - and its diverse recording locations, including Tuscany, Austin, Berlin, Zurich, and Rome. Lead member Edmund Kenny describes the album as capturing a state of mind, shaped by his personal experiences, especially after a tumultuous period following the band’s 2023 tour.

Double Wish makes dark-sunshine-pop. Multi-instrumentalists Philippe Andre and Adam Sabolick have weaved in and out of different musical projects throughout the Los Angeles region since 2007. In 2020 bedroom demos became studio recordings and Double Wish began.

Camille Saint-Saëns was only fifteen years old when he composed his first symphony in 1850, which is known as his Symphony No. 0 — his official Symphony No. 1 would not arrive for another three years.

Alpha Classics proudly presents "Baroque Stories", a new series of recordings devoted to young talents in early music; its first recording introduces Louise Acabo, a French harpsichordist and winner of several international competitions who divides her time between Paris and Basel.

The Italian conductor Ottavio Dantone breathes new life into Cesare in Egitto, an opera by Geminiano Giacomelli (1692-1740) based on a libretto written by Domenico Lalli with the assistance of a young collaborator not yet in his thirties: Carlo Goldoni.

A visionary composer, Domenico Scarlatti pushed back the frontiers of keyboard writing, fusing radiant melodies with spirited rhythms and daring technical feats. In this compendium of his most attractive sonatas, Javier Perianes employs his consummate virtuosity with audible enjoyment, revealing all the richness and inventiveness of his adoptive compatriot’s musical language.

PENTATONE proudly presents Richard Blackford’s powerful new Cello Concerto, commissioned by Czech Philharmonic for the acclaimed virtuoso cellist Alisa Weilerstein.