Italia, the new album by Vanessa Benelli Mosell, will be released on September 15th in digital format (and from September 22nd on CD). 300 years of Italian piano in a program that surprises for its unusual chronological vastness: starting from the early eighteenth century of Scarlatti's Sonata K 141 and arriving at 2015 with the piece by Ezio Bosso. There is also a tribute to a Neapolitan song, another segment of the great Italian musical heritage, with “I' te vurria vasà” performed by the famous tenor Francesco Meli.

The origins of Stone go back to 2020. It is not a pandemic record, but the core of it was written during its darkest days. Anxiety, relief, and resolve are stitched deeply throughout. When the foursome was isolated in Pennsylvania and New York, turning stems of music into full-fledged songs felt insurmountable. Barones toiled as the world roiled. Creativity fully flourished only when they escaped to an Airbnb in Barryville, a quaint hamlet on the New York / Pennsylvania border. The undulating "Beneath the Rose," the energetic drive of "Anodyne," the trad-metal burlof "Last Word," and the dynamic introspection of “Shine” rushed out, as did the motorik of “Choir” and the emotional heft of “Magnolia.” Stone was a sort of catharsis, a turning of the page, a middle finger to the suffocating insincerity of expectation.

Tout feu, tout bleu. S’il fallait dépeindre le nouvel album de Jil Caplan avec des couleurs, ce serait celles-là. Feu comme le brasier de la colère et l’incendie de la passion, bleu comme l’azur infini et les meurtrissures de l’âme. La braise et le blues, la flamme et le spleen. Il conviendrait aussi d’y ajouter sensualité et mélancolie, tournoyant dans un tourbillon d’émotions. Comme un soleil noir, aussi sombre qu’incandescent. Sur les cendres danser, pour retrouver la joie, l’envol, pour revivre tout simplement. Après la pop électro de Derrière la porte et le jazz manouche d’Imparfaite, ses précédents albums, Jil Caplan revient à ses éternelles amours, un retour aux sources qui l’ont toujours nourrie : le folk rock à guitares, les ballades charnelles, les harmonies subtiles, quelque part entre Paul McCartney et Jeff Buckley.

Braun's affection for the work of the masterful songwriter has now reached full bloom with Night And Day (The Cole Porter Songbook)- Adi Braun's love affair with the music of Cole Porter runs long and deep. The acclaimed Toronto jazz and cabaret chanteuse has long covered his tunes in her performances and on record. She describes the music of her favorite Great American Songbook writer as "delicious, a great combination of naughty, provocative, sensuous, witty and devastatingly beautiful.

The Chronicles of Father Robin is a Norwegian prog-rock supergroup, with members hailing from Norway’s symphonic prog kings Wobbler, the ever non-definable Tusmørke, seasoned post-rockers The Samuel Jackson Five and the elusive prog gem that is Jordsjø. “The Songs & Tales of Airoea”, 30 years in the making, is a cohesive triple concept album with 18 songs set in an alternate archaic world for over a period of three decades. The first album, “Book I”, will be released on September 15th, with the single Eleision Fields preceding it.

Though they continue to grow, The 4th Album is a return to form for Los Angeles-based blues rock band The Record Company.

Bombino is back with a brand new studio album - 'Sahel'. The new record is Bombino’s first full album in over five years, and follows 2018’s ‘Deran’, which garnered praise like "the Sultan of Shred" from The New York Times, and "the World's Best Guitarist" from Vice. This praise also turned the guitar luminary + Tuareg folk hero into the first-ever GRAMMY®-nominated artist from Niger. ‘Sahel’ was produced by produced by David Wrench (David Byrne, Frank Ocean, Caribou, The xx) and was recorded at Studio HIBA in Casablanca, Morocco.

On his second album, The Fatalist, Carl “Buffalo” Nichols does things with the blues that might catch you off guard. There’s 808 programming, chopped up Charley Patton samples, washes of synth. There’s a consideration of the fullness of the sonic stage and the atmospherics of the music that can only come with a long engagement with electronic music. But this is no gimmicky hybrid or attempt to turn the blues into 21st century music by simply dressing it with skittering hi-hats.

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life.

There are no songs for Prelude and Fugue No. 15, Bwv 884: Prelude (the Well-tempered Clavier, Book Ii) by Tzimon Barto. You can click here to post the lyrics to this song.

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With 4 musicians, 3 voices, 2 guitars and a sound, the young band takes off in the direction of a rousing rock sound, which is somehow reminiscent of the 70s, 80s and 90s, but at the same time ignites with self-written songs and a fresh harmony wind.
The Saarland formation unites the two solo projects of Isabell "Easy" Krohn and Vincent Klein and is rounded off by the outstanding musicians Leonard Klein on drums and David Rauth on bass.

ilhelm Furtwängler celebrates Bruckner (Vol. II)
Furtwängler has left us with 112 live concert recordings.

Saxophonist Jerome Sabbagh is an old soul. He favors spontaneity between performers on the bandstand, prefers the feel of a swinging band to heady, over-wrought music, and likes the sound of analog over digital.

Exploration, the brand new album by Noémi Győri and Suzana Bartal is out next week. In Noémi’s own words this record “strives to celebrate the act of ‘playing’ both in composition and in performance, through this versatile collection of romantic works for flute and piano, which together capture the essence of expressive music-making through the playful act of variation in works by Schubert, Blahetka, Beethoven and Borne.”