For some reason, Neil Young decided that his 2000 tour was particularly hot, so he decided to record a live album and rush release it by the end of the year. So, that explains the appearance of Road Rock, Vol. 1, an eight-song collection recorded with an ensemble featuring Spooner Oldham on keyboards, Duck Dunn on bass, Jim Keltner on drums, and Astrid and Pegi Young on vocals – thereby explaining the "Friends & Relatives" subtitle. This band is pretty good, even supple, but this doesn't feel necessary at any time and suffers from indulgence. And it doesn't shy away from this indulgence, either, opening with an 18-minute "Cowgirl in the Sand" that only diehards could sit through. And, in a sense, that summarizes this album, since only diehards will thrill to an 11-minute "Words," a previously unreleased "Fool for Your Love," a ten-minute "Tonight's the Night," or an "All Along the Watchtower" featuring opener Chrissie Hynde on guitar. This isn't bad, but it's not really good, either, and as the third live album in one decade, it's not just anticlimatic, it's unnecessary even for diehards, who probably would find this more exciting as a bootleg than an official album.

On April 20 2018, Universal Music released a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.The Who were in New York and nearing the end of a gruelling tour on April 4, 1968, the day that Dr Martin Luther King was assassinated. America was already a country divided; Anti-Vietnam demonstrations, civil rights disturbances and militant student activism. With this turmoil as a backdrop on Friday and Saturday, April 5 and 6, 1968 The Who performed two incendiary live sets at Bill Graham’s legendary Fillmore East on the lower East Side of Manhattan.

Appearing like a flash, Jimi Hendrix burst onto the international music scene of the mid 1960's like nothing ever seen before or since. Born in Seattle in 1942, early life experiences both in the United States Army and as a backing musician for the likes of the Isley Brothers and Little Richard on the Chitlin' Circuit helped serve as formative groundwork for what was to come.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Bryan Adams' 1991 album, Waking Up the Neighbours, signaled his commercial apex. Bridging the time gap between '80s arena rock and '90s angst-ridden grunge, the album also ushered in an era in which Adams became as well-known for his sweeping power ballads as he was for straight-ahead rock tunes. This album, filled with nearly 75 minutes of showstopping arena rockers and mid-tempo ballads, featured no less than five hit singles, the most notable being the Robin Hood Prince of Thieves theme "(Everything I Do) I Do It for You." That ballad spent seven weeks atop the U.S. pop charts, becoming the longest-reigning American chart-topper since Prince's "When Doves Cry" seven years earlier. The song also became a phenomenon in Europe, becoming Adams' biggest hit ever. Other singles which followed included the joyous rocker "Can't Stop This Thing We Started," which became a number two hit, the mid-tempo ballads "Do I Have to Say the Words" and "Thought I'd Died and Gone to Heaven," and the fun, straight-ahead rocker "There Will Never Be Another Tonight."

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.

The legendary Pooh return to the scenes to celebrate sixty years of their career. This definitive new collection celebrates their story: 5 CDs with 75 personally selected tracks from Roby, Dodi, Red and Riccardo, enriched with 4 unreleased tribute covers. Each track regains its maximum sound power thanks to the audio restoration of Marco D'Agostino, while the graphic appearance echoes the iconic concept of the 25th anniversary (1990). An unmissable anthology that seals an unparalleled story.

Thin Lizzy were a band at the peak of their powers in 1976, having released both Johnny the Fox and Jailbreak in one year - the definitive Thin Lizzy studio albums featuring such hits as ‘The Boys Are Back In Town’, ‘Jailbreak’, ‘Warriors’, and ‘Cowboy Song’.Jailbreak was released in March 1976 and was seen as the band’s breakthrough album in America, reaching number 18 on the Billboard charts and was a top ten record in the UK.Johnny The Fox was recorded in the same year and was released in October 1976 to critical acclaim, reaching no.11 in the UK charts.This show (Cleveland 11/05/1976 WMMS Radio Broadcast), pulled from the acclaimed box set, is the first official version on vinyl, presented as a 2LP set with printed inserts and on transparent vinyl.

This is the reality of Brown. 3LPs of previously unreleased Ween. Includes the long lost studio sessions recorded in Eindhoven on Christmas Day 1990 on LP1 plus the extremely Brown Live in Basel "1990" live show (which may be the best Ween show of all time per Dean Ween) from either December 1990 or January 1991 on LPs 2 and 3. Limited Edition release for Record Store Day 2026.

Nine Inch Nails are responsible for pulling the harsh sounds of industrial rock into the mainstream, with Trent Reznor and his band becoming the face of industrial music in the '90s with "Head Like a Hole," "Closer," and "Hurt" became hits and The Downward Spiral (1994) and The Fragile (1999) topped the charts. Nominated for over a dozen Grammys, NIN won Best Metal Performance awards in 1992 and 1996 for two tracks – "Wish" and "Happiness in Slavery" – from their metallic EP Broken. Reznor maintained his chart success with 2005's With Teeth and 2007's Year Zero, just as the band's sound expanded to incorporate more atmospheric electronic elements as heard on the Ghosts series, The Slip, and Hesitation Marks. In 2016, after decades as the only official member of the band, he welcomed English producer Atticus Ross – his longtime film scoring partner and bandmate in side project How to Destroy Angels – as NIN's official second member.

Recorded during a warm night in Athens under the Acropolis, this album captures Air at their most magnetic and ethereal. Blending analog warmth with their unmistakable electronic grace, the duo plays its classic album unveils new arrangements that resonate through the oldest theater in the world's mesmerizing acoustics.

A breakout from the 44th Anniversary Deluxe Edition of 4 released earlier this year, Foreigner 4 Live Tour 1981-82 explores the bands explosive live performances, recorded live during their early 80's world tour to support the original album release. The new double LP RSD Exclusive vinyl includes shows at Anaheim Stadium in California, the Odeon in Birmingham, England, and at Westfalenhalle in Dortmund, Germany.

Grateful Dead So much more than just the archetypal jam band, the Grateful Dead grew to become an artistic and cultural institution that existed entirely on their own terms. While the band initially came out of a psychedelic revolution in the Bay Area's musically and chemically exploratory mid-'60s, they quickly evolved from their acid rock beginnings, incorporating elements of Americana and Bakersfield country into gently majestic albums like 1970's American Beauty. Their live shows were completely separate from their studio output, based on freeform improvisation borrowed from jazz and made up of extended performances and set list variations that ensured no two shows were exactly like. Though the band recorded only 13 studio albums between 1967 and 1989, an entire counterculture formed around their endless touring, and they even broke through to the mainstream with an unlikely radio hit in the MTV era.